Michael Phillips

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For 1,632 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.5 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Gomorrah
Lowest review score: 0 Hostel: Part II
Score distribution:
1632 movie reviews
    • 82 Metascore
    • 88 Michael Phillips
    Tone is everything here. While likely influenced by Chilean absurdists of another era, such as playwright Egon Wolff, in The Maid Silva treads an ultra-fine line between caricature and character, leaning toward the latter without weighing down an essentially featherweight creation.
    • 49 Metascore
    • 88 Michael Phillips
    I’m inclined to agree with a colleague who told me he could swing with Antichrist when it was simply unstable but couldn’t go with it when it turned insane.
    • 73 Metascore
    • 88 Michael Phillips
    It is a fine little old-school thriller.
    • 77 Metascore
    • 88 Michael Phillips
    The Messenger is not itself grueling, which is practically a miracle. Rather, this pungent little chamber piece offers a full yet delicate range of emotions, and it humanizes its characters so that polemics are left in the background.
    • 69 Metascore
    • 88 Michael Phillips
    A true feat of daring and one of the craziest films of the year.
    • 76 Metascore
    • 88 Michael Phillips
    The movie putters near the end, but it's a film lover's delight.
    • 73 Metascore
    • 88 Michael Phillips
    A real charmer, Me and Orson Welles is the work of a director who takes nostalgia, romantic possibility and the theater seriously, without being a pill about it.
    • 64 Metascore
    • 88 Michael Phillips
    Gigante represents the sort of artful low-budget accomplishment that could, and should, be coming out of distressingly stingy Chicago once a year — whatever the subject, whatever the sensibility.
    • 82 Metascore
    • 88 Michael Phillips
    Haneke’s vision is gripping. The craftsmanship, classically shaped narrative and icy visual beauty cannot be denied.
    • 81 Metascore
    • 88 Michael Phillips
    A remarkable downer-upper paradox: a bruising tale of teenage resilience, honest and emotionally complicated and alive.
    • 55 Metascore
    • 88 Michael Phillips
    I greatly prefer this cleverly sustained and efficiently relentless remake to the '73 edition. It is lean and simple.
    • 77 Metascore
    • 88 Michael Phillips
    Polanski turns a conventional conspiracy thriller into a triumph of tone, ensemble playing and atmospheric menace.
    • 90 Metascore
    • 88 Michael Phillips
    A Prophet pushes its protagonist into circumstances he did not choose but in which he watches and learns and kills and eventually becomes all he can be, albeit criminally. Certainly Muslims living in France have embraced the movie and Malik, played by Rahim
    • 65 Metascore
    • 88 Michael Phillips
    A rich and surprisingly old-fashioned musical biopic, The Runaways has neither the bloat nor the blather of your average Hollywood treatment of stars on the rise.
    • 63 Metascore
    • 88 Michael Phillips
    Accomplishes what "Snakes on a Plane" did not: It offers a merrily idiotic movie to go with its willfully idiotic title.
    • 67 Metascore
    • 88 Michael Phillips
    Hinds has been ready for a role of this size and shape for years; it was simply a matter of finding it, and its finding him.
    • 74 Metascore
    • 88 Michael Phillips
    Seeing "Dragon" in 3-D really is a must. Its formidable realm of Vikings and dragons and nerds (oh my!) should be enjoyed to the fullest extent theaters allow.
    • 85 Metascore
    • 88 Michael Phillips
    The brilliantly untrustworthy documentary Exit Through the Gift Shop reminds us that a film can start out in one direction and then change course so radically, it becomes an act of provocation unto itself.
    • 74 Metascore
    • 88 Michael Phillips
    Amuses and unnerves in equal measure.
    • 79 Metascore
    • 88 Michael Phillips
    A gripping documentary.
    • 79 Metascore
    • 88 Michael Phillips
    I Am Love makes no apologies for its style. None needed: The film, a two-hour swoon, is a cry for romantic freedom, perched on the edge of self-parody, as all good melodramas are.
    • 74 Metascore
    • 88 Michael Phillips
    I don't know if what the Safdies endured growing up was akin to what audiences experience in Daddy Longlegs. But I'm very glad they survived to make a very good film about it.
    • 85 Metascore
    • 88 Michael Phillips
    The film is unusually free of cant and the usual trappings of war docs. There is no voice-over narration and very little dramatic underscoring. Right or wrong, the filmmakers shave matters of political policy and contextual analysis clean off the finished product, which runs a tight 94 minutes.
    • 65 Metascore
    • 88 Michael Phillips
    It is craftsmanship incarnate and the embodiment of tonal unpredictability.
    • 74 Metascore
    • 88 Michael Phillips
    This complicated but absorbing tale is not told through primarily American eyes ( Willem Dafoe plays a CIA. figurehead); primarily it's about French and Soviet brinksmanship, and those who succeeded at it, or failed, and one man who died for the risks he took.
    • 70 Metascore
    • 88 Michael Phillips
    Like Charles Ferguson's excellent Iraq documentary "No End in Sight," "Countdown to Zero" has an agenda but has the cogent, reasoned rhetoric to support it.
    • 77 Metascore
    • 88 Michael Phillips
    This film, calm but full of feeling, relays an intriguing story brought to life by some beautiful actors.
    • 65 Metascore
    • 88 Michael Phillips
    This exercise in racked nerves makes most of the year's thrillers look like flailing maniacs by comparison.
    • 95 Metascore
    • 88 Michael Phillips
    Is director David Fincher's film the stuff of greatness? Not quite. But the picture is very, very good.
    • 61 Metascore
    • 88 Michael Phillips
    This is an inspirational true story worried less about turning dramatic screws than earning its feeling through character.

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