Owen Gleiberman
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For 2,348 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.3 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Once
Lowest review score: 0 Assisted Living
Score distribution:
2,348 movie reviews
    • 82 Metascore
    • 100 Owen Gleiberman
    A great, searching, incendiary chronicle of the Sex Pistols, the razor-hearted visionaries of punk anarchy.
    • 82 Metascore
    • 100 Owen Gleiberman
    Lean, elegant, and emotionally complex -- a marvel of backwoods classicism.
    • 82 Metascore
    • 83 Owen Gleiberman
    Huppert has never been this cheerful, or lethal, and the movie itself is like Hitchcock's ''Rebecca'' reshot for House & Garden, with all the ghosts pulled out of the closet.
    • 81 Metascore
    • 83 Owen Gleiberman
    Rapt and beautiful and absorbing.
    • 81 Metascore
    • 100 Owen Gleiberman
    A movie that re-creates its object of satire with such pitch-perfect flair that it all but erases the line between derision and love.
    • 81 Metascore
    • 100 Owen Gleiberman
    Blue Valentine is lushly touching and gorgeously told.
    • 81 Metascore
    • 100 Owen Gleiberman
    Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.
    • 81 Metascore
    • 100 Owen Gleiberman
    Like David Lynch, Quentin Tarantino, and Paul Thomas Anderson, Solondz revels in ironic pop passion. It's a signature moment when he transforms Air Supply's "All Out of Love" into a geek-love rhapsody.
    • 81 Metascore
    • 100 Owen Gleiberman
    The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.
    • 81 Metascore
    • 91 Owen Gleiberman
    A fizzy and delirious high-camp message-movie musical that may just turn out to be the happiest movie of the summer.
    • 81 Metascore
    • 100 Owen Gleiberman
    All in all, Blood Simple looks better than ever.
    • 81 Metascore
    • 100 Owen Gleiberman
    Relaunches the series by doing something I wouldn't have thought possible: It turns Bond into a human being again -- a gruffly charming yet volatile chap who may be the swank king stud of the Western world, but who still has room for rage, fear, vulnerability, love.
    • 81 Metascore
    • 100 Owen Gleiberman
    The Chinese artist and activist Ai Weiwei has achieved a prominence that makes him, in effect, the Aleksandr Solzhenitsyn of the Twitter age. He's also the least stuffy of dissidents, and Alison Klayman's stirring, important documentary catches his complex humanity.
    • 81 Metascore
    • 91 Owen Gleiberman
    It's a film noir that grows more potent as its secrets are revealed.
    • 81 Metascore
    • 91 Owen Gleiberman
    In Shoot Me, she wears her spiked cynicism like a cutting form of grace, and everyone around her (including audiences) gets healed by it.
    • 80 Metascore
    • 100 Owen Gleiberman
    The stunning images aren't enough for Herzog, though. He wants us to see how these quirky researchers, in their lust to explore, are acting out a drive as primitive as nature: the need to break away from the world in order to find it.
    • 80 Metascore
    • 91 Owen Gleiberman
    Wendy and Lucy is like "Lassie Come Home" directed by Antonioni. What's piercing about it, and also disturbing, is that Reichardt views the renunciation of society with something close to righteous purity -- as a lefty romantic dream.
    • 80 Metascore
    • 100 Owen Gleiberman
    Amy Adams in a performance as deep as it is delightful, is the film's heart and also its flaky, wonderstruck soul.
    • 80 Metascore
    • 100 Owen Gleiberman
    A bold, searching, wrenching experience. It may be the most complexly impassioned message movie Hollywood has ever made.
    • Entertainment Weekly
    • 80 Metascore
    • 100 Owen Gleiberman
    Food, Inc. is hard to shake, because days after you've seen it, you may find yourself eating something -- a cookie, a piece of poultry, cereal out of the box, a perfectly round waxen tomato -- and you'll realize that you have virtually no idea what it actually is.
    • 80 Metascore
    • 100 Owen Gleiberman
    It's a quiet dream of a movie, a vision of loneliness giving way to love, then to loneliness again; it's like "Vertigo" remade in a sedately haunted style of Japanese lyricism.
    • 80 Metascore
    • 100 Owen Gleiberman
    A succulently entertaining movie that invites you to splash around in the dreams and follies of folks so rich they're the 1 percent of the 1 percent. It's like a champagne bath laced with arsenic.
    • 80 Metascore
    • 100 Owen Gleiberman
    As tricky and satisfying as any of David Mamet's airless cinematic shell games. Mamet's films are all plot and no atmosphere; this one has a squalid, urban-greed-meets-the-gutter mood that lends its filigreed cleverness an unusually resonant kick.
    • 80 Metascore
    • 100 Owen Gleiberman
    Remains the only rock & roll film that exerts the saturnine intensity of a thriller.
    • 80 Metascore
    • 91 Owen Gleiberman
    The nature of silent comedy was to elevate its heroes into myths, but after ''Charlie'' I can't wait to see Chaplin's movies again, this time to glimpse the man on the other side of the icon.
    • 80 Metascore
    • 91 Owen Gleiberman
    Bigger, Stronger, Faster is a portrait of a culture that claims to hate steroids but may, by now, be too pumped to do much about it.
    • 80 Metascore
    • 100 Owen Gleiberman
    Rapt, heady, and startling: the most profound documentary I've seen this decade.
    • 80 Metascore
    • 91 Owen Gleiberman
    A richly tender and moving experience.
    • 80 Metascore
    • 100 Owen Gleiberman
    Room 237 makes perfect sense of "The Shining" because, even more than "The Shining" itself, it places you right inside the logic of how an insane person thinks.
    • 80 Metascore
    • 100 Owen Gleiberman
    The movie version, directed with unobtrusive precision by James Foley, stays amazingly true to the play's feisty spirit.

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