For 2,337 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.7 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
Average review score: 66
Highest review score: 100 Rachel Getting Married
Lowest review score: 0 Being Human
Score distribution:
2,337 movie reviews
    • 86 Metascore
    • 100 Owen Gleiberman
    In The Beaches of Agnès, you get addicted to watching Agnès Varda watch the world.
    • 79 Metascore
    • 100 Owen Gleiberman
    It's a potent and moving experience, because by the end you feel you've witnessed nothing less than the birth of a soul.
    • 70 Metascore
    • 100 Owen Gleiberman
    A marvelous rock doc that manages to be wistful, tasty, and jam-kicking at the same time.
    • 70 Metascore
    • 100 Owen Gleiberman
    A rapturous and enlightening look at the history of the environmental movement in America.
    • 83 Metascore
    • 100 Owen Gleiberman
    With its virtuoso tomfoolery, Fantastic Mr. Fox is like a homegrown Wallace and Gromit caper. To Wes Anderson: More, please!
    • 69 Metascore
    • 100 Owen Gleiberman
    Lusciously revealing fly-on-the-wall portrait of Anna Wintour.
    • 65 Metascore
    • 100 Owen Gleiberman
    Along the way, Black Dynamite blends satire, nostalgia, and cinema deconstruction into a one-of-a-kind comedy high.
    • 92 Metascore
    • 100 Owen Gleiberman
    Toy Story 3 is a salute to the magic of making believe.
    • 83 Metascore
    • 100 Owen Gleiberman
    Up in the Air is light and dark, hilarious and tragic, romantic and real. It's everything that Hollywood has forgotten how to do; we're blessed that Jason Reitman has remembered
    • 55 Metascore
    • 100 Owen Gleiberman
    A marvelous and touching yuletide toy of a movie.
    • 82 Metascore
    • 100 Owen Gleiberman
    Emotionally mesmerizing.
    • 79 Metascore
    • 100 Owen Gleiberman
    Awesome documentary.
    • 85 Metascore
    • 100 Owen Gleiberman
    An exhilarating hall-of-mirrors look at what happens when global art fame turns anonymous, artists become objects, fans turn into artists, and the whole what's-sincere-and-what's-a-sham spectacle is more fun than art was ever supposed to be.
    • 79 Metascore
    • 100 Owen Gleiberman
    She's a teller of hilarious gutbucket truths as surely as Lenny Bruce and Richard Pryor ever were. Yet while they were consumed by their demons, Rivers is just the opposite.
    • 95 Metascore
    • 100 Owen Gleiberman
    The power of The Social Network is that Zuckerberg is a weasel with a mission that can never be dismissed. The movie suggests that he may have built his ambivalence about human connection into Facebook's very DNA. That's what makes him a jerk-hero for our time.
    • 82 Metascore
    • 100 Owen Gleiberman
    A true-life adventure that turns into a one-man disaster movie - and the darker it gets, the more enthralling it becomes.
    • 69 Metascore
    • 100 Owen Gleiberman
    Kevin Costner, as Bobby's carpenter brother-in-law, does the finest character acting of his career.
    • 81 Metascore
    • 100 Owen Gleiberman
    Blue Valentine is lushly touching and gorgeously told.
    • 80 Metascore
    • 100 Owen Gleiberman
    What it does have is an overwhelming bittersweet melancholy at the passing of life from middle age into…well, you could call it late middle age.
    • 100 Metascore
    • 100 Owen Gleiberman
    The Wizard of Oz remains the weirdest, scariest, kookiest, most haunting and indelible kid-flick-that's-really-for-adults ever made in Hollywood.
    • 75 Metascore
    • 100 Owen Gleiberman
    She's an Everywoman you can believe in, showcased in the kind of deft comedy of feminine passion - where deep despair meets Wilson Phillips - that a great many people have been waiting for. Now that Wiig and company have built it, will they come?
    • 65 Metascore
    • 100 Owen Gleiberman
    The film sweeps us up like a thriller, forcing us to at least ask whether terrorism like the ELF's (which targeted property, never human lives) might ever be justified.
    • 74 Metascore
    • 100 Owen Gleiberman
    At 88 minutes, Tabloid is short and sweet (it's pure movie candy), but by the end we've forged an emotional connection to Joyce McKinney at the deep core of her unapologetic fearless/nutty valor. And that's what really makes a great tabloid story: It's a vortex that's also a mirror.
    • 68 Metascore
    • 100 Owen Gleiberman
    Nothing more (or less) than an enchanting light comedy of romantic confusion... It's a movie that understands love because it understands pain.
    • 71 Metascore
    • 100 Owen Gleiberman
    A marvelous movie.
    • 61 Metascore
    • 100 Owen Gleiberman
    Merrily outrageous, over-the-top fun.
    • 84 Metascore
    • 100 Owen Gleiberman
    Another beautifully chiseled piece of filmmaking - sharp, funny, generous, and moving.
    • 70 Metascore
    • 100 Owen Gleiberman
    Oren Moverman's Rampart is a terrific film: tense, shocking, complex, mesmerizing.
    • 71 Metascore
    • 100 Owen Gleiberman
    Fincher has made The Girl With the Dragon Tattoo into an electrifying movie by turning the audience into addicts of the forbidden, looking for the sick and twisted things we can't see.
    • 73 Metascore
    • 100 Owen Gleiberman
    Ghost Protocol brims with scenes that are exciting and amazing at the same time; they're brought off with such casual aplomb that they're funny, too.