Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.6 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Before Sunset
Lowest review score: 0 The Cookout
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 71 Metascore
    • 63 Megan Lehmann
    There's nothing particularly startling or new in the script by Siegel and his co-writers Lisa Bazadona and Grace Woodard - except that it, refreshingly, draws its characters in real-life shades of gray.
    • 68 Metascore
    • 63 Megan Lehmann
    Very funny. It's also heartbreakingly sad.
    • 51 Metascore
    • 63 Megan Lehmann
    Some of the plot points are confusingly vague, the tone lurches wildly between genres, and the film's epilogue pushes the bounds of believability - but The Hard Word could never be accused of being predictable.
    • 65 Metascore
    • 63 Megan Lehmann
    A good-looking, if imperfectly plotted, coming-of-age feature -- that doesn't quite manage to sidestep the clichéd sport-as-metaphor-for-life trap.
    • 58 Metascore
    • 63 Megan Lehmann
    Enough SpongeBob-meets-Monty-Python silliness to give adults a kick as well.
    • 77 Metascore
    • 63 Megan Lehmann
    Pray will force you to look at the music as more than just gobbledygook created by musical-bower birds who can't spell.
    • 46 Metascore
    • 63 Megan Lehmann
    Lacking quite the zip and zing of "Run Lola Run," this lively indie tale of a drug deal gone awry could be alternately titled "Walk Fast Bobby Walk Fast."
    • 62 Metascore
    • 63 Megan Lehmann
    When the world gets too big and scary, the Hundred Acre Wood remains a clearly delineated comfort zone.
    • 48 Metascore
    • 63 Megan Lehmann
    This is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.
    • 73 Metascore
    • 63 Megan Lehmann
    A sensual performance from Abbass buoys the flimsy story.
    • 66 Metascore
    • 63 Megan Lehmann
    If you like your language blue and your humor coarse, Margaret Cho is for you.
    • 47 Metascore
    • 63 Megan Lehmann
    It's all entertaining enough, but don't look for any hefty anti-establishment message in what is essentially a whip-crack of a buddy movie that ends with a whimper.
    • 66 Metascore
    • 63 Megan Lehmann
    The concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.
    • 34 Metascore
    • 63 Megan Lehmann
    It actually works as a sometimes funny, occasionally scandalous, but mostly involving narrative.
    • 72 Metascore
    • 63 Megan Lehmann
    Corcuera's unflinching documentary Back of the World is a real-life horror story told in three parts.
    • 56 Metascore
    • 63 Megan Lehmann
    CQ
    Coppola sure knows his late-'60s cinema and he's meticulous in reconstructing the style of the era.
    • 42 Metascore
    • 63 Megan Lehmann
    A tightly drawn, propulsive thriller with some pleasingly unexpected kinks in the tale and a couple of believable performances from Charlize Theron and Kevin Bacon in the leads.
    • 67 Metascore
    • 63 Megan Lehmann
    A documentary mosaic of kooky Americana.
    • 36 Metascore
    • 63 Megan Lehmann
    It's not surprising that This Thing of Ours -- the title refers to the literal translation of La Cosa Nostra -- rings with authenticity and solid acting.
    • 52 Metascore
    • 63 Megan Lehmann
    An exploration of the way the sins of the father trickle down to his offspring, is dense with quirky characters and subplots all woven into a rather heavy-handed meditation on the evils of globalization.
    • 65 Metascore
    • 63 Megan Lehmann
    De Villa has created a truthful representation of a colorful community.
    • 63 Metascore
    • 63 Megan Lehmann
    McCann weaves in a somewhat toothless condemnation of a bureaucracy that forsakes the mentally ill, but Revolution # 9 works better as an inside look at one person's slide into madness -- and, more particularly, the impact of that on his loved ones.
    • 50 Metascore
    • 63 Megan Lehmann
    Possibly the most unintentionally hilarious film since Ed Wood's "Plan 9 from Outer Space," Steve Irwin's big-screen debut is destined to become an instant cult classic.
    • 57 Metascore
    • 63 Megan Lehmann
    Essentially an hour-long monologue, but this talking head is so engaging that you can't blame director Lech Kowalski's camera for not wanting to stray from the late Dee Dee Ramone's party-ravaged face.
    • 56 Metascore
    • 63 Megan Lehmann
    Just Brit filmmaker Shane Meadows having some fun with the conventions of the spaghetti western.
    • 76 Metascore
    • 63 Megan Lehmann
    Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.
    • 69 Metascore
    • 63 Megan Lehmann
    If you give yourself over to it, this romantic tale of a liberating one-night stand proves oddly seductive and generates a warm afterglow.
    • 61 Metascore
    • 63 Megan Lehmann
    Doesn't have the polish of "Ocean's Eleven" - but it does have George Clooney.
    • 70 Metascore
    • 63 Megan Lehmann
    Along with co-writer Emmanuele Bernhein, Ozon...has crafted a contemplative blend of fantasy and reality that illuminates the mysteries of the creative process.
    • 52 Metascore
    • 63 Megan Lehmann
    Apart from some irritating and redundant camera tricks early on in the film, director Blair Treu plays it white-bread straight, delivering an uncommonly inoffensive, after-school-special-style teen flick.

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