For 1,221 reviews, this critic has graded:
  • 77% higher than the average critic
  • 2% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 14 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The Man Without a Past
Lowest review score: 0 Chaos
Score distribution:
1,221 movie reviews
    • 62 Metascore
    • 100 Michael Wilmington
    Like most Godard, it can be watched repeatedly, always yielding new secrets and beauties. Most profound of all, perhaps, are those incredible black-and-white images of Paris.
    • 84 Metascore
    • 100 Michael Wilmington
    An instant classic and a dramatic beauty, a film that gets us to the core of Greene's chilly, dark and romantic view of the post-war world.
    • 92 Metascore
    • 100 Michael Wilmington
    A film that lets life flood into our souls.
    • 64 Metascore
    • 100 Michael Wilmington
    It's tantalizing, delectable and randy, a movie of melting eroticism and toothsome humor.
    • 77 Metascore
    • 100 Michael Wilmington
    The kind of brilliantly weirdo picture that, by all rights, shouldn't have gotten made at all but this time, miraculously, was.
    • 94 Metascore
    • 100 Michael Wilmington
    Pulp Fiction isn't just funny. It's outrageously funny. [14 Oct 1994]
    • 72 Metascore
    • 100 Michael Wilmington
    Viveka Seldahl and Sven Wollter will touch you to the core in a film you will never forget -- that you should never forget.
    • 92 Metascore
    • 100 Michael Wilmington
    An extraordinary work, grandly conceived, brilliantly executed and wildly entertaining. It's a hobbit's dream, a wizard's delight. And, of course, it's only the beginning.
    • 84 Metascore
    • 100 Michael Wilmington
    A powerful film made with minimal means, it's a story of poor people on the fringes of society, done without sentimentality or condescension but with wicked humor.
    • 90 Metascore
    • 100 Michael Wilmington
    A watershed picture, for both Spielberg and war movies.
    • 66 Metascore
    • 100 Michael Wilmington
    A landmark musical movie -- controversial, mercurial, even cheeky. It's the kind of film that wildly divides audiences and critics -- people tend to either love or hate it. I loved it.
    • 93 Metascore
    • 100 Michael Wilmington
    Splendid, soaringly ambitious Chinese period fantasy.
    • 96 Metascore
    • 100 Michael Wilmington
    This landmark movie's madcap humor and terrifying suspense remain undiminished by time.
    • 77 Metascore
    • 100 Michael Wilmington
    A near-classic blend of mystery, personality, humor and terror, laced with one stunning shock after another. [18 August 1995, Friday, p.C]
    • 67 Metascore
    • 100 Michael Wilmington
    25th Hour struck me as one of the best movies of 2002, but it's also a film that will strike some of its audience as ethically dubious or threatening.
    • 72 Metascore
    • 100 Michael Wilmington
    A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers.
    • 90 Metascore
    • 100 Michael Wilmington
    An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.
    • 84 Metascore
    • 100 Michael Wilmington
    There's an incongruous but ravishing beauty in Far From Heaven, and in its three excellent central performances, that counteracts the seeming kitschiness of the story.
    • 82 Metascore
    • 100 Michael Wilmington
    Clean up the language, and this little roach of a movie could play the bottom half of a double bill with Rowan and Martin's “The Maltese Bippy.” [26 March 1999, Life, p.9E]
    • 72 Metascore
    • 100 Michael Wilmington
    A grand ride. Sleek, beautiful and packed with emotion, not too flashy but full of heart, this is a movie worthy of its unlikely yet glorious subject: Depression-era America's best-loved racehorse and the two races that made him a legend.
    • 82 Metascore
    • 100 Michael Wilmington
    This French documentary gives us unprecedented intimacy and sweep.
    • 84 Metascore
    • 100 Michael Wilmington
    Mystic River is classic Eastwood, classic noir. If there is still some doubt about whether this one-time macho star is actually a world-class moviemaker, Mystic River should end the argument for good. One of the best American movies of the year, crisply well-crafted and beautifully acted.
    • 67 Metascore
    • 100 Michael Wilmington
    Stylish, ingenious and gleaming with charm, wit and malice, it's another expert blend of domestic drama and crime thriller, a vivisection of the bourgeoisie.
    • 100 Metascore
    • 100 Michael Wilmington
    1966 French masterpiece -- the finest, most deeply personal work of a filmmaker who has been compared, justifiably, to both Dostoyevsky and Bach.
    • 81 Metascore
    • 100 Michael Wilmington
    As magnificent as a high-masted 19th-century British warship, as explosive as a Napoleonic-era ocean battle seen above the cannon's mouth... probably the best movie of its kind ever made.
    • 81 Metascore
    • 100 Michael Wilmington
    Movies today rarely touch chords that are spiritual or deeply emotional, but Nathaniel Kahn's remarkable documentary My Architect: A Son's Journey does both.
    • 87 Metascore
    • 100 Michael Wilmington
    One of the screen's great portrayals of the hell-raising and malaise of young men in their 20s, hit Italy like a comic thunderbolt when it was released there in 1953 -- and it struck the American art-house audience in much the same way when it premiered here in 1956. Now it returns, and unlike its five aging-boy protagonists, this movie hasn't lost its first youth.
    • 70 Metascore
    • 100 Michael Wilmington
    A brilliant entertainment, full of bemused skepticism and reckless, prodigal love -- for these people and their vanishing era and lives.
    • 94 Metascore
    • 100 Michael Wilmington
    Like all great fantasies and epics, this one leaves you with the sense that its wonders are real, its dreams are palpable.
    • 87 Metascore
    • 100 Michael Wilmington
    Probing... haunting.