Michael Wilmington

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For 1,287 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Titanic
Lowest review score: 0 Chaos
Score distribution:
1287 movie reviews
    • 45 Metascore
    • 50 Michael Wilmington
    Two gifted co-stars, Denzel Washington and Angelina Jolie, and the highly imaginative thriller specialist Phillip Noyce lend some luster and credibility to another borderline-absurd scenario.
    • Chicago Tribune
    • 38 Metascore
    • 50 Michael Wilmington
    A dark comedy that blows up like an exploding cigar, leaving nothing much behind but smoke, noise and a bad taste.
    • 55 Metascore
    • 50 Michael Wilmington
    A commendably brave piece, but less focused and powerful than you'd like. In the end, Garapedian might have been better off concentrating her energy on the 1915 Armenian story--which has been told on film various times (for example, in "Forty Days of Musa Dagh" and Atom Egoyan's "Ararat"), but never with the power of, say, "The Pianist" or "Schindler's List."
    • 24 Metascore
    • 50 Michael Wilmington
    A big, empty picture full of star turns, artificial energy and jokes that don't quite work, even if stars Willis and Perry do their best to slam them across.
    • 63 Metascore
    • 50 Michael Wilmington
    Spectacular, fast, never boring. But it's also one of the more disappointing movies I've seen recently.
    • 36 Metascore
    • 50 Michael Wilmington
    Stolen Summer is no disaster, though. It's merely one more misfire fortunate enough to attract actors like Bonnie Hunt and Aidan Quinn, who almost make it work.
    • 31 Metascore
    • 50 Michael Wilmington
    More an uninspired letdown than a flabbergasting turkey... One reason for this lack of bite lies in the werewolves themselves. They're a bit too teddy-bearish, even oddly cuddly, and the fright scenes work better when you don't see much of them.
    • 47 Metascore
    • 50 Michael Wilmington
    An expensive-looking new detective thriller that should have been much better.
    • 56 Metascore
    • 50 Michael Wilmington
    Tries for both civilized wit and primitive joy -- and mostly misses both.
    • 63 Metascore
    • 50 Michael Wilmington
    A tasteful, intelligent, well-acted film about one of the most ghoulish serial killers in American crime history - and I'm afraid that's a good part of what's wrong with it.
    • 32 Metascore
    • 50 Michael Wilmington
    So fast, sleek and riveting it almost makes you expect miracles -- which never materialize.
    • 43 Metascore
    • 50 Michael Wilmington
    American Pie 2, which brings back the same cast for more of the same, is just another by-the-numbers, money-hungry sequel with a lot of recycled shaggy-sex jokes and gross-out gags.
    • 46 Metascore
    • 50 Michael Wilmington
    For all its crashes and flash, this is a movie that drifts away as we watch it. Muscle cars and all, it's often a waste of gas.
    • 60 Metascore
    • 50 Michael Wilmington
    Beyond some well-observed sibling interaction, the mutual effort of four writers is mutually uninspired. Whoever wrote the episodes between hot-to-trot Jojo (Taylor) and her balky boyfriend Bill (D'Onofrio) should be ashamed. [21 Oct 1988]
    • Los Angeles Times
    • 52 Metascore
    • 50 Michael Wilmington
    When the crashing chords and defiant lyrics of "Be the Rain" close things out, there's a burst of idealism and energy that redeems everything. If you see Greendale, treat the movie charitably and dig the music.
    • 67 Metascore
    • 50 Michael Wilmington
    To say Enemy of the State is senseless is an understatement. This is a movie where logic is the enemy.
    • 68 Metascore
    • 50 Michael Wilmington
    Drably shot, unimaginatively written and shallowly acted, it's a poor example of the "daffy, goofy, sex-crazed guys" occupational comedies that flourished throughout the job-obsessed '80s. [19 Feb 1999]
    • Chicago Tribune
    • 58 Metascore
    • 50 Michael Wilmington
    I found nothing likable or funny about either of these characters, who both deserve a pie in the face. (One of them even gets it.)
    • 35 Metascore
    • 50 Michael Wilmington
    Fast-moving shocker, but it's a dull shocker, so morally dead that it deadens you to watch it. After a while you couldn't care less if anyone is slaughtered or raped -- including the heroines.
    • 35 Metascore
    • 50 Michael Wilmington
    Though Stealth's strengths are obvious -- high-tech marvels and a good cast -- so are its flaws. At its worst moments, a mad robot seems to have taken over the movie, too.
    • 65 Metascore
    • 50 Michael Wilmington
    The film's triple thesis is that elections are run badly, Democrats are often clueless and Republicans are clever. Maybe--but that still leaves too many unanswered questions.
    • 40 Metascore
    • 50 Michael Wilmington
    To work, it has to make us feel crazy with love, like "Vertigo" did. Instead, it often just makes us feel crazy for believing any of it.
    • 53 Metascore
    • 50 Michael Wilmington
    It's one of those fast, slick, half-smart shows that can't decide whether to pay its debts to action or reality -- and winds up cheating both.
    • tbd Metascore
    • 50 Michael Wilmington
    Though the movie is pretty stereotypical and sometimes crude, it also has a sweet laid-back temper. It has amusing moments.
    • 38 Metascore
    • 50 Michael Wilmington
    May try to revive the eerie spirit of the Gothic novel, but, unless you're suffering from amnesia yourself, it probably won't surprise or thrill you.
    • 31 Metascore
    • 50 Michael Wilmington
    Lawrence and Zahn generate enough comic tension and mayhem to jump-start this mass of action-comedy cliches into a fairly amusing show.
    • 46 Metascore
    • 50 Michael Wilmington
    Newsies becomes a string of set-pieces, some of which work, some of which don't, all barreling full-speed ahead toward its Teddy Roosevelt deus ex machina. [10 Apr 1992]
    • Los Angeles Times
    • 59 Metascore
    • 50 Michael Wilmington
    Although Alien 3 is stylish--and ambitious--the movie doesn't have the soul or guts to sustain that ambition. It gets swallowed up in its own technology and genre expectations. And Fincher gets stalled in the drama, trapped in too many scenes of talking heads looming out of the gloom.
    • 64 Metascore
    • 50 Michael Wilmington
    It's fairly entertaining--but not the second coming of indie comedy some notices might lead you to expect.
    • 55 Metascore
    • 50 Michael Wilmington
    Does have heart and enthusiasm. But it might have worked better if it had been glitzed up and energized the way "Fame" was. It's not a script that can survive this kind of minimal, earnest, self-congratulatory treatment.

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