For 195 reviews, this critic has graded:
  • 62% higher than the average critic
  • 4% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 4.1 points higher than other critics. (0-100 point scale)

Nancy DeWolf Smith's Scores

  • TV
Average review score: 68
Highest review score:
Critic Score 100
Lowest review score:
Score distribution:
  1. Negative: 13 out of 195
195 tv reviews
    • Metascore: 64
    • Nancy DeWolf Smith 70
    It's still a fun, fast ride, with lots of twists and turns, murder and menace, and after only a few episodes we know enough back story about most of the main characters to care what happens to them.
    • Metascore: 59
    • Nancy DeWolf Smith 70
    The latest version of Treasure Island on Syfy, stands out as a gem--although some plot changes for the sake of agitprop make it a flawed one.
    • Metascore: 76
    • Nancy DeWolf Smith 70
    When all is said and done, none of these back stories is as inspiring as what happens when these people open their mouths and just sing.
    • Metascore: 68
    • Nancy DeWolf Smith 70
    The stage is thus set for an epic showdown between the dogged Lamb and Vincent, under whose calm facade lies a vicious shark of a man.
    • Metascore: 65
    • Nancy DeWolf Smith 70
    Political Animals crams elements of conventional TV fare into a blender and makes something that is wildly different and kind of liberating.
    • Metascore: 44
    • Nancy DeWolf Smith 70
    The accomplishment here is that tight writing and editing, a solid cast with good timing and Mr. Sheen's chops as the ne plus ultra of sitcom performers, make the whole thing feel, if not entirely fresh-then crisp.
    • Metascore: 72
    • Nancy DeWolf Smith 70
    Nobody here offers shattering insights into the meaning of life or even of modeling. They're just among a large group of attractive women telling stories to the camera.
    • Metascore: 75
    • Nancy DeWolf Smith 70
    Fun even when it's ludicrous, forgivable when the clichés fly.
    • Metascore: 74
    • Nancy DeWolf Smith 70
    The vibe so far is part "Hunt for Red October," part "Lord of the Flies."
    • Metascore: 90
    • Nancy DeWolf Smith 70
    The tapestry of characters in George R.R. Martin's fantasy kingdom has grown so huge now that only the most avid fan can hope to identify them all, let alone keep track of the family ties, alliances and enmities which make this quasimedieval world so dangerous to nearly everyone in it.
    • Metascore: 65
    • Nancy DeWolf Smith 70
    The humans are still mostly good guys. Their dilemmas and antics--including blowing up a nuclear plant and giving birth to an infant who can stand up in her crib a few hours later--remain fun to watch.
    • Metascore: 39
    • Nancy DeWolf Smith 70
    The sets are somewhat spartan, and the cast of investigators almost uniformly young and good looking (a token geezer gets eviscerated early on), never a good sign if big budgets and verisimilitude are your thing. Yet the animals that matter look terrifyingly real, and the prospect of watching the human cast try to put the ferocious visitors back where they came from before "history unravels" is exciting.
    • Metascore: 62
    • Nancy DeWolf Smith 70
    [The Renaissance and Leonardo] bring moments of transcendent beauty to the series, which was written by David S. Goyer, and is laced with aha moments of glorious invention and the scent of mysticism. The line between mystery and bafflement is a thin one, though, and at times it is impossible to tell what's going on or who's who in the flickering torchlight. There is also a distraction, at least initially, in the portrayal of Leonardo--who comes across as a weird amalgam of Peter Pan, MacGyver and a Chippendale.
    • Metascore: 74
    • Nancy DeWolf Smith 70
    While the show is full of comic highs and witty insight, it isn't funny all the time because some of the jokes are disappointingly crude.
    • Metascore: 30
    • Nancy DeWolf Smith 70
    It's a straightforward story of iron determination to succeed against the odds—the options for drilling are now risky, and a failure means the loss of half a million dollars. But it is, beside that, a picture of a family, a portrait limited in its detail but dramatic nonetheless in its evidence of the tense relationship between the assured and driven CJ and his younger, college-educated brother.
    • Metascore: 53
    • Nancy DeWolf Smith 60
    The language in "Huff" is still graphic and foul. What redeems it, as always, is the artful acting and occasional small scenes of quiet beauty.
    • Metascore: 41
    • Nancy DeWolf Smith 60
    You don't have to be under 30 to enjoy this. It's no more, or less, ridiculous than ABC's massively-hyped hit about sex, love and secrets among housewives and other oldsters.
    • Metascore: 62
    • Nancy DeWolf Smith 60
    After the male action sequences, alas, the feminine interludes tend to be soporific.
    • Metascore: 62
    • Nancy DeWolf Smith 60
    Ultimately, though, it's not what happens to the folks on this show that is so revealing. It's what goes on in our own minds as we watch and listen to them try to navigate the shoals of racial differences.
    • Metascore: 48
    • Nancy DeWolf Smith 60
    "Jericho" doesn't pretend to be artistically risky, but it's got a scary and gripping theme in an age of terrorism and nuclear thuggery.
    • Metascore: 57
    • Nancy DeWolf Smith 60
    All of this might seem silly if it weren't for Mr. Goldblum.
    • Metascore: 75
    • Nancy DeWolf Smith 60
    Here's hoping that the strong whiff of sanctimony in the pilot of "Studio 60" is blown away by fresh air in future episodes.
    • Metascore: 51
    • Nancy DeWolf Smith 60
    The pilot moves along at a cracking pace, introducing new clues and characters and settings so fast that it's very tempting to sit back and enjoy the ride, ludicrous though some of it may be.
    • Metascore: 65
    • Nancy DeWolf Smith 60
    You don't have to be a New Yorker to enjoy ESPN's eight-part miniseries, The Bronx is Burning, although it might help.
    • Metascore: 75
    • Nancy DeWolf Smith 60
    For those of us who can't be bothered to decipher the mumbo jumbo, let alone take it seriously, there is diversion enough in each episode's discrete inner story, which doesn't require a mental decoder ring.
    • Metascore: 57
    • Nancy DeWolf Smith 60
    No doubt Dollhouse will make a good computer game, although it looks like one already.
    • Metascore: 54
    • Nancy DeWolf Smith 60
    While little of this is boring, the movie only sizzles and sparks when it jumps out of flashback mode and into the 1950s "present," with Ms. MacLaine as a slightly cranky and tottering but totally grand old dame.
    • Metascore: 69
    • Nancy DeWolf Smith 60
    The humor in Community is so soft that it will likely please only the tenderhearted. The river that runs through it is a comforting one, though.
    • Metascore: 60
    • Nancy DeWolf Smith 60
    Showtime's new comedy series la la land can be torture to watch, whether you end up choking with laughter or cringing at the sight of well-meaning folks being made fools of.
    • Metascore: 73
    • Nancy DeWolf Smith 60
    Over a mere three episodes for this season, it is difficult to know most of the characters. Some, like Sir Hallam, seem only half-drawn. Agnes's sister Lady Persie (Claire Foy)--a debutante who's become a fascist fangirl--is repellant in an uninteresting way. There are some plot touches, involving minorities, that clang as too modern. Then again, when the Duke of Kent cries over his brother Edward's abdication--"It's the sort of thing that happens in Romania"--memories of what was so entrancing about the original show come wafting back.