Mary McNamara

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For 581 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 66 out of 581
581 tv reviews
    • 81 Metascore
    • 90 Mary McNamara
    For those Americans who have fallen through some wormhole and have never seen "Law & Order," the British version is as good a place to start as any--Walsh, Bamber and Agyeman in particular deliver fine performances. And those put off by the new "Law & Order: Los Angeles" or just jonesing for the good old days, will no doubt find a trip to London positively...brilliant.
    • 78 Metascore
    • 90 Mary McNamara
    Becoming Chaz is undoubtedly one of the most thought-provoking films you will see on any screen this year, a frankly chronicled tale of Chaz's life as a transgender man that opens a more than occasionally mind-blowing conversation about the essentials of gender, and subsequently, sexuality.
    • 91 Metascore
    • 90 Mary McNamara
    A dozen characters, played by the inevitably glorious assortment of British actors, crisscross in an astonishingly fluid game of cat's cradle, bringing this small town miraculously to life but never straying too far, or too absurdly, from the narrative through line.
    • 73 Metascore
    • 90 Mary McNamara
    Parade's End must be taken on its own terms, because it is offering something rare and provocative: a poetically precise consideration of what it means to be caught out of time, clinging to the lip of one era or reaching desperately for a foothold in the other.
    • 88 Metascore
    • 90 Mary McNamara
    With Treme (which refers to a New Orleans neighborhood and is pronounced treh-MAY), Simon, co-creator Eric Overmyer and their team of writers (including the late, great David Mills) have proved that television as an art form cannot only rival Dickens, it can hold its own against Wagner.
    • 78 Metascore
    • 90 Mary McNamara
    It is the best new show of the fall. It's a rapturous mix of absurdly fairy-tale-romance and frantic modern complications, set in the picturesque drear of Yorkshire and brought to life by masterfully shaded performances.
    • 85 Metascore
    • 90 Mary McNamara
    It's a terrific idea lyrically written and perfectly cast.
    • 82 Metascore
    • 90 Mary McNamara
    The filmmakers do not beat a political drum, they do not use an impassioned script or a soundtrack comprising brass and strings; they do not attempt to incite anger or outrage, sorrow or resolve in any way. Instead, they present the facts, simply and gracefully, and the result is devastating.
    • 79 Metascore
    • 90 Mary McNamara
    Marta Cunningham's documentary Valentine Road is a profoundly disturbing and extremely effective attempt to make us stop in our tracks and try to answer the questions we so patly ask.
    • 78 Metascore
    • 90 Mary McNamara
    Cancer is, of course, its own ongoing holocaust, and Goodman is determined to examine it thoroughly, objectively (which is not to say clinically) and fearlessly. The result is possibly the least live-tweetable six hours of television you will ever see and also among the most important.
    • 81 Metascore
    • 90 Mary McNamara
    It's [Jessica Jones'] superhumanity, rather than her superpowers, that makes the show so riveting.
    • 71 Metascore
    • 90 Mary McNamara
    Each of the main pairings could hold a lesser show aloft; that Holland attempts to juggle and then connect them, while also exploring the divine and mundane events that draw people together, is impressive. That he pulls it off with wit and wonder is simply amazing.
    • 76 Metascore
    • 80 Mary McNamara
    It is impossible to watch the gravity-defying catches, the Olympian throws, and the hits soaring into the stands and not be moved. Watching professional athletes in the moments of their glory is a wonderful thing; knowing what was at stake makes it even more moving.
    • 80 Metascore
    • 80 Mary McNamara
    But it's Claire, and the Underwood marriage, that makes "House of Cards" more than just a better-than-average addition to the genre of Antihero Drama Being Used to Establish a New Fiefdom in the Television Landscape (see also "Nip/Tuck," "Dexter," "Mad Men," "Vikings" and "Klondike").
    • 71 Metascore
    • 80 Mary McNamara
    Scenes unspool, lives unwind, wicked acts are done, but so is justice, and under the lovely and indifferent African sun, it seems there is all the time in the world. It's hard to imagine a better place to be.
    • 76 Metascore
    • 80 Mary McNamara
    Along with the story line insights, there is a feeling of control overarching the early episodes, a narrative fluidity replacing the spikier, and quickly tiresome, need to shock. Oh, Hannah's still naked and body fluids anchor several conversations, but Girls seems to be maturing as a creative enterprise just as its characters are maturing as people.
    • 87 Metascore
    • 80 Mary McNamara
    There is a cool cleverness to the show that is both attractive and off-putting; the characters are flawed and hyper-aware of their flaws, the stories so bent on covering every angle of self-examination that there is no real role for the viewer to play.
    • 76 Metascore
    • 80 Mary McNamara
    Funny, yes, but in a revelatory way. It is not unusual for a working mother to view every relationship in her life as simply a matter of fulfilling the next indicated task, but I don't think it has ever been so wonderfully, and painfully, captured on television before.
    • 69 Metascore
    • 80 Mary McNamara
    Writer and executive producer Jonathan E. Steinberg does an admirable job preserving the smart-mouth humor and ker-pow, splat fun while creating story lines and characters grounded in the alpha-male charm that made guys like Pierce Brosnan, Bruce Willis and Robert Conrad so popular.
    • 70 Metascore
    • 80 Mary McNamara
    Cleverly conceived, it boasts a star-studded cast (Gabriel Byrne, Dianne Wiest, Blair Underwood) who achieve, at times, theatrical transcendence.
    • 77 Metascore
    • 80 Mary McNamara
    Like the wonderful documentaries of ESPN's "30 for 30" series, The Announcement not only captures a remarkable person and an unforgettable moment, it proves once again the universal appeal and importance of professional sports.
    • 71 Metascore
    • 80 Mary McNamara
    Yet despite the distraction of its media grooming, the basic story of Whale Wars is quite a yarn.
    • 67 Metascore
    • 80 Mary McNamara
    Creator Jenji Kohan has kept it all going so far, the supporting cast remains the funniest on TV, and Parker, with her carefully calculated stillness and sudden reckless displays of fearlessness, is more riveting than ever.
    • 66 Metascore
    • 80 Mary McNamara
    Costars like Daly, Ivanek and Neuwirth promise great things, but Madam Secretary belongs, obviously, to Leoni, who conjures a gratifying mix of brains and heart, humor and flintiness without, and this is important, any sign of mental illness.
    • 78 Metascore
    • 80 Mary McNamara
    What sets Push Girls apart [from other reality shows] is that these plots, and these women, are actually interesting.
    • 73 Metascore
    • 80 Mary McNamara
    Infused with the considerable talents of Bertie Carvel and especially Eddie Marsan in the title roles, Peter Harness' adaptation is, like the book, a deft combination of Dickensian satire, Austenian wit and Gothic anxiety.
    • 57 Metascore
    • 80 Mary McNamara
    Though both are actors with pasts that border on Hollywood satire, they appear more "real" than any other set of reality drama stars on TV today. No moral compasses here, no self-sabotage, no attempt to brand themselves with a phrase or a fist pump, just a very, very complicated family and fairly reasonable expectations.
    • 79 Metascore
    • 80 Mary McNamara
    In Witness we are left with far more questions than answers or even observations....Fortunately, they're all good questions, important and worth asking in any format.
    • 72 Metascore
    • 80 Mary McNamara
    A lively, thought-provoking and often humorous quasi-biopic of a real-life crusader in which there are no angels, or devils either, just a nation in the midst of change for which not everyone is prepared.
    • 67 Metascore
    • 80 Mary McNamara
    What it lacks in depth, Babylon makes up for in range and sudden brilliant commentary.

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