Mary McNamara
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For 501 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Downton Abbey: Season 1
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 58 out of 501
501 tv reviews
    • 78 Metascore
    • 70 Mary McNamara
    The first hour is overly obsessive-compulsive in plot points--code strings and routers as the new McGuffins--but the adolescent rage of its protagonist gives it emotional life.
    • 66 Metascore
    • 70 Mary McNamara
    All floppy hair and Hollywood smile, Kody's way too surferdude to take very seriously as a patriarch. It's the three wives--Meri, Janelle and Christine--who form the solid center of the family and the show.
    • 71 Metascore
    • 70 Mary McNamara
    If Bosch doesn't soar, it's solid enough, and if you like the series, you're just a click away from all the books.
    • 61 Metascore
    • 70 Mary McNamara
    Nix has more than proved that he knows how to wed comedy, action, satire and real character development, so though the pilot flags here and droops there, "The Good Guys" will no doubt pick up speed as everyone settles more comfortably into the idea that there are no sacred cows, not even the buddy flick.
    • 65 Metascore
    • 70 Mary McNamara
    Fortunately, terrific performances all around quickly ground the tensions in character rather than theme.
    • 48 Metascore
    • 70 Mary McNamara
    Three Rivers seems to trust the drama of its subject matter, the appeal of its characters and the talent of its cast enough to go gently into this Sunday night.
    • 73 Metascore
    • 70 Mary McNamara
    This main narrative of Humans, which is based on a Swedish series and written by Sam Vincent and Jonathan Brackley, is solid if somewhat familiar; the truth and beauty of the series lies in the various B plots.
    • 67 Metascore
    • 70 Mary McNamara
    It had a not-bad, pretty good, kinda funny, sort of smart debut.
    • 64 Metascore
    • 70 Mary McNamara
    Unabashedly retro, with plenty of high- and low-tech silliness.
    • 61 Metascore
    • 70 Mary McNamara
    As the fine but far more dutiful early episodes of Season 2 suggest, if we're not careful, we'll get only the television we deserve.
    • 59 Metascore
    • 70 Mary McNamara
    The 10-episode series, based on a book by Robert Littell and premiering Wednesday, has been constructed as a wide and solid if somewhat workmanlike platform for the British actor's considerable talents.
    • 74 Metascore
    • 70 Mary McNamara
    Indeed, the fleshed-out secondary characters have better material than do Sookie and her vampire Bill (Stephen Moyer), who labor under the burden of replaying for the umpteenth time the forbidden love between the living and the dead, the light and the dark.
    • 79 Metascore
    • 70 Mary McNamara
    While it goes out of its way to cast these soldiers as the heroic equals, if not betters, of their "Greatest Generation" counterparts, the series does not have the same impact--mainly because these images, though at times awful and upsetting, are also much more familiar.
    • 70 Metascore
    • 70 Mary McNamara
    [George] is not terribly believable in any of them, forcing viewers to rely on the reactions of those around her to see that she is convincing as an uber agent. Fortunately, the other performances are strong enough to carry it off for the most part, and as the plot divides and subdivides, sending tendrils up through the vaunted British intelligence agency, recalling the Cold War and evoking more current international concerns, Hunted takes on a smart and disturbing personality of its own.
    • 76 Metascore
    • 70 Mary McNamara
    Though funny and fabulous, the tone of the season premiere is as harsh as those famously flung slushies, with an emphasis on girl fights and not nearly enough of Mercedes (Amber Riley), Brittany (Heather Morris) or Kurt.
    • 55 Metascore
    • 70 Mary McNamara
    It's all great fun, especially for those of us who have not read the book and so do not know if there is a clever cause or a nifty solution. Even if there is not, we get to watch a solid cast work its way through this latest spin on a classic tale, while keeping a wary eye on our own pets.
    • 61 Metascore
    • 70 Mary McNamara
    Full of doe-eyed children talking to invisible and possibly sinister forces in the ceiling, the shrubbery and the night sky, The Whispers gets as much mileage out of the Steven Spielberg hand-stamp (he's an executive producer) as possible.
    • 63 Metascore
    • 70 Mary McNamara
    Taylor and Gross balance just the right amount of competence and bewilderment, while Mulroney emotes the pain of a rejected father. The pilot is all but stolen by Joshua Erenberg, who plays the kid Finley rescues.
    • 59 Metascore
    • 70 Mary McNamara
    In this case familiarity breeds more comfort than contempt. Caan and Lawson spark when they spar, Crichlow's Lulu is a delight as is Gluck's Danny. And even Dick, though burdened with far too much sexual innuendo, has a few good moments.
    • 62 Metascore
    • 70 Mary McNamara
    Despite a certain built-in B & B preciousness, Cedar Cove evokes certain splendid shows of another time and place, including the late-great "Family" and the longtime Irish hit "Ballykissangel."
    • 46 Metascore
    • 70 Mary McNamara
    Everyone does their bit, performance-wise, but O'Malley, who came to everyone's attention as Kurt's father in "Glee," is the key player here. He and McCormack instantly create a dryly endearing couple, while he and Chavira may turn out to have the most fruitful antagonism since Maude met Archie Bunker.
    • 62 Metascore
    • 70 Mary McNamara
    Surely that elevator knows it's you when it decides to do its devilish little bounce. That's one of the jokes of ABC's not-so-scary-but-still-great-fun 666 Park Avenue.
    • 50 Metascore
    • 70 Mary McNamara
    In between bouts of underage drinking, texting, girl-bonding, and the inevitable minor-key whine of a soundtrack, that is. "True Blood Lite" or "Transylvania 90210." And you know what? It is. Almost exactly. But this is not a bad thing, not a bad thing at all. Because Vampire Diaries knows precisely what it is--a Gothic romance--and doesn't try to be anything else.
    • 66 Metascore
    • 70 Mary McNamara
    A to Z is the most promising comedy premiering on broadcast networks this fall. That's not saying much — this is not a particularly good year for new comedies — but it's saying something.
    • 64 Metascore
    • 70 Mary McNamara
    Strike Back unfolds quickly and confidently with brilliantly choreographed fight sequences and the exotic locales. But nothing trumps the friendship of the two male leads.
    • 75 Metascore
    • 70 Mary McNamara
    If you make it to the end, the payoff is sweeter for the suffering. In the meanwhile, enjoy each scene on its own merits, which are not inconsiderable.
    • 74 Metascore
    • 70 Mary McNamara
    Even when it's irritating, Episodes is funny. And if, at times, it intentionally or unintentionally pokes fun at itself as much as anything else well, that works too.
    • 64 Metascore
    • 70 Mary McNamara
    No doubt there will be many lessons about the importance of pulling together and being true to oneself, etc., but Make It or Break It seems prepared to take on not only the obvious Life Lessons but also the crucial undercurrents that move so many lives well into adulthood. And that, as much as the graceful wonder of gymnastics, will make it worth watching.
    • 53 Metascore
    • 70 Mary McNamara
    It's all very tense and fun, underscored by sirens and ominous techno music, shot in that popular, over-caffeinated jumpiness that here at least makes sense.
    • 73 Metascore
    • 70 Mary McNamara
    This is good summer entertainment, like a Saturday afternoon B-movie matinee transposed to Monday-night TV.

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