Michael Wilmington
Select another critic »
For 1,278 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12.9 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Life Is Beautiful
Lowest review score: 0 Chaos
Score distribution:
1,278 movie reviews
    • 91 Metascore
    • 100 Michael Wilmington
    Leigh is an artist not at all blind to the world's darkness and pain. But the generosity and togetherness he and his company show in Secrets and Lies is something the movies -- and the world -- truly need. [25 October 1996, Friday, p.A]
    • Chicago Tribune
    • 69 Metascore
    • 100 Michael Wilmington
    This is the Paris -- and the mad, beautiful young Parisienne -- we look for in dreams.
    • 83 Metascore
    • 100 Michael Wilmington
    This is a picture that may sound sappy but probably will enrapture audiences lucky enough to catch it. [19 May 1995, p.L]
    • Chicago Tribune
    • 100 Metascore
    • 100 Michael Wilmington
    It's perhaps only because it can't be seen in its full glory on television that "Lawrence" isn't ranked more highly on some recent all-time "best film" lists. But it belongs near the very top. It's an astonishing, unrepeatable epic.
    • 81 Metascore
    • 100 Michael Wilmington
    A film which should gratify any audience starved for intelligent dialogue, realistic portrayals of romance and lovely, non-cliched open-air photography.
    • 94 Metascore
    • 100 Michael Wilmington
    Always a magical film. For its anniversary rerelease, though, it's been extensively restored and even partly reshot by Spielberg. It now looks better than it did back then.
    • 68 Metascore
    • 100 Michael Wilmington
    A spellbinder: provocatively conceived, gorgeously shot and masterfully executed.
    • 64 Metascore
    • 100 Michael Wilmington
    It's tantalizing, delectable and randy, a movie of melting eroticism and toothsome humor.
    • Chicago Tribune
    • 67 Metascore
    • 100 Michael Wilmington
    This is a terrific movie: jolting, savage, horrifically funny, nightmarishly exciting but also brainy and compassionate.
    • 79 Metascore
    • 90 Michael Wilmington
    There's a muscular sincerity to this movie, a power and spread to its imagery that triumphs over the occasional candied purple patches or strained plot twists. [16 Jul 1993 Pg. F1]
    • Los Angeles Times
    • 60 Metascore
    • 90 Michael Wilmington
    Though definitely one of the best American movies of the year--a work of high ensemble talent and intelligence, gorgeously mounted and crafted, artistically audacious in ways that most American movies don't even attempt--it's still a disappointment… It's not the capstone we might have wanted Coppola to make. [23 Dec 1990, Calendar, p.9]
    • Los Angeles Times
    • 81 Metascore
    • 90 Michael Wilmington
    A lot of this horrific Little Shop is not only sweet, melodic, funny and oddly idealistic, it's even, well, tasty. [19 Dec 1986, p.1]
    • Los Angeles Times
    • 80 Metascore
    • 88 Michael Wilmington
    Two suggestions as you watch it: Never take anything for granted, and keep your hand on your wallet as you leave the theater.
    • 67 Metascore
    • 88 Michael Wilmington
    It's a movie of uncommon eloquence and elegance, acted by a truly gifted cast.
    • 68 Metascore
    • 88 Michael Wilmington
    There's a zest and brilliance in Neil Jordan's racy heist thriller The Good Thief that makes it almost intoxicating to watch.
    • 43 Metascore
    • 88 Michael Wilmington
    Has some of the wit, sass and sexual candor of an "Annie Hall." But it covers the same kind of territory with more bite and bile.
    • 78 Metascore
    • 88 Michael Wilmington
    It's a brutally convincing movie about two hell-bent young Turkish-German lovers dancing on the edge of destruction in a Hamburg underworld of drugs and casual sex. Yet it's also compassionate and even tender.
    • 63 Metascore
    • 88 Michael Wilmington
    Just as Zhao uses his comic gifts to create an affecting human, so Dong's performance as Wu is a triumph of honesty and tact.
    • 82 Metascore
    • 88 Michael Wilmington
    A picture about America with the blinders off, a film about heroism that makes you chuckle and feel sad - and a film about childhood that lets us reenter that lost world and see the grass, sky and sunlight the way they once looked, in the golden hours.
    • Chicago Tribune
    • 78 Metascore
    • 88 Michael Wilmington
    iIt's a film for art- and foreign-movie devotees. But it's also a movie for audiences who simply want to get turned on.
    • 73 Metascore
    • 88 Michael Wilmington
    A beautiful, almost defiant film on an unusual subject: love among the elderly.
    • Chicago Tribune
    • 72 Metascore
    • 88 Michael Wilmington
    It's a genteel film with a gun in its pocket, but it's also a film with a universal chord of feeling that keeps welling up from the dark surfaces and violent byways of the plot-and a final confession that both warms the heart and chills the blood.
    • 82 Metascore
    • 88 Michael Wilmington
    I don't see how you can get away from calling Cage’s performance a great one. [10 November 1995, Friday, p.C]
    • Chicago Tribune
    • 75 Metascore
    • 88 Michael Wilmington
    A beautifully acted and deeply compassionate study of ordinary people coping with the vicissitudes of life.
    • 54 Metascore
    • 88 Michael Wilmington
    Wonderful spirit, humanity and humor.
    • 73 Metascore
    • 88 Michael Wilmington
    Rivets and amazes, even if it falls just frustratingly short of the mind-expanding grandeur it could have had.
    • 79 Metascore
    • 88 Michael Wilmington
    It may be the most serene and optimistic film Rivette has made in France. Yet even the art-house audience may undervalue it, miss the beauty, style and wit.
    • 57 Metascore
    • 88 Michael Wilmington
    Hallstrom gives us a genial interpretation and a supremely good-humored film.
    • 82 Metascore
    • 88 Michael Wilmington
    What's remarkable as we watch Lilya's plunge (and the brief, false rays of light that illuminate it) is how real Moodysson makes her plight, how intensely he makes us empathize with Lilya.
    • 71 Metascore
    • 88 Michael Wilmington
    Such a triumph of simplicity, subtlety and tact--and of the eroticism in words, looks and glances--that the actors ravish us with sheer talent and intelligence.

Top Trailers