For 2,130 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
Average review score: 60
Highest review score: 100 Minority Report
Lowest review score: 0 The Avengers
Score distribution:
2,130 movie reviews
    • 63 Metascore
    • 25 Mick LaSalle
    Scorsese stuffs the film with heavy-handed art direction and piles on a ludicrously ominous soundtrack. The soundtrack is a constant reminder of the movie's importance and only highlights its unimportance.
    • 42 Metascore
    • 25 Mick LaSalle
    Holes in the script, overwrought camera work, dialogue that's embarrassing, and a plot device that's obvious 10 minutes into the movie - all these are major problems.
    • 65 Metascore
    • 25 Mick LaSalle
    The film ends up landing in a confused middle category. It's neither a coherent, discrete work nor a zany tribute to the late actor.
    • 35 Metascore
    • 25 Mick LaSalle
    Take the worst things about independent movies - the wallowing in an unpleasantness, the narrative unsteadiness, the next-to-no story. Then combine those with a hefty dose of light comedy. The result: the big, fat tonal mess that is Happy Tears, a charmless film about two sisters who come together to care for their demented father.
    • 49 Metascore
    • 25 Mick LaSalle
    John Lennon once said, "There's a great woman behind every idiot." This time, I'm counting seven of them.
    • 27 Metascore
    • 25 Mick LaSalle
    Sometimes it's unpleasant, sometimes it's insincere, and for long stretches it's boring.
    • 67 Metascore
    • 25 Mick LaSalle
    Moon is boring. Agonizingly, deadeningly, coma-inducingly, they-could-bury-you-alive-accidentally boring.
    • 34 Metascore
    • 25 Mick LaSalle
    It's a gorefest, a borefest and a snorefest.
    • 32 Metascore
    • 25 Mick LaSalle
    Saint John of Las Vegas was a bad script that somehow got made into a bad movie with good people in it.
    • 31 Metascore
    • 25 Mick LaSalle
    Represents his (Smith) first act of cinematic cynicism, his first crime against his own talent. With this action comedy, he has given us 110 worthless minutes, a bad formula movie like every other bad formula movie.
    • 52 Metascore
    • 25 Mick LaSalle
    When Christian Bale allowed himself to play Bruce Wayne in "Batman Begins," he was slumming - and to good effect. But with Terminator Salvation, this ostensibly serious actor takes up residence in the action ghetto, and it's not a good fit.
    • 64 Metascore
    • 25 Mick LaSalle
    Director Edward Zwick tried to make a great movie, but somewhere in the process he forgot to make a good one.
    • 70 Metascore
    • 25 Mick LaSalle
    The movie's excruciating length is without dramatic or thematic justification.
    • 41 Metascore
    • 25 Mick LaSalle
    The result is that rare movie specimen, a completely intentional, expertly guided work of art that fails almost completely.
    • 56 Metascore
    • 25 Mick LaSalle
    This isn't pleasant to watch. Neither is it amusing, intellectually engaging, whimsically fascinating, coldly satirical or painfully poignant, though at any given moment in this erratic film director Tom Tykwer might be trying for one of these conflicting tones.
    • 69 Metascore
    • 25 Mick LaSalle
    More than confusing. It's opaque.
    • 51 Metascore
    • 25 Mick LaSalle
    Has a gutsy premise, but no guts.
    • 64 Metascore
    • 25 Mick LaSalle
    Che
    If Soderbergh's ambition was to make us feel just how dull it would be to a woods-dwelling communist guerrilla, he succeeded.
    • 59 Metascore
    • 25 Mick LaSalle
    "Spider-Man 2" was a textbook example of how to make a sequel: Deepen it, make it funnier, give it more heart and come up with a strong villain and a good story. Spider Man 3, by contrast, shows how not to make a sequel.
    • 54 Metascore
    • 25 Mick LaSalle
    The bad outweighs the good and the cringes outnumber the laughs in BrĂ¼no, a disappointment from Sacha Baron Cohen, whose "Borat" was one of the funniest movies of the decade.
    • 57 Metascore
    • 25 Mick LaSalle
    Owen is a magnetic, sensitive presence at the center of a movie that doesn't deserve him and that barely deserves to be seen.
    • 34 Metascore
    • 25 Mick LaSalle
    Another inert, soul-dead action drama that turns actors into zombies...It's garbage.
    • 35 Metascore
    • 25 Mick LaSalle
    A thriller without thrills. It's also a thriller that cheats. The story is stretched to feature length only by having the film's incidents arranged in such a way as to reveal as little as possible.
    • 50 Metascore
    • 25 Mick LaSalle
    The movie isn't hellish, because there's always hope of leaving it. It's more like purgatory, two whole hours of it.
    • 31 Metascore
    • 25 Mick LaSalle
    A third-rate effort, with a weak script, cheap-looking effects and no genuine frights.
    • 44 Metascore
    • 25 Mick LaSalle
    This is a half-hearted, derivative action film with not a single honest artistic impulse behind it.
    • 68 Metascore
    • 25 Mick LaSalle
    Its story meanders and doesn't build, and the pace is deadly.
    • 44 Metascore
    • 25 Mick LaSalle
    Perfunctory, thrill- free sequel.
    • 41 Metascore
    • 25 Mick LaSalle
    An adventure in mediocrity that brings together some of the worst current techniques and trends.
    • 59 Metascore
    • 25 Mick LaSalle
    It's dreadful, but it's a special kind of dreadful -- the kind designed to appeal to intelligent people on principle.