Matt Zoller Seitz
Select another critic »
For 274 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Matt Zoller Seitz's Scores

Average review score: 65
Highest review score: 100 The Americans: Season 3
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Negative: 24 out of 274
274 tv reviews
    • 90 Metascore
    • 90 Matt Zoller Seitz
    For all its gore, gunfire, and criminal nastiness, it's a joyous show; even when the characters are scowling, the show seems to be grinning at you.
    • 72 Metascore
    • 90 Matt Zoller Seitz
    I suspect it might be a classic that deserves a spot in the pantheon of great, long-delayed follow-ups, though I need to watch the whole thing again and live with it and then write about it again to be sure. That I’d want to rewatch the whole season immediately is, of course, another, possibly higher compliment.
    • 90 Metascore
    • 90 Matt Zoller Seitz
    Oh My God is animated by deep skepticism and an appreciation of joy, qualities that don’t normally mix in comedy and that might seem, in a different context, incompatible. But they aren’t incompatible--not here, anyway.
    • 90 Metascore
    • 90 Matt Zoller Seitz
    But what's amazing, maybe even revolutionary, about The Corner is this: as its narrative plays out in six laid-back, detail-packed, one-hour installments, you come to see that all the major characters don't belong in this place, in this life. [16 Apr 2000, p.1]
    • Newark Star-Ledger
    • 86 Metascore
    • 90 Matt Zoller Seitz
    The phrase "stream-of- consciousness" doesn't do it justice. Geyser-of-consciousness is more like it. What holds it together is the program's unique comic voice. [12 Sep 1997]
    • Newark Star-Ledger
    • 87 Metascore
    • 90 Matt Zoller Seitz
    The first four episodes sent out for review become stranger and less “realistic” by the hour, not to mention more stereotypically HBO-like (artfully arranged corpses; drug-thug posturing and handgun-waving; gratuitous T&A) and less concerned with the case that Cohle and Hart are allegedly trying to solve. But the show’s time-shifting structure is so painstaking that even when True Detective spirals into lurid madness there still seems to be purpose behind it.
    • 88 Metascore
    • 90 Matt Zoller Seitz
    It's these deeper questions [Deciding to live the day-to-day performance of an ideal, a belief, an emotion, a set of principles, a faith?] that give the action and melodrama a bit of existential heft, and redirect our vicarious enjoyment away from fantasy and back towards reality.
    • 85 Metascore
    • 90 Matt Zoller Seitz
    Rick and Morty won't get us any closer to a workable definition of Harmon's genius, but at least it clarifies that the unhinged quality that Community once had wasn't accidental.
    • 84 Metascore
    • 90 Matt Zoller Seitz
    The show’s version of machismo is hilarious, and feels new. Silicon Valley captures the pack-wolf preening of guys whose muscles are located mostly above their necklines.
    • 85 Metascore
    • 90 Matt Zoller Seitz
    To watch any engrossing drama is to feel for fictional people the way we feel for real-life friends. Even when they piss us off, we wish them the best.
    • 75 Metascore
    • 90 Matt Zoller Seitz
    Not since Deadwood has a period-drama production designed to a fare-thee-well and steeped in nasty atmosphere been so politically astute about who has power over whom and why--although the subtler brand of gallows humor and Soderbergh’s fondness for intricately choreographed long takes aligns The Knick with a different TV classic that Deadwood creator David Milch worked on, Hill Street Blues.
    • 77 Metascore
    • 90 Matt Zoller Seitz
    In its own sweet way, this is a landmark show.
    • 85 Metascore
    • 90 Matt Zoller Seitz
    The show’s alchemy stems from its skillful use of smartly cast actors whose poker-faced sincerity makes us take whatever version of this story we happen to be hearing as gospel.

Top Trailers