Mark Dawidziak
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For 101 reviews, this critic has graded:
  • 59% higher than the average critic
  • 1% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Mark Dawidziak's Scores

Average review score: 68
Highest review score: 100 Ed: Season 1
Lowest review score: 0 Hot Properties: Season 1
Score distribution:
  1. Positive: 65 out of 101
  2. Negative: 10 out of 101
101 tv reviews
    • 68 Metascore
    • 100 Mark Dawidziak
    The cast is first rate, delivering sympathetic and believable performances. The writing is intelligent, providing intellectual grist to the grisly moments. And the direction is as crisp as it is clever. [20 Sept 1999, p.1E]
    • Cleveland Plain Dealer
    • 86 Metascore
    • 100 Mark Dawidziak
    An intense, intriguing and exciting mix of action and horror. [22 Sept 2004, p.E1]
    • Cleveland Plain Dealer
    • 89 Metascore
    • 100 Mark Dawidziak
    Generous with the laughs. A wonderfully quirky and stylish series from a creative team headed by director-producer Ron Howard, this isn't merely the best new comedy of the season. It's the best new show of any kind.[2 Nov 2003, p.J1]
    • Cleveland Plain Dealer
    • 87 Metascore
    • 100 Mark Dawidziak
    It's where quirky meets quixotic, and the mix is enchanting - equal parts wit and whimsy. [8 Oct 2000, p.11]
    • Cleveland Plain Dealer
    • 85 Metascore
    • 100 Mark Dawidziak
    Like "Freaks and Geeks," however, Undeclared is considerably smarter, sharper and slicker than your average network series. If at times the comedy strays below the belt, it justifies these moments by appealing to our hearts and minds. [25 Sept 2001, p.E1]
    • Cleveland Plain Dealer
    • 79 Metascore
    • 100 Mark Dawidziak
    Amber Tamblyn (yes, she's the daughter of "Twin Peaks" star Russ Tamblyn) shines in the title role. Her Joan is a delightful adolescent mix of hope, doubt, joy, anger, anxiety, yearning and skepticism...Viewers searching for a promising new drama will do no better this season than Joan of Arcadia, which walks that tricky line of being spiritual without becoming preachy, touching without turning treacly, humorous without going for the cheap jokes. [26 Sept 2003, p.E1]
    • Cleveland Plain Dealer
    • 97 Metascore
    • 100 Mark Dawidziak
    HBO made four of the 13 new episodes available for review. Taken as a whole, they stand as compelling proof that the series' creator and executive producer, David Chase, still is in complete control of the brilliantly constructed crime saga. [4 Mar 2001]
    • Cleveland Plain Dealer
    • 84 Metascore
    • 100 Mark Dawidziak
    Still standing magnificently tall in its fifth season, Justified more than justifies its place as one of television's best dramas. That's a crowded field, of course, but, in this critic's opinion, it is not just one of the best. It is THE best.
    • 90 Metascore
    • 100 Mark Dawidziak
    A four-alarm run of fiery performances laced with hurt and hilarity. It means writing that swerves brilliantly from racy humor to lacerating pain, from steamy encounters to brutal insights. And it means spending quality time with some of the most human, street-level, flesh-and-blood characters you're likely to encounter anywhere in the television realm. [30 May 2006, p.E1]
    • Cleveland Plain Dealer
    • 85 Metascore
    • 100 Mark Dawidziak
    No drama mixes the profoundly painful with the profanely funny more expertly than Rescue Me, Denis Leary's FX series about New York City firefighters. As laughter wraps itself around anguish on this Manhattan landscape, you wonder if what's unfolding is an epic American tragedy or a raunchy workplace comedy. [12 June 2007, p.E1]
    • Cleveland Plain Dealer
    • 77 Metascore
    • 100 Mark Dawidziak
    Under the guise of fantasy, Roswell manages to be insightful, profound, romantic, eerie, mysterious and funny. It artfully uses the alien characters as engaging stand-ins for countless teenagers who, rebelling against pressures to conform, feel like beings from another planet. [6 Oct 1999, p.1E]
    • Cleveland Plain Dealer
    • 94 Metascore
    • 100 Mark Dawidziak
    "Justified" and Game of Thrones, each in its own way, has done its share to raise that bar to dizzying heights.
    • 93 Metascore
    • 100 Mark Dawidziak
    His character is brought low often enough, but no comedy soars higher.
    • 72 Metascore
    • 90 Mark Dawidziak
    Drenched in whom-do-you-trust paranoia and dripping with suspense, "Invasion" grabs you by the throat in the opening seconds and never lets go.
    • 88 Metascore
    • 90 Mark Dawidziak
    It easily lives up to its advance billing as the best new show of the fall season.
    • 75 Metascore
    • 90 Mark Dawidziak
    Although the promising drama has its self-conscious moments when the offbeat stuff seems a trifle forced, Laurie delivers a consistently fascinating performance as the abrasive diagnostician. Even with the labored interludes, the series stands as, to borrow an old rock lyric, “a very, very, very fine” House. [16 Nov 2004, p.E4]
    • Cleveland Plain Dealer
    • 89 Metascore
    • 90 Mark Dawidziak
    Stylish and briskly paced, Boomtown clearly shows the impact of "Pulp Fiction" in its quirky dialogue. The impact of "Rashomon," Kurosawa's film about a murder recounted in different ways, is most obviously seen in the program's structure. [29 Sept 2002, p.J1]
    • Cleveland Plain Dealer
    • 79 Metascore
    • 90 Mark Dawidziak
    Sarcastic yet engaging, edgy yet heartfelt. [2 Oct 2001, p.E1]
    • Cleveland Plain Dealer
    • 79 Metascore
    • 90 Mark Dawidziak
    Stark and disturbing, The Wire, like HBO's "Oz" and "The Sopranos," is not for those of tender sensibilities. It is often violent and vulgar. But, make no mistake, it is often brilliant. [1 June 2002, p.E6]
    • Cleveland Plain Dealer
    • 88 Metascore
    • 90 Mark Dawidziak
    The show wins points for innovation, intelligence and solid production values. [6 Nov 2001]
    • Cleveland Plain Dealer
    • 79 Metascore
    • 90 Mark Dawidziak
    '24' seems to have smartly reinvented the intriguing formula, getting itself back on track for what could be the best season to date. [9 Jan 2005]
    • Cleveland Plain Dealer
    • 65 Metascore
    • 90 Mark Dawidziak
    Every bit as intriguing as it is intelligent. [13 Jun 2005]
    • Cleveland Plain Dealer
    • 86 Metascore
    • 90 Mark Dawidziak
    Although technically listed as a drama, make no mistake, it's one of the funniest programs on TV this season.
    • 77 Metascore
    • 90 Mark Dawidziak
    The show has lost none of its expert knack for building suspense and tossing surprises.
    • 88 Metascore
    • 90 Mark Dawidziak
    This trio of tales uses plot elements from the original stories in wonderfully inventive and deliciously brilliant ways. In other words, knock the dust off of 221B Baker Street.
    • 74 Metascore
    • 90 Mark Dawidziak
    If you have a strong enough stomach to get through the yuck-and-yikes surgical procedures, the dramatic rewards are great. If you prefer shows with an edge and an attitude, make your appointment with Miami partners Sean McNamara (Dylan Walsh) and Christian Troy (Julian McMahon)...And if you like your television served up with wit, intelligence and a bit of daring, you won't have much to say if someone asks, "Tell me what you don't like about Nip/Tuck. "[22 June 2004, p.E1]
    • Cleveland Plain Dealer
    • 86 Metascore
    • 90 Mark Dawidziak
    It's a sentimental journey, to be sure, but it never gives in to sentimentality. And while Tyson leads the way on this trip of a Lifetime, she is surrounded by co-stars adding illumination at every turn.
    • 59 Metascore
    • 90 Mark Dawidziak
    A smart, stylish, sexy romp full of sizzling patter and clever chatter. Behind the glitz and glamour of Sin City are solid performances by Caan and his immediately likable co-stars. [22 Sept 2003, p.D7]
    • Cleveland Plain Dealer
    • 64 Metascore
    • 90 Mark Dawidziak
    It’s raucously funny in its own right and in its own way. If the first season’s remaining nine episodes are anywhere near as laugh-out-loud hilarious as tonight’s opener, Barbershop: The Series will be nothing less than Showtime’s strongest entry yet in the comedy field. [14 Aug 2005, p.J1]
    • Cleveland Plain Dealer
    • 89 Metascore
    • 90 Mark Dawidziak
    Director Michael Apted and writer Michelle Ashford masterfully guide you back into the Masters of Sex story, providing a beautifully textured framework for these wonderfully nuanced performances.
    • 73 Metascore
    • 90 Mark Dawidziak
    This is hardly a one-character show. Ray is at the center of the movie-land maelstrom, to be sure, but everything around him is intriguing. And everything speaks to danger.
    • 88 Metascore
    • 90 Mark Dawidziak
    Weaving the lives of these three towering Roosevelts into one triumphant 14-hour film, Burns has found another ideal prism for examining the American character and the American story.
    • 80 Metascore
    • 90 Mark Dawidziak
    The Walking Dead still has a strong grip on our imagination as it continues to aim at all three levels--brain, heart and stomach--with deadly accuracy.
    • 50 Metascore
    • 80 Mark Dawidziak
    Although "Reunion" has its labored and lackluster moments, it is an admirable attempt to try something a little different with traditional prime-time formats. Give this one major innovation points.
    • 64 Metascore
    • 80 Mark Dawidziak
    Like "The X-Files," a series it resembles in both look and tone, "Threshold" is as much a horror show as it is a science-fiction program.
    • 69 Metascore
    • 80 Mark Dawidziak
    What truly makes the Bays-Thomas collaboration smarter than your average sitcom is the storytelling chances taken by the script.
    • Cleveland Plain Dealer
    • 77 Metascore
    • 80 Mark Dawidziak
    "My Name Is Earl" is a good show that doesn't quite have the feel of being the next "Seinfeld" or "Cheers." But like Lee's Earl, Garcia's feel-good concept is strangely effective. If not brilliant, it is ambitious, and it is definitely funny.
    • 89 Metascore
    • 80 Mark Dawidziak
    Even if you're bothered by the "oh-come-on" moments, you're more than compensated with the sheer number of "oh-wow" moments. They are in huge supply over the course of this opening four-hour run.
    • 63 Metascore
    • 80 Mark Dawidziak
    While often great fun, the series' premiere occasionally shows the strain of trying to blend all of those genres into one sleek package. On the plus side of the Firefly universe, the show is expertly paced and is full of those wickedly humorous asides that fans of "Buffy" and its ever-improving spinoff, "Angel," expect from the mischievous Whedon. [20 Sept 2002, p.E1]
    • Cleveland Plain Dealer
    • 92 Metascore
    • 80 Mark Dawidziak
    With a cast led by Michael Chiklis and CCH Pounder, The Shield isn't just pushing boundaries. It's bashing through them like police officers wielding those door-destroying battering rams. The results are often quite arresting... Chiklis and Pounder are terrific. Their co-stars aren't even close to being in their league. [12 Mar 2002, p.e5]
    • Cleveland Plain Dealer
    • 69 Metascore
    • 80 Mark Dawidziak
    despite some clunky moments, Daly's The Fugitive sprints well past the vast majority of this fall's freshman series. [6 Oct 2000, p.5E]
    • Cleveland Plain Dealer
    • 83 Metascore
    • 80 Mark Dawidziak
    '24' is back in top storytelling form, spinning an intricate new web of mystery and suspense. [29 Oct 2002]
    • Cleveland Plain Dealer
    • 79 Metascore
    • 80 Mark Dawidziak
    Part prime-time soap opera, part wicked social satire, this unpredictable newcomer has a blast poking around at the dark edges of a sunny and seemingly perfect suburban neighborhood. [3 Oct 2004]
    • Cleveland Plain Dealer
    • 91 Metascore
    • 80 Mark Dawidziak
    If some plot elements in the third season seemed forced (and they did), then Fellowes seems to have completely regained his balance in the fourth season. And that balance means expertly bouncing between the upstairs and downstairs worlds of Downton, letting the plot turns flow naturally, carrying us along joyously for the posh ride.
    • 80 Metascore
    • 80 Mark Dawidziak
    Matching last year's blistering pace is a dizzying challenge for Netflix, but this is the team that can get them off to a flying start.
    • 67 Metascore
    • 80 Mark Dawidziak
    It's familiar enough territory, to be sure, yet it's covered in lively fashion, thanks mostly to Katims' breezy script and the delightful comic chemistry between Walton and young Stockham.
    • 67 Metascore
    • 80 Mark Dawidziak
    Checking in means checking out what's in store for the second season, and the tantalizing possibilities are gleaming like the surface of a highly-polished knife blade.
    • 70 Metascore
    • 80 Mark Dawidziak
    It starts at a dead run and never slackens its pace.
    • 70 Metascore
    • 80 Mark Dawidziak
    The result is a delightful horror hodgepodge packed with eerie surprises, colorful characters and Gothic plot twists.
    • 85 Metascore
    • 80 Mark Dawidziak
    Serve up enough great moments (and The Normal Heart certainly does), and Ryan's occasional missteps are easily dismissed as mere annoyances, not major gaffes.
    • 68 Metascore
    • 80 Mark Dawidziak
    Murder in the First is an immediately engaging crime drama boasting a deep cast and crisp direction.
    • 72 Metascore
    • 80 Mark Dawidziak
    While The Strain is pretty much a cauldron churning with familiar ingredients, the dark brew bubbling inside is served up with a great deal of panache.
    • 80 Metascore
    • 80 Mark Dawidziak
    There is a warm sense of family in this series. There is a distinctive sense of style--of being its own kind of show. And there is a sly sense of humor. On all three counts, Jane the Virgin delivers.
    • 65 Metascore
    • 70 Mark Dawidziak
    A riveting, suspenseful, briskly paced drama packed with intriguing performances.
    • 61 Metascore
    • 70 Mark Dawidziak
    America doesn’t exactly need another urban crime drama, but this one demands and deserves attention. [22 Sep 2004]
    • Cleveland Plain Dealer
    • 65 Metascore
    • 70 Mark Dawidziak
    If it's time for a new military comedy, this is a good one. It marches to the beat of its own dumb drum.
    • 87 Metascore
    • 70 Mark Dawidziak
    As brilliant as many of the storytelling flourishes are, the narrative frequently suffers from awkward construction, clumsily bouncing among three time periods.... It's a brainy drama, to be sure, and it's a challenging one. The riveting lead performances are what keep you engaged when the going gets static--something more than engaged, actually.
    • 65 Metascore
    • 70 Mark Dawidziak
    Fallon, 39, made an energetic and charming debut Monday night as the Tonight Show host. But providing the real rocket fuel for this high-profile launch were the many stars dropping by to wish him luck.
    • 63 Metascore
    • 70 Mark Dawidziak
    It's moving so fast that the missteps never turn into a full-fledged fall. More than compensating, Anderson and Mulroney deliver big time, while Gross and Erenberg make a surprisingly winning odd-couple team. If there is a weak link in this cast, it's probably Taylor, who has yet to convince us she's a savvy and experienced FBI agent.
    • 49 Metascore
    • 70 Mark Dawidziak
    There's plenty of room in the graveyard for Salem, although it's way too early to tell if it can effectively build on the scary and sensual elements introduced in Sunday's premiere.
    • 54 Metascore
    • 70 Mark Dawidziak
    The potential definitely is there for a bloody good finale. The setup is intriguing enough.
    • 52 Metascore
    • 70 Mark Dawidziak
    If not top-tier TV terror fare, Under the Dome certainly is solid second-level stuff. And given the state of horror on television these days, that's a bloody good compliment. Even while acknowledging the occasional misstep, give Under the Dome credit for getting a lot of things right.
    • 50 Metascore
    • 70 Mark Dawidziak
    The dialogue is intentinonally bad. The CGI work is intentionally cheap. The plot is intentionally ludicrous. The shock tactics are intentionally schlocky. And all this bad adds up to one monstrously good time, particularly if experienced with a rowdy and ready group of friends.
    • 71 Metascore
    • 70 Mark Dawidziak
    Eventually, though, the series will need to get past some growing pains and mature into a drama that fully embraces the comic-book elements. You may have doubts about Heller reaching that destination, but, with this blazing a start, you'll want to be along for the thrill ride as he sets out to solve that riddle.
    • 73 Metascore
    • 70 Mark Dawidziak
    Although not anywhere near as epic in scale as Fox's Batman prequel, "Gotham," The Flash does have a better sense of what it has set out to be: a sturdy superhero drama with an engaging lead character played by likable young star.
    • 55 Metascore
    • 60 Mark Dawidziak
    There's a fine line between clever and labored, and "Bones" sometimes strays over that line with one-liners about skull fragments, blood samples, X-rays and microbes. That's where "see how cleverly we can banter" writing creeps into the otherwise crisp proceedings.
    • 54 Metascore
    • 60 Mark Dawidziak
    Here's where you'll find the saccharine avoided by "About a Boy." You'll also find the occasional trite twist and labored comic turn. Still, Growing Up Fisher undeniably jumps to life when Simmons is on the screen, which is quite a lot. That's what gives this underdeveloped newcomer a fighting chance.
    • 59 Metascore
    • 50 Mark Dawidziak
    The creep factor runs high, and it had better in a series called "Supernatural." But the series also has its overly familiar and just-plain-silly moments.
    • 48 Metascore
    • 50 Mark Dawidziak
    Give it some style points, no doubt, because there are several very cool moments. But you get the feeling that Spotnitz knows where the problems are, and he's trying to fix them.
    • 75 Metascore
    • 50 Mark Dawidziak
    Weighed down by an uncertain design, the rookie series certainly is off to a rocky start. [5 Oct 1999, p.2E]
    • Cleveland Plain Dealer
    • 65 Metascore
    • 50 Mark Dawidziak
    At this point, "Carnivale" is a frustrating blend of intriguing and annoying elements. The writers are taking chances, and you have to give them credit for that, but they haven't quite perfected this mystical mixture of metaphor and metaphysics, mystery and magic. [13 Sep 2003]
    • Cleveland Plain Dealer
    • 57 Metascore
    • 50 Mark Dawidziak
    The writing and direction are uneven as ever, lurching clumsily from intriguing to annoying. [8 Jan 2005]
    • Cleveland Plain Dealer
    • 54 Metascore
    • 50 Mark Dawidziak
    There are, to be sure, many memorable moments along the way to Monday's second half, but this is one of those padded two-parters that easily could have been trimmed to three hours and aired one night instead of two. And most of the padding is in Sunday's first half.
    • 70 Metascore
    • 50 Mark Dawidziak
    A mixed-bag hour that, in the parlance of the cosmetic-surgery world, could use a little work. [22 July 2003, p.E1]
    • Cleveland Plain Dealer
    • 85 Metascore
    • 50 Mark Dawidziak
    In the past, the slower season premieres crackled with energy. You could feel the tension. Traveling through Time Zones, you experience something of a power failure.
    • 69 Metascore
    • 50 Mark Dawidziak
    Due to faulty programming, it's a mixed bag of delights and drawbacks. The performances are exceptional. The dialogue is ham-fisted and stilted. The dark, grim tone is intriguing. The pace is choppy.
    • 65 Metascore
    • 50 Mark Dawidziak
    There's deliberate and there's plodding. This is plodding. Indeed, the jittery camera work and abrupt flashbacks almost take it from plodding to stumbling.... The acting styles differ greatly, yet none of the capable regulars hits a false note, whether playing subdued rage or over-the-top fervor.
    • 78 Metascore
    • 50 Mark Dawidziak
    There is one depressing symptom noticeable throughout tonight's opener. Even with the dialogue blazing by us, we can't help noticing how tired cliches, awkward observations and anemic lines are seriously reducing the script's overall vitality...What this show needs is an emergency transfusion of fresh writing. It needs scripts as strong as the acting and directing. Without that, Gideon's Crossing will remain this simmering cauldron of potential - a potent mixture waiting to be brought to full boil. [10 Oct 2000, p.9E]
    • Cleveland Plain Dealer
    • 70 Metascore
    • 50 Mark Dawidziak
    The dreary, leaden dialogue is the real crime in this drama. Around every Miami corner in the early episodes, you catch the writers in the act of assaulting viewers with self-importance and stilted banter. [1 Oct 2003, p.E9]
    • Cleveland Plain Dealer
    • 53 Metascore
    • 50 Mark Dawidziak
    The wildly uneven Constantine premiere is a decidedly mixed bag of magic tricks. It's moody and mysterious. It's also muddled and meandering.
    • 29 Metascore
    • 40 Mark Dawidziak
    The problem with "Ghost Whisperer" is its lack of focus.
    • 33 Metascore
    • 40 Mark Dawidziak
    The best aspect of "Freddie" is that it makes an earnest attempt to depict a loving, supportive Latino family. You want to spend time with them, but only if the writers put as much sizzle into the scripts as Freddie does in his beloved recipes.
    • 44 Metascore
    • 40 Mark Dawidziak
    The odd thing about "Conviction" is the awkward way it lurches between the legal maneuverings and the personal issues of the central characters. While the courtroom scenes are entertaining, if frequently obvious, the up-close-and-personal stuff is what proves to be a real trial.
    • 72 Metascore
    • 40 Mark Dawidziak
    The show at least moves at a fast clip and blazes past some impressive scenery ... Despite the higher production values, "The Amazing Race" offers little more than a blur of people shouting, "Which way do we go?" [5 Sep 2001]
    • Cleveland Plain Dealer
    • 71 Metascore
    • 40 Mark Dawidziak
    Many aspects of the 12-part Rome might leave you cold. While certainly impressive in scope and scale, HBO’s awkward stab at a series is being made with a programming weapon that’s often blunt, dull and unwieldy... Where Rome gets tripped up is in the uneven performances and lackluster writing. This is what truly causes the fall of this particular Roman empire. [28 Aug 2005, p.J1]
    • Cleveland Plain Dealer
    • 55 Metascore
    • 40 Mark Dawidziak
    Sequoyah is a charmer, and a few of the action sequences help grease the wheels on this fast-paced ride. Yet it's not enough to make up for the cloying and cliched writing.
    • 47 Metascore
    • 40 Mark Dawidziak
    Nothing on this futuristic landscape stands out: the performances, the dialogue, the direction, the special effects. The premise is solid enough. Yet everything constructed on this foundation seems to have been fashioned from nothing more substantial than cardboard.
    • 54 Metascore
    • 40 Mark Dawidziak
    As Barry struggles with his sense of identity, so does this series. There is little consistency of tone here, and the efforts to depict a realistic Middle Eastern political struggle are undermined by campy and melodramatic moments.
    • 59 Metascore
    • 40 Mark Dawidziak
    While the two episodes that the network sent to critics stumble baldly into the humor-impaired category, each manages to sparkle for a moment or two. And Emmy winner Louis-Dreyfus provides most of the sparkle. [26 Feb 2002]
    • Cleveland Plain Dealer
    • 68 Metascore
    • 40 Mark Dawidziak
    Extant is a hodgepodge that serves up some creepy moments but gets bogged down by the inelegance of its copycat nature. It rumbles when it should roar. It stumbles when it should soar.
    • 45 Metascore
    • 40 Mark Dawidziak
    The real strain is in trying to turn Tarzan into a crime fighter like Spider-Man, complete with the gravity-defying leaps and whoosh-wham special effects. [4 Oct 2003, p.E6]
    • Cleveland Plain Dealer
    • 61 Metascore
    • 30 Mark Dawidziak
    Halfway through tonight's clunky and cartoonish debut, it dawns on you that we're stuck in the middle of Operation Letdown.
    • 40 Metascore
    • 30 Mark Dawidziak
    Has little to offer but formula storytelling and conventional crime-drama techniques.
    • 74 Metascore
    • 30 Mark Dawidziak
    Six Feet Under is as artificial as the AstroTurf funeral directors place around a grave site. [3 June 2001, p.91]
    • Cleveland Plain Dealer
    • 59 Metascore
    • 30 Mark Dawidziak
    Obvious similarities to the Jason Bourne films and other espionage stories are only part of the derivative drama's problems. The lurching plot turns are preposterous. The supporting characters are thinly drawn. The structure is terribly disjointed. And the dialogue ranges from ham-fisted to stilted.
    • 56 Metascore
    • 20 Mark Dawidziak
    The writing on "Commander in Chief" often is so distressingly thin and pale, this West Wing drama will suffer in comparison to the robust early years of, well, NBC's "The West Wing."
    • 54 Metascore
    • 20 Mark Dawidziak
    More insipid than insightful, Popular fails to fill the bill. Emotionally overwrought and intellectually underdeveloped, the fledgling series is everything you've come to expect from a Hollywood examination of high school - and less. [29 Sept 1999, p.4E]
    • Cleveland Plain Dealer
    • 43 Metascore
    • 20 Mark Dawidziak
    This incredibly trite and preposterous series are serious about all the hackneyed twaddle lumbering and stumbling into view Monday night. Just when you think it can't get more laughably bad, it does.
    • 44 Metascore
    • 10 Mark Dawidziak
    This funny fellow is trapped in a series that isn't even remotely funny. [27 Mar 2002, p.E1]
    • Cleveland Plain Dealer
    • 31 Metascore
    • 0 Mark Dawidziak
    This is a leading contender for the title of worst new show of the season.
    • 63 Metascore
    • 0 Mark Dawidziak
    It's another faulty futuristic fantasy drama patched together with used parts and overused designs.

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