Michael Phillips
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For 1,463 reviews, this critic has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 The Tillman Story
Lowest review score: 0 Did You Hear About the Morgans?
Score distribution:
1,463 movie reviews
    • 83 Metascore
    • 88 Michael Phillips
    “Elephant” may have won the Palme d’Or at Cannes but it really didn’t have anything to say about anything. Modest and artful, Paranoid Park says a great deal.
    • 76 Metascore
    • 88 Michael Phillips
    Shine a Light is one of those lions-in-winter affairs, and Jagger, who has a body fat count of negative 67, can still dance like a maniacal popinjay, and Richards still looks like a satyr who has stayed up all night every night of his adult life.
    • 79 Metascore
    • 88 Michael Phillips
    Jenkins and The Visitor”make lovely music together. It’s a case of a veteran character actor slipping on a leading role like the most comfortable pair of pants in the world.
    • 67 Metascore
    • 88 Michael Phillips
    It's worth seeing just for the banter between Segel and Hader, which recalls the peak conversational riffs from "Knocked Up."
    • 73 Metascore
    • 88 Michael Phillips
    Everything about Kung Fu Panda is a little better, a little sharper, a little funnier than the animated run of the mill.
    • 80 Metascore
    • 88 Michael Phillips
    Takes you places an ordinary documentary filmmaker might’ve gone to yet missed completely.
    • 84 Metascore
    • 88 Michael Phillips
    Deeply personal, wryly funny and fantastically cinematic.
    • 72 Metascore
    • 88 Michael Phillips
    A welcome surprise: a supernatural romantic comedy that works, graced with a cast just off-center enough to make it distinctive.
    • 84 Metascore
    • 88 Michael Phillips
    There’s something of the harlequin in Leigh’s conception of this bright, manic young woman.
    • 82 Metascore
    • 88 Michael Phillips
    Remarkable documentary filmmaking, unflinching and full of unlikely grace.
    • 84 Metascore
    • 88 Michael Phillips
    The story of Harvey Milk is a tragedy, but not since Jeff Spicoli in "Fast Times at Ridgemont High" has Sean Penn played such a serenely happy individual.
    • 68 Metascore
    • 88 Michael Phillips
    While Streep has a tiny bit too much fun with some of her character's excesses, she's awfully good. So is Hoffman, who walks a fine line between obvious guilt and possible innocence.
    • 80 Metascore
    • 88 Michael Phillips
    Each performance in this plaintive work is superb, but Kyoko Koizumi's gently melancholy portrait of the businessman's wife keeps Tokyo Sonata true and affecting, even when the later passages go a little nuts.
    • 76 Metascore
    • 88 Michael Phillips
    It's a big ice cream sundae, this one -- not great documentary filmmaking but tasty all the way.
    • 73 Metascore
    • 88 Michael Phillips
    Certain things in Three Monkeys can only be described as brilliant.
    • 69 Metascore
    • 88 Michael Phillips
    Watching Loeb opposite Berg, you're reminded of the miracles of chemistry and the luck of the draw when it comes to casting a show -- any show.
    • 73 Metascore
    • 88 Michael Phillips
    It is a fine little old-school thriller.
    • 64 Metascore
    • 88 Michael Phillips
    Gigante represents the sort of artful low-budget accomplishment that could, and should, be coming out of distressingly stingy Chicago once a year — whatever the subject, whatever the sensibility.
    • 90 Metascore
    • 88 Michael Phillips
    A Prophet pushes its protagonist into circumstances he did not choose but in which he watches and learns and kills and eventually becomes all he can be, albeit criminally. Certainly Muslims living in France have embraced the movie and Malik, played by Rahim
    • 55 Metascore
    • 88 Michael Phillips
    I greatly prefer this cleverly sustained and efficiently relentless remake to the '73 edition. It is lean and simple.
    • 65 Metascore
    • 88 Michael Phillips
    A rich and surprisingly old-fashioned musical biopic, The Runaways has neither the bloat nor the blather of your average Hollywood treatment of stars on the rise.
    • 63 Metascore
    • 88 Michael Phillips
    Accomplishes what "Snakes on a Plane" did not: It offers a merrily idiotic movie to go with its willfully idiotic title.
    • 67 Metascore
    • 88 Michael Phillips
    Hinds has been ready for a role of this size and shape for years; it was simply a matter of finding it, and its finding him.
    • 74 Metascore
    • 88 Michael Phillips
    Seeing "Dragon" in 3-D really is a must. Its formidable realm of Vikings and dragons and nerds (oh my!) should be enjoyed to the fullest extent theaters allow.
    • 79 Metascore
    • 88 Michael Phillips
    A gripping documentary.
    • 62 Metascore
    • 88 Michael Phillips
    I prefer my horror with a chaser of wit, and Severance, a modest but very lively British import, serves it up in harsh but high style.
    • 79 Metascore
    • 88 Michael Phillips
    The film is a singular achievement.
    • 71 Metascore
    • 88 Michael Phillips
    Bone-dry but completely assured, both in its visual strategy and its wry deconstruction of the workplace comedy genre.
    • 71 Metascore
    • 88 Michael Phillips
    It is a fine and plaintive experience, more modern-day folklore than ethnographic study, and a wonderfully assured piece of cinema.
    • 78 Metascore
    • 88 Michael Phillips
    The picture's visual style is clean, exact and beautifully photographed by Yorgos Arvanitis.

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