Megan Lehmann
Select another critic »
For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.5 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 The Hillside Strangler
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 46 Metascore
    • 63 Megan Lehmann
    Lacking quite the zip and zing of "Run Lola Run," this lively indie tale of a drug deal gone awry could be alternately titled "Walk Fast Bobby Walk Fast."
    • 66 Metascore
    • 63 Megan Lehmann
    If you like your language blue and your humor coarse, Margaret Cho is for you.
    • 56 Metascore
    • 63 Megan Lehmann
    CQ
    Coppola sure knows his late-'60s cinema and he's meticulous in reconstructing the style of the era.
    • 74 Metascore
    • 63 Megan Lehmann
    Instructive, cathartic or just too painful? You decide.
    • 77 Metascore
    • 63 Megan Lehmann
    Makes a powerful case against the wisdom of budget cuts at universities everywhere.
    • 77 Metascore
    • 63 Megan Lehmann
    Pray will force you to look at the music as more than just gobbledygook created by musical-bower birds who can't spell.
    • 47 Metascore
    • 63 Megan Lehmann
    It's all entertaining enough, but don't look for any hefty anti-establishment message in what is essentially a whip-crack of a buddy movie that ends with a whimper.
    • 50 Metascore
    • 63 Megan Lehmann
    Possibly the most unintentionally hilarious film since Ed Wood's "Plan 9 from Outer Space," Steve Irwin's big-screen debut is destined to become an instant cult classic.
    • 42 Metascore
    • 63 Megan Lehmann
    A tightly drawn, propulsive thriller with some pleasingly unexpected kinks in the tale and a couple of believable performances from Charlize Theron and Kevin Bacon in the leads.
    • 65 Metascore
    • 63 Megan Lehmann
    Walking a tightrope between high farce and emotional truth, writer-director Gabriele Muccino's breathlessly paced Italian comedy The Last Kiss manages to stay just this side of melodrama.
    • 69 Metascore
    • 63 Megan Lehmann
    If you give yourself over to it, this romantic tale of a liberating one-night stand proves oddly seductive and generates a warm afterglow.
    • 76 Metascore
    • 63 Megan Lehmann
    Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.
    • 61 Metascore
    • 63 Megan Lehmann
    Doesn't have the polish of "Ocean's Eleven" - but it does have George Clooney.
    • 67 Metascore
    • 63 Megan Lehmann
    A documentary mosaic of kooky Americana.
    • 56 Metascore
    • 63 Megan Lehmann
    Phoenix gives an electric performance as amoral Army supply clerk Ray Elwood.
    • 68 Metascore
    • 63 Megan Lehmann
    Very funny. It's also heartbreakingly sad.
    • 57 Metascore
    • 63 Megan Lehmann
    Essentially an hour-long monologue, but this talking head is so engaging that you can't blame director Lech Kowalski's camera for not wanting to stray from the late Dee Dee Ramone's party-ravaged face.
    • 56 Metascore
    • 63 Megan Lehmann
    Just Brit filmmaker Shane Meadows having some fun with the conventions of the spaghetti western.
    • 61 Metascore
    • 63 Megan Lehmann
    A compelling look at a vexa tious question, Taking Sides is, at times, hamstrung by its own ambiguity.
    • 64 Metascore
    • 63 Megan Lehmann
    It's mostly a political thriller, contingent on a love story. It's kind of noirish, subtly humorous and intermittently confusing.
    • 65 Metascore
    • 63 Megan Lehmann
    A good-looking, if imperfectly plotted, coming-of-age feature -- that doesn't quite manage to sidestep the clichéd sport-as-metaphor-for-life trap.
    • 48 Metascore
    • 63 Megan Lehmann
    This is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.
    • 66 Metascore
    • 63 Megan Lehmann
    The concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.
    • 46 Metascore
    • 63 Megan Lehmann
    Much of the movie's gentle charm comes from Mehta, the director's younger brother, making his acting debut.
    • 57 Metascore
    • 63 Megan Lehmann
    Suffers from an air of frosty detachment and a disappointingly stiff performance from Jagger, who also provides an unnecessary voice-over narration.
    • 71 Metascore
    • 63 Megan Lehmann
    There's nothing particularly startling or new in the script by Siegel and his co-writers Lisa Bazadona and Grace Woodard - except that it, refreshingly, draws its characters in real-life shades of gray.
    • 71 Metascore
    • 63 Megan Lehmann
    Less of a "You go, girl" manifesto than its title would suggest.
    • 52 Metascore
    • 63 Megan Lehmann
    An exploration of the way the sins of the father trickle down to his offspring, is dense with quirky characters and subplots all woven into a rather heavy-handed meditation on the evils of globalization.
    • 52 Metascore
    • 63 Megan Lehmann
    Apart from some irritating and redundant camera tricks early on in the film, director Blair Treu plays it white-bread straight, delivering an uncommonly inoffensive, after-school-special-style teen flick.
    • 51 Metascore
    • 63 Megan Lehmann
    Some of the plot points are confusingly vague, the tone lurches wildly between genres, and the film's epilogue pushes the bounds of believability - but The Hard Word could never be accused of being predictable.

Top Trailers