For 2,677 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.1 points lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Tommy Boy
Lowest review score: 0 Romeo + Juliet
Score distribution:
2677 movie reviews
    • 45 Metascore
    • 25 Mick LaSalle
    The Chamber has nowhere to go and it goes there slowly, flirting in all directions.
    • 45 Metascore
    • 25 Mick LaSalle
    SWAT is better than "Gigli," but so is most outpatient surgery.
    • 44 Metascore
    • 25 Mick LaSalle
    In the end, what we have here is a Tarzan movie made by people who don’t understand the appeal of Tarzan. He’s about joy and abandon and the fantasy of living in harmony with creation. He’s not about the struggle in the Congo.
    • 44 Metascore
    • 25 Mick LaSalle
    This is a half-hearted, derivative action film with not a single honest artistic impulse behind it.
    • 44 Metascore
    • 0 Mick LaSalle
    No matter how guilty our knucklehead-protagonist's victims supposedly are, it's difficult to maintain a rooting interest.
    • 44 Metascore
    • 0 Mick LaSalle
    The script is weak and unrelenting. The stunts are unspectacular. The special effects are nothing you haven't seen before. But worst of all, there's the spectacle of Schwarzenegger glorying in the wonder of Schwarzenegger. [18 Jun 1993, p.C1]
    • San Francisco Chronicle
    • 44 Metascore
    • 25 Mick LaSalle
    A repellent, stupid film.
    • 44 Metascore
    • 0 Mick LaSalle
    Achingly long and pointless, "Runs" is a movie about family that's dishonest in its presentation of every relationship.
    • 44 Metascore
    • 25 Mick LaSalle
    One pities poor Molly Parker, a fine actress who was somehow persuaded to disrobe for this degrading and dispiriting Wayne Wang film.
    • 44 Metascore
    • 25 Mick LaSalle
    Just because it's a conscious commentary on other vile, useless, pointless cinematic exercises doesn't make it any less vile, useless and pointless.
    • 44 Metascore
    • 25 Mick LaSalle
    Perfunctory, thrill- free sequel.
    • 44 Metascore
    • 25 Mick LaSalle
    “Batman v Superman” is an insanely long and convoluted action movie, made worse by an air of importance. It’s dispiriting and visually bland.
    • 44 Metascore
    • 25 Mick LaSalle
    The Village seems poised to become as cheesy in its effects as a low-budget horror film. Shyamalan's gracefulness keeps his movie just out of that abyss.
    • 44 Metascore
    • 25 Mick LaSalle
    A great role becomes an unenviable chore, in which a superb comic actress finds herself trying to sell a series of unfunny comic situations by mugging and pushing with all her might. It's an unflattering spectacle for all concerned.
    • 44 Metascore
    • 25 Mick LaSalle
    There’s a nude scene that comes out of nowhere that’s almost embarrassing. Why is it there? Like the movie itself, it’s almost daring, except it’s not.
    • 44 Metascore
    • 25 Mick LaSalle
    The Losers is boring. It's predictable. It's so, so active, and yet so, so dead.
    • 43 Metascore
    • 25 Mick LaSalle
    No longer fresh -- though that's to be expected in a sequel -- it contains none of the virtues that made the first one anarchic and original.
    • 43 Metascore
    • 25 Mick LaSalle
    This seemingly good idea results in disaster. Allen has no insight into the current generation of young people, and his film is just a jumbled rehash of themes and motifs that he's explored elsewhere.
    • 43 Metascore
    • 25 Mick LaSalle
    The strain and desperation are apparent from the first scene.
    • 43 Metascore
    • 25 Mick LaSalle
    It's unpleasant where it should be pleasant, convoluted where it should be streamlined, anxiety provoking where it should be easy, and long, long, long - at least 20 minutes longer than it has a right to be.
    • 43 Metascore
    • 25 Mick LaSalle
    Approximately the last hour of Dante's Peak is made up of action scenes, and how well one likes computer-generated destruction will determine how well one likes the movie.
    • 42 Metascore
    • 25 Mick LaSalle
    This latest from director Wayne Wang, about the friendship of two young women, travels from 2011 to 1997 to 1829 to 1838, in search of a reason for the audience to keep watching and start caring. That reason is never found.
    • 42 Metascore
    • 0 Mick LaSalle
    Doesn't work at all. Even the structure is off.
    • 42 Metascore
    • 25 Mick LaSalle
    A dreadful exercise, with a script full of contradictions and empty gestures and a leading lady who's such a novice it hurts to watch her.
    • 42 Metascore
    • 25 Mick LaSalle
    An action blockbuster that's one of the biggest misfires in its genre since "Godzilla."
    • 42 Metascore
    • 25 Mick LaSalle
    At 100 minutes, it feels about 80 minutes too long, and that’s not a good sign. Lazer Team might have made a fun and pleasant short.
    • 42 Metascore
    • 25 Mick LaSalle
    Heartfelt but interminable movie.
    • 42 Metascore
    • 25 Mick LaSalle
    The narrative is clumsy, and the monster scenes are ridiculous, but not ridiculous enough to be funny, just ridiculous enough to be boring.
    • 42 Metascore
    • 25 Mick LaSalle
    This is just plain bad - and it's a surprise.
    • 42 Metascore
    • 25 Mick LaSalle
    Holes in the script, overwrought camera work, dialogue that's embarrassing, and a plot device that's obvious 10 minutes into the movie - all these are major problems.

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