For 2,310 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Sex and the City
Lowest review score: 0 Epic Movie
Score distribution:
2,310 movie reviews
    • 55 Metascore
    • 25 Mick LaSalle
    Hellion is so sincere and so dull that some might mistake it for a true work of art.
    • 55 Metascore
    • 25 Mick LaSalle
    It's a complete mess, the spectacle of filmmakers blowing up their movie and everything in it, because they can't think of anything else to do.
    • 55 Metascore
    • 25 Mick LaSalle
    The film is glossy, but awful. Frenetic, but awful. Expensive, but awful. ... And awful.
    • 54 Metascore
    • 25 Mick LaSalle
    Higher Learning says nothing new or challenging and is too naive to inspire controversy.
    • 54 Metascore
    • 25 Mick LaSalle
    Neither funny nor outrageous nor horrifying nor conventionally affecting.
    • 54 Metascore
    • 25 Mick LaSalle
    If, while watching The Secret Life of Walter Mitty, you start wondering why Ben Stiller is acting strange, the answer comes during the closing credits: "Directed by Ben Stiller."
    • 54 Metascore
    • 25 Mick LaSalle
    Serious intent may be lurking somewhere in there, but it's buried under layers of stupidity - not just stupid jokes, which is what you want from Sandler, but also stupid, shallow thinking.
    • 54 Metascore
    • 25 Mick LaSalle
    A complete bust, but the ways in which it fails are interesting.
    • 54 Metascore
    • 25 Mick LaSalle
    The movie equivalent of an idiot who, to avoid scorn, starts acting like an even bigger idiot, so as to get in on the joke, too...It takes everything and nothing seriously, depending on what the filmmakers think they can get away with at any given moment, and the result, while not painful to watch, is ridiculous.
    • 54 Metascore
    • 25 Mick LaSalle
    The effect of the 2 1/2-hour film is deadening.
    • 54 Metascore
    • 25 Mick LaSalle
    It takes about 20 minutes to catch on that Friday is without narrative drive - and about as long to figure out that the film offers nothing better in place of it.
    • 54 Metascore
    • 25 Mick LaSalle
    The bad outweighs the good and the cringes outnumber the laughs in BrĂ¼no, a disappointment from Sacha Baron Cohen, whose "Borat" was one of the funniest movies of the decade.
    • 54 Metascore
    • 25 Mick LaSalle
    Remaking Get Smart for the big screen might have sounded like a bad idea, but the movie shows it to have been something else: a REALLY bad idea.
    • 54 Metascore
    • 25 Mick LaSalle
    Saint Laurent’s designs and working life take a backseat to scenes of him stuffing his face with pills, accidentally poisoning his dog and sleepwalking through sex with a variety of lovers. Two and a half hours of this. Bonello might as well have shown him sleeping eight hours or using the toilet for all that says about the man and his work.
    • 54 Metascore
    • 25 Mick LaSalle
    A cute movie, a little too cute and a little too aware of its own cuteness.
    • 54 Metascore
    • 0 Mick LaSalle
    Gerry is ragingly bad art that contributes to a definition of independent film as something no one would want to sit through.
    • 53 Metascore
    • 25 Mick LaSalle
    The Signal starts off as an alien version of "Blair Witch Project" and then drifts off into cold plotlessness. But for a while, a little while, it seems like it just might be interesting.
    • 53 Metascore
    • 25 Mick LaSalle
    Imagine the worst "Deadwood" episode ever, and you'll get an idea of the general tone of Beowulf & Grendel, which is full of anachronistic cursing, tortured syntax, dark humor and lots of hairy, homely, filthy-looking people.
    • 53 Metascore
    • 25 Mick LaSalle
    A handful of acting moments aside, Being Flynn is a drama without much in the way of rewards.
    • 53 Metascore
    • 25 Mick LaSalle
    RocknRolla attempts to depict a world of ever-expanding chaos. But the chaos is only in the way the story is told. The actual vision Ritchie offers is pedestrian and tame.
    • 53 Metascore
    • 25 Mick LaSalle
    Amateur gives the impression of a sloppy first draft. It begins with a splash, meanders until it reaches feature length, then ends abruptly.
    • 53 Metascore
    • 25 Mick LaSalle
    Franco Zeffirelli's Hamlet, a senselessly adapted, ill-conceived, poorly acted mess of a film that's guaranteed to frustrate anyone who loves the play and to put everybody else to sleep. [18 Jan 1991]
    • San Francisco Chronicle
    • 53 Metascore
    • 25 Mick LaSalle
    Everything about the idea of Mr. Popper's Penguins sounds lovely, and everything about the actual movie is ugly.
    • 53 Metascore
    • 25 Mick LaSalle
    In an attempt to be complex and fair-minded, a simple story becomes a jumble of confused motivations.
    • 53 Metascore
    • 25 Mick LaSalle
    Australia shows all the signs of having been a labor of love for director Baz Luhrmann. One problem: It's his love, and the audience's labor.
    • 53 Metascore
    • 25 Mick LaSalle
    The moments of action are interspersed with lengthy plot developments that are hard to follow.
    • 53 Metascore
    • 25 Mick LaSalle
    It's as if there's a barrier between the viewer and the story that never comes down.
    • 53 Metascore
    • 25 Mick LaSalle
    More than the usual bad or even numbingly horrible movie. It's an amalgam of many of the modern cinema's worst tendencies and modern filmmaking's most unfortunate misconceptions.
    • 53 Metascore
    • 25 Mick LaSalle
    Every single thing wrong with John Dies at the End might have been avoided had John died at the beginning, along with all the other characters, transforming an awful full-length movie into a harmless five-minute short.
    • 52 Metascore
    • 25 Mick LaSalle
    An utter debacle.

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