Michael Wilmington
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For 1,278 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12.7 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The Piano
Lowest review score: 0 Chaos
Score distribution:
1,278 movie reviews
    • 53 Metascore
    • 50 Michael Wilmington
    At least Reno is around -- and he's the only spice in this stale, slick stew
    • 48 Metascore
    • 50 Michael Wilmington
    Elaborate misfire, which misuses an unusually good cast.
    • 52 Metascore
    • 50 Michael Wilmington
    May be the only movie in recent memory unworthy of its own genuinely hilarious Web site, www.finemanfilms.com.
    • 50 Metascore
    • 50 Michael Wilmington
    Isn't good satire or good slapstick. It does have those lyrical, catchy Menken tunes, and the film perks up whenever Raitt or lang sing one of them. But much of this movie is deadly.
    • 51 Metascore
    • 50 Michael Wilmington
    Irwin Winkler's The Net, which should have worked a lot better than it does, is a glossy, intricately plotted, mostly implausible suspense movie about a woman on the run.
    • 43 Metascore
    • 50 Michael Wilmington
    Unfortunately, after watching Paycheck, you may wish you had the picture's gimmickry at your disposal, so you could erase your own memory of it.
    • 49 Metascore
    • 50 Michael Wilmington
    A ravishing crock. Like its title character, a computer-generated movie star programmed to resemble a cross between Grace Kelly, Audrey Hepburn, Lauren Bacall and Kim Basinger, it's beautiful but empty, gorgeous but spurious.
    • 43 Metascore
    • 50 Michael Wilmington
    Much of this movie seems a crock.
    • Chicago Tribune
    • 30 Metascore
    • 50 Michael Wilmington
    There's nothing classic about Surviving Eden, even if it is better than reality TV.
    • 63 Metascore
    • 50 Michael Wilmington
    Fessenden cooks up a likably offbeat horror movie. But somehow, it never jells, never really scares us.
    • 53 Metascore
    • 50 Michael Wilmington
    This pretty but witless movie is well-produced, slickly directed -- full of jokes about hot dudes and hot babes pitched right at the "American Pie" crowd.
    • 58 Metascore
    • 50 Michael Wilmington
    The movie, like Hitch, tries to be cool, funny and sweet but falls on its face without generating any real sympathy, smarts or humor.
    • 34 Metascore
    • 50 Michael Wilmington
    Has the air of a film and actor (Beatty)reaching clumsily for a golden past that's gone.
    • Chicago Tribune
    • 50 Metascore
    • 50 Michael Wilmington
    A lively little Australian rock movie hamstrung and sunk by one of the least successful story ideas I've seen recently.
    • 62 Metascore
    • 50 Michael Wilmington
    A comedy that seems to have most everything going for it but the ability to make us laugh.
    • 43 Metascore
    • 50 Michael Wilmington
    Tries to take us from heaven to hell but winds up leaving us in limbo: exasperated and dumfounded.
    • Chicago Tribune
    • 57 Metascore
    • 50 Michael Wilmington
    It's a nice little film, likable but not exceptional, and it will probably appeal most strongly to actors, would be-actors, wannabes and ex-actors.
    • Chicago Tribune
    • 27 Metascore
    • 50 Michael Wilmington
    Won't make your day, but it won't kill it either.
    • 14 Metascore
    • 50 Michael Wilmington
    It's hard to create snap-crackling languor or laid-back frenzy. And there's also something condescending in the entire conception of Mixed Nuts. [21 Dec 1994, p.7]
    • Chicago Tribune
    • 28 Metascore
    • 50 Michael Wilmington
    Happily was begun as an old-fashioned 2-D "flat" cartoon and then switched by producer John Williams (of "Shrek") and director Paul J. Bolger to 3-D during production. The style finally is an uncomfortable amalgam of both.
    • 40 Metascore
    • 50 Michael Wilmington
    Townsend seemed to me ill-matched as a romantic hero: way too moony-eyed and mushy to cope with the likes of the towering Theron and torchy Cruz.
    • 39 Metascore
    • 50 Michael Wilmington
    Shot in Chicago, this is a picture that looks better than it sounds and is made much better than it deserves to be.
    • Chicago Tribune
    • 45 Metascore
    • 50 Michael Wilmington
    Should have worked on our emotions like a scalpel, made us cry and bleed. But, though it's an affecting, polished film, it's not satisfying. [12 March 1999, Friday, p.A]
    • Chicago Tribune
    • 37 Metascore
    • 50 Michael Wilmington
    Though they're a good pair (Hopkins and Rock), this isn't a very good movie. It's slick but hollow.
    • 46 Metascore
    • 50 Michael Wilmington
    Has the worst happy ending I've seen in a while.
    • 52 Metascore
    • 50 Michael Wilmington
    Should please its core audience, which includes anyone who might actually want to win a date with Tad Hamilton. Others may opt to wait for another date with Kate Bosworth -- or Nathan Lane.
    • 27 Metascore
    • 50 Michael Wilmington
    Sometimes funny, often strained comedy.
    • 33 Metascore
    • 50 Michael Wilmington
    It's a Hitchockian "wrong man" story, but there's a twist.
    • Chicago Tribune
    • 45 Metascore
    • 50 Michael Wilmington
    Two gifted co-stars, Denzel Washington and Angelina Jolie, and the highly imaginative thriller specialist Phillip Noyce lend some luster and credibility to another borderline-absurd scenario.
    • Chicago Tribune
    • 38 Metascore
    • 50 Michael Wilmington
    A dark comedy that blows up like an exploding cigar, leaving nothing much behind but smoke, noise and a bad taste.

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