Matthew Gilbert

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For 1,002 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 7.6 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 59
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 Unan1mous: Season 1
Score distribution:
1002 tv reviews
    • 85 Metascore
    • 80 Matthew Gilbert
    Now, in the weeks after their deaths, which came a day apart in late December, “Bright Lights” is something more than an intimate study in two very different approaches to fame; it’s also a lovely elegy.
    • 89 Metascore
    • 80 Matthew Gilbert
    Why watch The Wire if it's such tough-going--so difficult to follow and then, once followed, so pessimistic? Because it offers the kind of earned understanding that leads to progress.
    • 82 Metascore
    • 80 Matthew Gilbert
    The tone is satirical, and the look mixes noir with candy-colored latex; but the characters are sweet and extremely human. [8 Nov 2001, p.C20]
    • Boston Globe
    • 54 Metascore
    • 80 Matthew Gilbert
    The ABC show... is one of the pleasures of the new season, although it may strike some viewers as too conceptually loose to love.
    • 71 Metascore
    • 80 Matthew Gilbert
    Occasionally, logic is forsaken. But still The Escape Artist maintains its suspense despite the flaws, thanks to rich acting and smart direction.
    • 60 Metascore
    • 80 Matthew Gilbert
    You don't like comedy that pushes the boundaries of good taste, you have no business here. But the material is presented with enough comic skill, cultural resonance, and clever mockery to rise above.
    • 79 Metascore
    • 80 Matthew Gilbert
    The Wire is a cop drama from top to bottom. It does take a systemic view of the issue, like "Traffic," Steven Soderbergh's drug-trade saga. But it never sacrifices drama and character for lecture. [31 May 2002, p.E14]
    • Boston Globe
    • 66 Metascore
    • 80 Matthew Gilbert
    All of the characters are misfits, and the pleasure of Party Down is watching the actors riff off one another as they go to extremes.
    • 73 Metascore
    • 80 Matthew Gilbert
    Orphan Black has the potential to be memorable entertainment, if they [creators Graeme Manson and John Fawcett] can continue to deliver each and every plot development with a human touch.
    • 73 Metascore
    • 80 Matthew Gilbert
    Collision is a satisfying emotional journey through the twists, turns, and overpasses of a dozen or so lives.
    • 89 Metascore
    • 80 Matthew Gilbert
    ''24" is still an addictive amusement park ride of a show.

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