Owen Gleiberman
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For 2,346 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.3 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 WALL-E
Lowest review score: 0 Penelope
Score distribution:
2,346 movie reviews
    • 85 Metascore
    • 100 Owen Gleiberman
    An exhilarating hall-of-mirrors look at what happens when global art fame turns anonymous, artists become objects, fans turn into artists, and the whole what's-sincere-and-what's-a-sham spectacle is more fun than art was ever supposed to be.
    • 85 Metascore
    • 91 Owen Gleiberman
    Just about the only documentary that works like a novel, inviting you to read between the lines of Baker's personality until you touch the secret sadness at the heart of his beauty.
    • 85 Metascore
    • 91 Owen Gleiberman
    The triumph of ''Spring, Summer'' is that even those of us who don't happen to be Buddhists can catch a glimpse of ourselves in the spinning wheel of hope, destruction, suffering, and bliss.
    • 85 Metascore
    • 83 Owen Gleiberman
    A puzzle of a highly rarefied order. At times it's enthrallingly clever and subtle; at others it's borderline incomprehensible.
    • 85 Metascore
    • 83 Owen Gleiberman
    Wiseman reveals the victims of domestic abuse in all of their pity and terror.
    • 85 Metascore
    • 83 Owen Gleiberman
    Young, wizened yet valiant, his voice still braying at the moon, delivers these songs of aging and loss as if caught in a beautiful dream of what lies waiting for him on the other side.
    • 85 Metascore
    • 100 Owen Gleiberman
    The Past, is hugely ambitious — it's Farhadi seizing his moment — yet it's also a wrenchingly intimate tale of lives torn asunder by forces within and without them.
    • 85 Metascore
    • 67 Owen Gleiberman
    An insider nostalgia trip for graying art punks. It could have been called ''When We Were Cool,'' and it's finally so cool that it freezes you out.
    • 85 Metascore
    • 91 Owen Gleiberman
    At times, The Iron Giant is more serene than it needs to be, but it's a lovely and touching daydream.
    • 85 Metascore
    • 83 Owen Gleiberman
    Lopez, for all her Latina-siren voluptuousness, has always projected a contained coolness, and this is the first movie in which it fully works for her.
    • 85 Metascore
    • 67 Owen Gleiberman
    It's doubtful you'll ever see a combat documentary that channels the chaos of war as thoroughly as this one.
    • 85 Metascore
    • 100 Owen Gleiberman
    Fruitvale Station is great political filmmaking because it's great filmmaking, period.
    • 85 Metascore
    • 100 Owen Gleiberman
    A work of intimate and wrenching humanity.
    • 84 Metascore
    • 91 Owen Gleiberman
    It's a beautiful contraption of a movie, a gothic backwoods fable that uses its naive yet murderous hero to walk a fine line between sentimentality and dread.
    • Entertainment Weekly
    • 84 Metascore
    • 100 Owen Gleiberman
    In the Shadow of the Moon finds new resonance in the moment when America redefined progress -- but also when it heeded the siren song of a world so desolate it reminded you what a paradise ours truly is.
    • 84 Metascore
    • 67 Owen Gleiberman
    As long as Revanche focuses on the relationship between Tamara (Irina Potapenko), an indentured Ukrainian prostitute, and Alex (Johannes Krisch), the ex-con gofer and would-be tough guy who wants to help her escape, it's riveting.
    • 84 Metascore
    • 91 Owen Gleiberman
    A fascinating film -- more docudrama than biopic.
    • 84 Metascore
    • 100 Owen Gleiberman
    Bold and brilliant.
    • 84 Metascore
    • 91 Owen Gleiberman
    The unlikeliest enthralling movie to be released so far this year.
    • 84 Metascore
    • 75 Owen Gleiberman
    Darwin's Nightmare points an all-purpose finger at globalization, yet the movie, as raw and vivid as it is, meanders terribly and - bigger problem - never hints at how the disasters it shows us are rooted in Africa's colonial past.
    • 84 Metascore
    • 100 Owen Gleiberman
    Beautiful, wise, and poker-faced comedy of discombobulation.
    • 84 Metascore
    • 91 Owen Gleiberman
    Sheridan, however, works with such piercing fervor and intelligence that In the Name of the Father just about transcends its tidy moral design.
    • 84 Metascore
    • 91 Owen Gleiberman
    The final shot, of the three characters now united, may be the quietest affirmation of life I've ever seen in a movie, and one of the truest.
    • 84 Metascore
    • 75 Owen Gleiberman
    The movie opens as borderline Hitchcock, echoing the tone of the filmmaker's bravura "Bad Education" (2004), and then turns into a kind of overly conceptualized Tennessee Williams.
    • 84 Metascore
    • 75 Owen Gleiberman
    A good but far from great movie because it portrays truth telling in America as far more imperiled than it is.
    • 84 Metascore
    • 100 Owen Gleiberman
    Another beautifully chiseled piece of filmmaking - sharp, funny, generous, and moving.
    • 84 Metascore
    • 100 Owen Gleiberman
    Mesmerizing.
    • 84 Metascore
    • 100 Owen Gleiberman
    The enthralling spirit of Dave Chappelle's Block Party, its mood of exuberant democracy, extends to every rap and soul performance in the film.
    • 84 Metascore
    • 91 Owen Gleiberman
    Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal ''meaning.''
    • 84 Metascore
    • 83 Owen Gleiberman
    The Cove is the rare documentary specifically designed as a thriller.