For 1,221 reviews, this critic has graded:
  • 77% higher than the average critic
  • 2% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 14.1 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
Average review score: 73
Highest review score: 100 Howl's Moving Castle
Lowest review score: 0 Chaos
Score distribution:
1,221 movie reviews
    • 73 Metascore
    • 100 Michael Wilmington
    It's so thoroughly engaging, so beautifully made, strikingly shot and chock-full of humor and humanity, I can't imagine any intelligent audience not falling in love with it - if only they take the leap of faith to see it.
    • 64 Metascore
    • 100 Michael Wilmington
    It's a joy. Altman does Dallas the way he did "Nashville" in Nashville or Hollywood in "The Player."
    • 69 Metascore
    • 100 Michael Wilmington
    Vibrating with humanity, it's a potent portrait of love, ranging from the purely carnal to the impurely sublime.
    • 73 Metascore
    • 100 Michael Wilmington
    Takes the raw truth and makes it jubilantly, terrifically entertaining.
    • 88 Metascore
    • 100 Michael Wilmington
    The greatest rock concert movie ever made -- and maybe the best rock movie, period.
    • 90 Metascore
    • 100 Michael Wilmington
    Some movies delight you. Some stimulate and provoke. Some enlighten and inform. And some simply hand you a rousing good time-- does all of that and more.
    • 72 Metascore
    • 100 Michael Wilmington
    A rare example of a literary film that preserves the best of its source while creatively filling up on it.
    • 74 Metascore
    • 100 Michael Wilmington
    Both the movie and Denzel Washington are knockouts.
    • 83 Metascore
    • 100 Michael Wilmington
    Of all the movies I've seen in the past several years, this is one of the ones I love the most.
    • 70 Metascore
    • 100 Michael Wilmington
    Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.
    • 79 Metascore
    • 100 Michael Wilmington
    82-year-old Ingmar Bergman takes one of the most painful, shameful episodes of his own life and, writing for director Liv Ullmann, transmutes it into magical, brilliant artistry.
    • 61 Metascore
    • 100 Michael Wilmington
    Bravo!
    • 92 Metascore
    • 100 Michael Wilmington
    Great, bittersweet family drama.
    • 79 Metascore
    • 100 Michael Wilmington
    A spectacular, engrossing, big-hearted film based on one of Korea's great national epics and made by that country's top filmmaker.
    • 90 Metascore
    • 100 Michael Wilmington
    A movie bull's-eye: noir with an attitude, a thriller packing punches. It gives up its evil secrets with a smile.
    • 54 Metascore
    • 100 Michael Wilmington
    Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies.
    • 68 Metascore
    • 100 Michael Wilmington
    This is a film precisely constructed, brilliantly imagined.
    • 73 Metascore
    • 100 Michael Wilmington
    Moretti gives us something different but very important. He shows us how life goes on.
    • 86 Metascore
    • 100 Michael Wilmington
    A film poem of sometimes humbling beauty: a movie that opens up a new world to us - in the mountains of Iranian Kurdistan - with an enchanting freshness and austerity of vision.
    • 73 Metascore
    • 100 Michael Wilmington
    A beautiful and genuinely spirit-lifting film about poverty and education.
    • 81 Metascore
    • 100 Michael Wilmington
    A film which should gratify any audience starved for intelligent dialogue, realistic portrayals of romance and lovely, non-cliched open-air photography.
    • 66 Metascore
    • 100 Michael Wilmington
    As we watch, we can sense, once again, the eye of a painter, the dreams of a poet and, tying them together, the vision of a master.
    • 90 Metascore
    • 100 Michael Wilmington
    An amazing celluloid poem by a filmmaker whom Ingmar Bergman called "the greatest." He very nearly was. He was also, perhaps, too pure a creator and reckless a citizen to survive unscathed.
    • 70 Metascore
    • 100 Michael Wilmington
    Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen.
    • 70 Metascore
    • 100 Michael Wilmington
    An absolute delight, one of the most sheerly pleasurable movies Altman has ever made. It's wry, jokey and sexy, a tart and delectable entertainment. And, like most of Altman's best work, it's graced with a top-notch ensemble of first-class [9 April 1999, Friday, p.A]
    • 100 Metascore
    • 100 Michael Wilmington
    It's perhaps only because it can't be seen in its full glory on television that "Lawrence" isn't ranked more highly on some recent all-time "best film" lists. But it belongs near the very top. It's an astonishing, unrepeatable epic.
    • 98 Metascore
    • 100 Michael Wilmington
    A timeless romantic thriller that steeps us in one of those great artificial movie worlds that become more overpowering than reality itself.
    • 69 Metascore
    • 100 Michael Wilmington
    A wildly original movie with astonishingly varied moods and influences.
    • 78 Metascore
    • 100 Michael Wilmington
    A movie I loved on first sight and, even more important, love in remembrance. Taken all in all, there's only one last thing to say about it. Go.
    • 73 Metascore
    • 100 Michael Wilmington
    You can't praise highly enough the contributions of the ensemble--De Niro and Pesci especially--but it's Scorsese's triumph. [22 November 1995, Tempo, p.1]