Matthew Gilbert
Select another critic »
For 810 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 7.4 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 57
Highest review score: 100 Rectify: Season 2
Lowest review score: 0 Twenty Good Years: Season 1
Score distribution:
810 tv reviews
    • 48 Metascore
    • 20 Matthew Gilbert
    It's only a few shades more adult than, say, playing with blocks.
    • 70 Metascore
    • 30 Matthew Gilbert
    Pointless and inert.
    • 82 Metascore
    • 80 Matthew Gilbert
    The Walking Dead may depend more on suspense, desolate atmosphere, and creative storytelling than fine acting. The show takes a nightmare generally told in movies and opens it up for the medium of TV. I'm optimistic that Darabont & Co. will continue to find ways to make the characters interestingly human as they dodge death's slow, ruthless pursuit.
    • 82 Metascore
    • 70 Matthew Gilbert
    On occasion, McKinnon--perhaps in his appreciation of the actor--lingers too long on Young, as if we’re not already completely aware that he is dazed and confused. It unintentionally undermines Young’s performance. But for the most part, in Young’s Daniel we can clearly see what it means to mystified by freedom, to be on the outside and yet shackled on the inside.
    • 43 Metascore
    • 30 Matthew Gilbert
    " 'Til Death Do Us Part"... almost contains enough comically clumsy filming and overacting to achieve camp. Almost, but not quite enough, even with Waters doing his twisted Rod Serling bit.
    • 82 Metascore
    • 90 Matthew Gilbert
    With season two, the drama has fully come to life, with moments of savagery, hypocrisy, and bittersweet loyalty that make it a must-see show.
    • 81 Metascore
    • 80 Matthew Gilbert
    All the details have color, and so do the characters, right down to Sam's guilt-ridden parents, with whom he still lives. And there are fleeting hints of drama in the scenario that will surely gain momentum and weight.
    • 81 Metascore
    • 70 Matthew Gilbert
    Little Dorrit has so many virtues--indelible performances, stirring pathos, and an emotional and psychological heft unusual for Dickens--that you can forgive its one significant flaw.
    • 81 Metascore
    • 80 Matthew Gilbert
    Based on the pilot, [the] mystery promises to be surprising, psychological, and addictive.
    • 81 Metascore
    • 90 Matthew Gilbert
    'Extras" is far less terminally existential than ''The Office," less depressing to watch.
    • 81 Metascore
    • 90 Matthew Gilbert
    This knockout adaptation of the Lorraine Hansberry play is a model of both the pure power of stage acting and TV’s potential to bring us up close to that acting without deadening it.
    • 81 Metascore
    • 80 Matthew Gilbert
    It's a nicely assembled, topical film that gives us both a sweeping view of gay rights across almost 30 years, as well as an intimate look at an extraordinary person swept up in those times.
    • 62 Metascore
    • 60 Matthew Gilbert
    It won't insult your intelligence, and it has a completely likable lead actor in Kyle Bornheimer; but Worst Week is nevertheless completely predictable and unambitious.
    • 81 Metascore
    • 80 Matthew Gilbert
    It offers amusement and a tad of suspense, but little to ponder over the long run.
    • 81 Metascore
    • 80 Matthew Gilbert
    When you watch the show, which returns for season two tonight at 10, you'll find a legal thriller that's trashier and more fun than you might have expected.
    • 81 Metascore
    • 90 Matthew Gilbert
    It's an extraordinarily appealing series, one that's so much more than its easy label as a teen private-eye series. [22 Sept 2004, p.D12]
    • Boston Globe
    • 81 Metascore
    • 80 Matthew Gilbert
    But the real question is: Will Dharma & Greg be able to expand its central, single joke into an entire series? An entertaining premiere, yes, but there may be a finite number of laughs to be had over those wacky hippies and the cold-hearted WASPs. [24 Sept 1997, p.C6]
    • Boston Globe
    • 81 Metascore
    • 80 Matthew Gilbert
    Despite the blood and the labor, Call the Midwife is filled with heart.
    • 68 Metascore
    • 40 Matthew Gilbert
    It's subject matter that speaks to the train-wreck spectator in all of us, and designing a weekly show around it is a little uneasy-making. It's dangerously close to "reality" programming. That said, Special Victims Unit is an uneven hour that could improve with some aggressive fine tuning.
    • 80 Metascore
    • 80 Matthew Gilbert
    As with most HBO series, "Curb Your Enthusiasm" isn't for everyone. Prerequisites include not only a desire for more of the best of "Seinfeld" but a willingness to go along with David's Brooklyn-bred grumpiness. [13 Oct 2000]
    • Boston Globe
    • 80 Metascore
    • 80 Matthew Gilbert
    Olyphant creates a sense of suspended time whenever Raylan comes into contact with thugs--as if a gun standoff isn't so far from standing at a bar with a drink in hand. His Raylan is the kind of guy who doesn't say much, but gives us plenty to talk about.
    • 80 Metascore
    • 100 Matthew Gilbert
    It also showcases Milch's taste for complexity when it comes to both the criminal mind and the lawman's motivations. [19 Mar 2004, p.D1]
    • Boston Globe
    • 80 Metascore
    • 91 Matthew Gilbert
    This one could take off, especially if the humor doesn’t obscure the layers of Jane’s moral journey.
    • 80 Metascore
    • 70 Matthew Gilbert
    Written by Gwyneth Hughes, the script perhaps reaches too far and falls short. The whole is somehow less than the sum of its parts. And yet Five Days rewards with enough gripping moments to make it worth investigating.
    • 77 Metascore
    • 70 Matthew Gilbert
    It's a generally pleasing but flawed production.
    • 80 Metascore
    • 70 Matthew Gilbert
    The cinematography is beautiful, and there seems to be nowhere around the Big Apple's tents and trailers that the camera won't go. There's just not much in the way of drama here.
    • 63 Metascore
    • 90 Matthew Gilbert
    A wonderful, imaginative mess brimming with possibility. About a dysfunctional family of space cowboys, the sci-fi series arrives not fully formed, like an elaborate photo that's still clarifying in developing fluid. While many shows burst onto the scene with slick pilots and quickly deteriorate into mediocrity, I'm thinking Firefly is on the opposite creative journey.
    • 80 Metascore
    • 50 Matthew Gilbert
    The show is a grim spectacle, and juicy bait for end-of-the-world addicts such as myself. But the living people in The Walking Dead, those uninfected with the mysterious virus, they are far less compelling.
    • 80 Metascore
    • 100 Matthew Gilbert
    Ultimately, though, even with the fantasy, Game of Thrones feels like a historical medieval saga. It's a royal, and royally good, round of musical chairs.
    • 21 Metascore
    • 0 Matthew Gilbert
    Once again, reality TV invites us to marvel at the idiocy, futility, and self-destructive tendencies of the rich and famous. But this petty, home-movie-level material wouldn't even fly on YouTube.

Top Trailers