For 682 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 American Inventor: Season 1
Score distribution:
682 tv reviews
    • tbd Metascore
    • 70 Maureen Ryan
    White steals scenes and mugs for the camera, which is obviously what the producers want her to do. But even though the loud laugh track can be annoying at times, there's no denying that the cast of this endearingly retro sitcom makes the most of what they've been given.
    • 67 Metascore
    • 70 Maureen Ryan
    The cast is very good and if the central relationships are beefed up, it could be a keeper.
    • 74 Metascore
    • 70 Maureen Ryan
    The Blacklist is never going to be anyone's idea of great art, but at least it has a pulpy kind of momentum that may well be worth watching for a while; I will stick around to see whether Spader's performance really is the only dish on the menu.
    • 70 Metascore
    • 70 Maureen Ryan
    Some episodes feel a little padded, and the show occasionally skates nervously over the more painful aspects of these girls' lives, but High School Confidential is a mostly compelling study of the lives of 12 girls in a middle-class Kansas community.
    • 67 Metascore
    • 70 Maureen Ryan
    Wilfred is still a work in progress; in the early stages, the relationship between the dog and the man feels a little claustrophobic, but as the episodes progress, Ryan's world begins to expand a bit, which is a good thing.
    • 63 Metascore
    • 70 Maureen Ryan
    Has enough chuckles to make it worth your while, providing you have an irreverent sense of humor. [29 Apr 2005]
    • Chicago Tribune
    • 75 Metascore
    • 70 Maureen Ryan
    Branagh directs his actors through the intricacies of Shakespeare’s language with a sure hand, though I sometimes wished during the forest scenes the camera didn’t swoop and swivel quite so much.
    • 65 Metascore
    • 63 Maureen Ryan
    As it is, Trust Me, which perks along energetically but lacks emotional heft, may be one of those shows that stacks up on my TiVo, along with other shows I don’t get around to viewing.
    • 52 Metascore
    • 63 Maureen Ryan
    The problem is, though this good-natured show doesn't lack for energy, Cupid is a little bland and formulaic.
    • 76 Metascore
    • 63 Maureen Ryan
    I tend not to watch it after the first few episodes of each season, because it tends to travel somewhat repetitive storytelling roads (i.e., every week, science goes awry, then science is used to fix what went awry)....I like the implications of that bigger arc, which promises more depth, which Eureka needs.
    • 69 Metascore
    • 63 Maureen Ryan
    This pleasantly low-key drama has little trouble creating an atmosphere, but the pace is sometimes slack in the first four episodes.
    • 61 Metascore
    • 63 Maureen Ryan
    The Unusuals doesn’t have the balance between the comedy and the serious stuff right yet, but Terry Kinney lends a welcome acerbic note as the station’s seen-it-all leader, Sgt. Harvey Brown.
    • 54 Metascore
    • 63 Maureen Ryan
    Eleventh Hour does what it sets out to do: It puts a talented actor (Rufus Sewell) through his crime-solving paces on rain-slicked streets, in dark warehouses and in spooky labs that look almost identical to the rain-slicked streets, dark warehouses and spooky labs on almost every other CBS drama.
    • 62 Metascore
    • 63 Maureen Ryan
    The rest of the new or new-ish faces are occasionally funny one-note characters....Still, the old crew made me laugh on more than one occasion as I watched the first two episodes of Season 9 (the Todd made me giggle every time he turned up).
    • 63 Metascore
    • 63 Maureen Ryan
    As guilty pleasures go, Harper's Island may hit the spot. Though perhaps it would have worked best as a summer series?
    • 52 Metascore
    • 63 Maureen Ryan
    The Gates actually moves along at a brisk enough clip, and though it's bland around the edges, it introduces enough mysteries to keep things more or less interesting (there are allusions to a "code" residents must live by, and presumably that doesn't refer to local regulations on lawn care).
    • 61 Metascore
    • 63 Maureen Ryan
    The first episode of Enemy ended up being a relatively compelling hour of television. As competent as it is, though, it’s hard not to think that the premise contains some holes.
    • 84 Metascore
    • 63 Maureen Ryan
    The rest of Breaking Bad doesn’t consistently reach the level of Cranston’s performance. But for some, his depiction of Walt’s earnest desperation may be enough.
    • 51 Metascore
    • 63 Maureen Ryan
    Swayze’s performance is almost reason enough to tune in--if you don’t mind the show’s more derivative elements--the actor’s co-star, Fimmel, is often the least interesting thing about The Beast.
    • 54 Metascore
    • 63 Maureen Ryan
    Given that the love-hate scenario between Beckett and Castle is fairly predictable, Castle’s success may ride on the quality of its murder mysteries, and it’s encouraging that the show’s second episode is better than the first.
    • 61 Metascore
    • 63 Maureen Ryan
    Even when the show gets a bit melodramatic or overwrought, however, Parenthood's good intentions radiate throughout its many story lines. But do good intentions make for reliably compelling family drama? That depends on your tolerance for its frequent tonal shifts and occasional manic intervals.
    • 70 Metascore
    • 63 Maureen Ryan
    The Middle hits its comedic targets often enough, but its main problems is that it overdoes the quirkiness a bit.
    • 66 Metascore
    • 60 Maureen Ryan
    There are times when the enterprise lacks a certain heft and when the fantasy realm seems a little generic. Also, some characters, especially Lana Parrilla's Evil Queen (who is also the mayor of Storybrooke), are one-dimensional in kind of maddening ways, though Robert Carlyle makes up for that with his charismatic turn as both Rumplestiltskin and a Storybrooke resident named Mr. Gold.
    • 56 Metascore
    • 60 Maureen Ryan
    Sanctuary’s pace is a little on the stately side, and the show is competent if not particularly innovative sci-fi.
    • 54 Metascore
    • 60 Maureen Ryan
    It’s by no means must-see TV, but this is one game show you don’t have to be ashamed of getting sucked in to.
    • 46 Metascore
    • 60 Maureen Ryan
    This hybrid, which is competent but not terribly distinctive, may not be unique enough to thrill reality fans or familiar enough to satisfy devotees of “Deadliest Catch.”
    • 43 Metascore
    • 60 Maureen Ryan
    The show has some ponderous moments and its characters are sometimes guilty of not asking and answering direct questions that would give them valuable information. But eight episodes isn't too much of a commitment, and Outcasts at least has thematic and character-driven ambitions, as well as a gorgeously weird setting.
    • 76 Metascore
    • 60 Maureen Ryan
    House of Cards is a strange mixture of freedom--Fincher and his cohorts clearly did what they wanted to do--and limitation: These powerful, venal characters and the well-tended hothouse they live in feel quite familiar (and not just because this is based on a UK miniseries of the same name).
    • 57 Metascore
    • 60 Maureen Ryan
    12 Monkeys hums along at a reasonable pace; its pilot is pleasingly energetic and efficient.... The problem is, 12 Monkeys tends to prioritize a series of MacGuffins over attempts to deepen its characters and their relationships.
    • 74 Metascore
    • 60 Maureen Ryan
    The witches are an intriguing presence, but other parts of the show aren't casting the same spell as the magnificent Shaw. If you're addicted to True Blood's brand of smoldering melodrama, well, there's a lot of it this season. And it looks as though about half of it might actually be worth watching.

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