Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.6 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Sideways
Lowest review score: 0 Swept Away
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 48 Metascore
    • 63 Megan Lehmann
    This is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.
    • 38 Metascore
    • 63 Megan Lehmann
    Harmless, if slightly hyperactive, fun.
    • 65 Metascore
    • 63 Megan Lehmann
    A good-looking, if imperfectly plotted, coming-of-age feature -- that doesn't quite manage to sidestep the clichéd sport-as-metaphor-for-life trap.
    • 64 Metascore
    • 63 Megan Lehmann
    It's mostly a political thriller, contingent on a love story. It's kind of noirish, subtly humorous and intermittently confusing.
    • 51 Metascore
    • 63 Megan Lehmann
    It's a chaste "Austin Powers," a less ridiculous "Casino Royale," a more subtle "Spy Hard" — in other words, yet another James Bond parody.
    • 32 Metascore
    • 63 Megan Lehmann
    A weird hybrid of cloning thriller and futuristic love story, with hints of "The Godfather" and "Ice Castles" - and it wears its disjointed nature like a badge of honor.
    • 34 Metascore
    • 63 Megan Lehmann
    It actually works as a sometimes funny, occasionally scandalous, but mostly involving narrative.
    • 63 Metascore
    • 63 Megan Lehmann
    McCann weaves in a somewhat toothless condemnation of a bureaucracy that forsakes the mentally ill, but Revolution # 9 works better as an inside look at one person's slide into madness -- and, more particularly, the impact of that on his loved ones.
    • 62 Metascore
    • 63 Megan Lehmann
    When the world gets too big and scary, the Hundred Acre Wood remains a clearly delineated comfort zone.
    • 45 Metascore
    • 63 Megan Lehmann
    This genre-busting hybrid is a scattershot affair - bad jokes land with a thud that seems to echo, but the winning ones prompt hearty laughs.
    • 62 Metascore
    • 63 Megan Lehmann
    It's a simple tale of father-and-son bonding that director Huo Jianqi injects with a quiet power, and it benefits greatly from the gorgeous lushness of its backdrop.
    • 61 Metascore
    • 63 Megan Lehmann
    Doesn't have the polish of "Ocean's Eleven" - but it does have George Clooney.
    • 57 Metascore
    • 63 Megan Lehmann
    Essentially an hour-long monologue, but this talking head is so engaging that you can't blame director Lech Kowalski's camera for not wanting to stray from the late Dee Dee Ramone's party-ravaged face.
    • 50 Metascore
    • 63 Megan Lehmann
    Possibly the most unintentionally hilarious film since Ed Wood's "Plan 9 from Outer Space," Steve Irwin's big-screen debut is destined to become an instant cult classic.
    • 73 Metascore
    • 63 Megan Lehmann
    A sensual performance from Abbass buoys the flimsy story.
    • 52 Metascore
    • 63 Megan Lehmann
    An exploration of the way the sins of the father trickle down to his offspring, is dense with quirky characters and subplots all woven into a rather heavy-handed meditation on the evils of globalization.
    • 64 Metascore
    • 63 Megan Lehmann
    The meta jokes come thick and fast - some clunk, but there's no time to mourn - and the references are far from limited to the Warner Bros. world (at one point, Bugs exclaims, "Whaddya know - I found Nemo!").
    • 62 Metascore
    • 63 Megan Lehmann
    Bell has added unexpected shadings to what could have been simply a sordid tale of highway prostitution, gradually revealing surprises to the characters that keep a murmur of unease thrumming throughout.
    • 70 Metascore
    • 63 Megan Lehmann
    Along with co-writer Emmanuele Bernhein, Ozon...has crafted a contemplative blend of fantasy and reality that illuminates the mysteries of the creative process.
    • 36 Metascore
    • 63 Megan Lehmann
    It's not surprising that This Thing of Ours -- the title refers to the literal translation of La Cosa Nostra -- rings with authenticity and solid acting.
    • 77 Metascore
    • 63 Megan Lehmann
    Makes a powerful case against the wisdom of budget cuts at universities everywhere.
    • 58 Metascore
    • 63 Megan Lehmann
    Enough SpongeBob-meets-Monty-Python silliness to give adults a kick as well.
    • 53 Metascore
    • 63 Megan Lehmann
    Diva du jour Beyoncé Knowles may be the draw, but the real star of The Fighting Temptations is the sensational gospel soundtrack.
    • 32 Metascore
    • 63 Megan Lehmann
    Makes an earnest stab at illustrating the hardships and sacrifices humanitarian workers contend with - but in the end, all the suffering merely forms an amorphous backdrop for a Harlequin romance.
    • 76 Metascore
    • 63 Megan Lehmann
    Uniformly excellent performances keep this destabilizing tale ticking, yet one can't help wishing Hollywood had combined this cast and these timely themes with a little bit of imagination to come up with something fresh.
    • 49 Metascore
    • 63 Megan Lehmann
    Apart from the slightly sanitized look of Reagan-era Harlem, this raw ghetto drama rings true, from the smooth dialogue to the unaffected performances of the central actors.
    • 69 Metascore
    • 63 Megan Lehmann
    If you give yourself over to it, this romantic tale of a liberating one-night stand proves oddly seductive and generates a warm afterglow.
    • 66 Metascore
    • 63 Megan Lehmann
    An energetic, feel-good blend of comedy, romance and benign drama -- with a side dish of social commentary -- that works despite its strict adherence to the culture clash/generation gap formula.
    • 65 Metascore
    • 63 Megan Lehmann
    De Villa has created a truthful representation of a colorful community.
    • 46 Metascore
    • 63 Megan Lehmann
    Much of the movie's gentle charm comes from Mehta, the director's younger brother, making his acting debut.

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