For 689 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.5 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Painkiller Jane: Season 1
Score distribution:
689 tv reviews
    • 64 Metascore
    • 80 Maureen Ryan
    The good news is that the smartly written "Saving Grace" is not a mess. In fact, it's one of the most distinctive new shows of the year.
    • 79 Metascore
    • 80 Maureen Ryan
    This year, there’s much more of the loopy, creative humor that its fans have come to know and love.
    • 88 Metascore
    • 80 Maureen Ryan
    I remain troubled by a big development at the end of Episode 1, which feels like too much of a stretch and is out of keeping with the show's admirable focus on intimate, believable stories. I hope it doesn't signal a move toward more obvious, predictable melodrama -- which already can be found all over the TV landscape. [5 Oct 2007, p.1]
    • Chicago Tribune
    • 70 Metascore
    • 80 Maureen Ryan
    The most refreshing thing about "Runway" is that it's not just a forum for "Survivor"-style cattiness or "Apprentice"-style trumped-up tasks. ... The beauty of "Runway" is the contestants on this win-your-own-fashion-business show have real skills. [5 Jan 2005]
    • Chicago Tribune
    • 81 Metascore
    • 80 Maureen Ryan
    This is a show that knows exactly what viewers expect of it, and over the course of its three seasons, the saga of reticent raider Ragnar Lothbrok (Travis Fimmel) has shown increasing assuredness and has unpretentiously and reliably supplied exciting and bloody adventures.
    • 81 Metascore
    • 80 Maureen Ryan
    Structurally, the whole thing feels fresh again, and even if I have doubts about how the writers will wring two worthy seasons out of the new dynamics (Showtime has committed to airing at least one more season), the three 2012 episodes I've seen efficiently pulled me back in.
    • 83 Metascore
    • 80 Maureen Ryan
    Luther, the story of an impulsive, very intelligent London cop, manages to be an excellent showcase for Idris Elba (The Wire) and an increasingly impressive character drama that goes to some dark and absorbing places.
    • 90 Metascore
    • 80 Maureen Ryan
    If, as a woman, you've ever wondered how men act when they're together, how they talk to each other, how they deal with rage and confusion and lust, there's no better guide than this show, which may just be hitting its stride in its third season. [30 May 2006, p.3]
    • Chicago Tribune
    • 84 Metascore
    • 80 Maureen Ryan
    Like 'Breaking Bad,' 'Mad Men' and 'The Walking Dead,' The Killing uses savvy aesthetic choices and minimalist but effective acting to create a vibe and tell a story with an irresistible undertow of forward momentum.
    • 70 Metascore
    • 80 Maureen Ryan
    Penny Dreadful's gory moments are deployed strategically, and the adjective that best describes this show is not "bloody" but "soulful."
    • 77 Metascore
    • 80 Maureen Ryan
    Aliens is generally an intriguing and worthwhile show, combining a "The Wonder Years" vibe with a subversive and effective topicality.
    • 78 Metascore
    • 80 Maureen Ryan
    Damages isn't on the level of 'The Sopranos,' but, like Ellen Parsons, it knows what it's about these days. And if you want to see some prime, grade-A Acting, well, you could do a lot worse.
    • 70 Metascore
    • 80 Maureen Ryan
    The good news is, Sarah, Cosima and the other clones retain most of the real estate in this gorgeously grimy biothriller, and watching the established characters relate to each other is still a lot of fun.
    • 62 Metascore
    • 80 Maureen Ryan
    Fifteen minutes into A Gifted Man, the performance of Patrick Wilson, Jennifer Ehle and Margo Martindale had completely won me over, and of all the pilots I've screened for fall, this is the one I most want to see more of.
    • 82 Metascore
    • 80 Maureen Ryan
    Tactical wins, taut storytelling and zombies munching tasty, tasty braaaaains: All that plus the addition of Michonne and David Morrissey as the Governor in upcoming episodes make me pretty damned happy that The Walking Dead is back.
    • 74 Metascore
    • 80 Maureen Ryan
    This year, there’s more to enjoy than the usual (and often funny) riffs on nerd culture and spy clichés. Chuck’s more assertive and seems to actually enjoy his secret-agent status.
    • 76 Metascore
    • 80 Maureen Ryan
    Episodes isn't a weighty series at all, but these actors elevate every scene they are in with spot-on comic timing and a graceful ability to play a range of conflicting emotions at once.
    • 74 Metascore
    • 80 Maureen Ryan
    Hotel Babylon supplies an attractive cast, a cheeky attitude and just enough depth to keep you coming back for more.
    • 89 Metascore
    • 80 Maureen Ryan
    To watch the show is to be immersed in an interlocking series of utterly realistic worlds, from the street corner to the cop bar to the mayor's office.
    • 78 Metascore
    • 80 Maureen Ryan
    It's not as ambitious as Mad Men, of course, but it has its own very real pleasures.
    • 65 Metascore
    • 80 Maureen Ryan
    The Defenders which, like those other shows, is a pretty straightforward legal procedural, has a surprising amount of fun with its familiar building blocks.
    • 84 Metascore
    • 80 Maureen Ryan
    Some aspects of this show work better than others, but, in its generally excellent second season, the drama has cohered into a compelling, if sprawling, portrait of the Crescent City.
    • 76 Metascore
    • 80 Maureen Ryan
    What's especially impressive in Season 3 is how cogently and clearly events in the two different universes are handled. It's not hard to tell which is which and it's not hard to follow how the two worlds are connected, and those connections have only deepened the mythology in pleasing ways.
    • 75 Metascore
    • 80 Maureen Ryan
    Fortitude reminds me of "Borgen" because neither show is loud; nothing about this kind of drama is bombastic or outsized. Fortitude takes its time as it builds up its icy, workaday world and depicts the day to day lives of its residents.
    • 58 Metascore
    • 80 Maureen Ryan
    The dialogue is witty, the pacing is brisk and there’s some real heart amid all the tokens of the Palm Beach high life.
    • 65 Metascore
    • 80 Maureen Ryan
    Political Animals hews fairly closely to the USA tone and smartly employs any number of light-drama conventions, thus it can likely be enjoyed simply as an entertainment
    • 77 Metascore
    • 80 Maureen Ryan
    Bradley brings a great deal of subtle pathos and doughty courage Hartnell's predicament, and ultimately, An Adventure becomes much more than a fun swing through TARDIS trivia. It becomes a story about hard work, ingenuity and a classy passing of the torch.
    • 83 Metascore
    • 80 Maureen Ryan
    You may well be wondering if they are worth watching – perhaps for the first time. In the case of Pushing Daisies, the answer is a qualified yes.
    • 59 Metascore
    • 80 Maureen Ryan
    If you like "Monk," you'll probably love this show, which may actually be even more enjoyable.
    • 85 Metascore
    • 80 Maureen Ryan
    Fargo develops into a solid pleasure; it's studded with telling details, excellent performances and satisfying subplots Fargo" develops into a solid pleasure; it's studded with telling details, excellent performances and satisfying subplots.

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