Michael Wilmington
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For 1,277 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 13.2 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The Truman Show
Lowest review score: 0 Chaos
Score distribution:
1,277 movie reviews
    • 82 Metascore
    • 88 Michael Wilmington
    This film--one of the best and most memorable documentaries of the year so far--brings that truth-teller to us once again.
    • 55 Metascore
    • 88 Michael Wilmington
    The movie is a delight in many ways: an unabashed romantic comedy and Capraesque fable that takes Spielberg into realms he's rarely traveled before.
    • 73 Metascore
    • 88 Michael Wilmington
    Close to perfect example of an expertly designed and executed thriller.
    • 85 Metascore
    • 88 Michael Wilmington
    The results are spine-tingling. There's only one thing to say about this movie and its rescuers, recovered from the dead--and the Dead: Rock on.
    • 71 Metascore
    • 88 Michael Wilmington
    Such a triumph of simplicity, subtlety and tact--and of the eroticism in words, looks and glances--that the actors ravish us with sheer talent and intelligence.
    • 64 Metascore
    • 88 Michael Wilmington
    A brilliant, giddy satiric romp with a discreetly moralistic viewpoint beneath its high-style wit.
    • 53 Metascore
    • 88 Michael Wilmington
    Graced with Nair's loving direction, Witherspoon's radiance and that great cast, it is a treat, if somewhat less so than the novel.
    • 82 Metascore
    • 88 Michael Wilmington
    A weird, funny, melancholy tribute to movies and movie-going, an opus for film geeks that rang my personal bell. A bizarre minimalist epic that will either transport or infuriate, it's defiantly, exquisitely eccentric.
    • 75 Metascore
    • 88 Michael Wilmington
    Salles' movie isn't fiery or didactic. It doesn't rage or storm. Salles romanticizes the youthful Ernesto.
    • 70 Metascore
    • 88 Michael Wilmington
    It's not a hasty, knocked-together promo job--though it is clearly pro-Kerry.
    • 87 Metascore
    • 88 Michael Wilmington
    Watching Jonathan Caouette's amazing autobiographical documentary Tarnation is like descending into a pop-music, underground-movie hell and heaven, the shattered and shattering landscape of a living body and mind.
    • 64 Metascore
    • 88 Michael Wilmington
    A rich, shining valentine to the British theater and the eternal joys of Shakespeare,
    • 65 Metascore
    • 88 Michael Wilmington
    Bening shines, and the film shines too.
    • 55 Metascore
    • 88 Michael Wilmington
    Ultimately, p.s. confirms Kidd's talent without expanding it or achieving the comic/dramatic heights of "Roger Dodger."
    • 78 Metascore
    • 88 Michael Wilmington
    A movie which, like all the best blues, makes good times out of bad times, makes smiles out of hurt, makes tears taste like honey.
    • 63 Metascore
    • 88 Michael Wilmington
    For anyone who likes classic, offbeat American moviemaking, in the rural-thriller genre from "Moonrise" to "Macon County Jail," Undertow is one to check. Seething with violence, bleeding with lyricism, it's a poem from the junk heap, a cry from the swamp.
    • 67 Metascore
    • 88 Michael Wilmington
    It's an intellectual family film for literate parents and children, immensely pleasing if not perfect, perhaps a smidgen too brightly evasive and determinedly charming.
    • 79 Metascore
    • 88 Michael Wilmington
    This hip, highly partisan biography of Dr. Alfred C. Kinsey is a surprisingly entertaining movie about the perils of studying sexual behavior in a sexually uptight culture--our own.
    • 59 Metascore
    • 88 Michael Wilmington
    Miller's quiet artistry is at its peak, and though "Lili" is not as subtle, profound or moving a work as Chekhov's play, it's an intelligent, first-rate piece of cinema.
    • 39 Metascore
    • 88 Michael Wilmington
    Vast, riveting, madly audacious movie biography.
    • 65 Metascore
    • 88 Michael Wilmington
    Few directors are more adept at playing with all this anguish and exhilaration than Mike Nichols.
    • 66 Metascore
    • 88 Michael Wilmington
    One of the best films ever about that game, one of the most exciting, instructive and sheerly entertaining of all chess films.
    • 75 Metascore
    • 88 Michael Wilmington
    It's a great film that, sadly, may be ignored by all but the most dedicated, knowledgable filmgoers.
    • 79 Metascore
    • 88 Michael Wilmington
    Not a striking film visually. It's deliberately plain looking, focused on the appalling events with an almost documentary immediacy.
    • 74 Metascore
    • 88 Michael Wilmington
    Though "Keys" is not Amelio's best, it has an emotional power almost equal to anything he's done.
    • 59 Metascore
    • 88 Michael Wilmington
    It's an intelligent and informed look at the preposterous ways our leaders are often picked and sabotaged.
    • Chicago Tribune
    • 64 Metascore
    • 88 Michael Wilmington
    A violent, improbable movie done in tersely elegant style, and it may be the last action movie for one of the cinema's great action stars, Clint Eastwood.
    • 72 Metascore
    • 88 Michael Wilmington
    The acting in All or Nothing is superb. Everyone creates a character we can immediately register and recognize as true.
    • 74 Metascore
    • 88 Michael Wilmington
    He (Puri) is one of the most consistently excellent film actors that his country - or the world - has produced. And East is East, a grand cultural hybrid, is a real movie, too - raw, funny and wonderfully mixed up.
    • Chicago Tribune
    • 68 Metascore
    • 88 Michael Wilmington
    It's fresh, funny, biting, fast-paced and reasonably perceptive about people and their problems.

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