Owen Gleiberman
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For 2,348 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Ulee's Gold
Lowest review score: 0 In the Cut
Score distribution:
2,348 movie reviews
    • 88 Metascore
    • 91 Owen Gleiberman
    A buoyant, funny, and disarmingly humane comedy of beautiful losers in revolt.
    • 77 Metascore
    • 91 Owen Gleiberman
    The actors are terrific, especially Weaving, who plays bottoming out as a tragedy spiked with gallows humor, and Blanchett, who digs deep into the booby-trapped nature of recovery. The revelation, however, is Rowan Woods, a major filmmaker in the making.
    • 37 Metascore
    • 91 Owen Gleiberman
    Pungent, funny, and surprisingly forceful.
    • 74 Metascore
    • 91 Owen Gleiberman
    We're given an intimate seat to this wildly democratic - and creepily messianic - spectacle.
    • 64 Metascore
    • 91 Owen Gleiberman
    Funny, pungent, and weirdly gripping.
    • 88 Metascore
    • 91 Owen Gleiberman
    Mafioso does more than cast its fascinating shadow over "The Godfather." It captures, in a stark yet haunting way, the indelible fact that no man is born a mobster.
    • 56 Metascore
    • 91 Owen Gleiberman
    All three of the leads get very close to the Stooges' old looks and personalities, but they do more than impersonate; they inhabit.
    • 53 Metascore
    • 91 Owen Gleiberman
    Wilson has a scene near the end with Marley that's the most wrenchingly tender acting of his career.
    • 82 Metascore
    • 91 Owen Gleiberman
    It's wonderful to see a Japanese movie in which a samurai, for all his somber discipline and skill, is also a touching and complicated ordinary man.
    • 67 Metascore
    • 91 Owen Gleiberman
    By the end of Nowhere Boy, you'll feel you know John Lennon better than you ever did.
    • 82 Metascore
    • 91 Owen Gleiberman
    At two hours and 32 minutes, this is almost too much movie, but it has a malicious, careening zest all its own. It's a ride for the gut AND the brain.
    • 72 Metascore
    • 91 Owen Gleiberman
    JFK
    [Stone's] filmmaking is so supple and alive, his obsession with the visual aspect of history so electrifying, that JFK practically roots itself in your imagination.
    • 81 Metascore
    • 91 Owen Gleiberman
    A fizzy and delirious high-camp message-movie musical that may just turn out to be the happiest movie of the summer.
    • 56 Metascore
    • 91 Owen Gleiberman
    This is the richest role Paltrow has had since ''Shakespeare in Love,'' and she rises to the challenge. She digs deep into Plath's mercurial nature, giving us a Sylvia who's fiercely independent and alive yet burdened with demons of insecurity that bubble up in a rage.
    • 68 Metascore
    • 91 Owen Gleiberman
    Casino Jack is really a look at how the culture of Washington was rebuilt to sell itself to the highest bidder.
    • 68 Metascore
    • 91 Owen Gleiberman
    With its this-is-really-happening vibe, Paranormal Activity scrapes away 30 years of encrusted nightmare clich├ęs. The fear is real, all right, because the fear is really in you.
    • 82 Metascore
    • 91 Owen Gleiberman
    The Spectacular Now doesn't shrink from being an all-out teen movie (it has hookups and a senior prom). Yet it's one of the rare truly soulful and authentic teen movies. It's about the experience of being caught on the cusp and not knowing which way you'll land.
    • 78 Metascore
    • 91 Owen Gleiberman
    Andrew Wagner has made a lovely comedy of death and rebirth.
    • 89 Metascore
    • 91 Owen Gleiberman
    When Baron Cohen works without a net, he flies.
    • 70 Metascore
    • 91 Owen Gleiberman
    Aaron Woolf's we-are-what-we-eat documentary King Corn is a lively introduction to the corn industrial complex.
    • 59 Metascore
    • 91 Owen Gleiberman
    Plato's Retreat was a buffet of bodies, and the film catches the moment America could think that was tasty.
    • 69 Metascore
    • 91 Owen Gleiberman
    The tale itself is so spectacularly perverse, and the film stays so authentically close to the personalities involved, that you don't feel dirty -- you feel cleansed.
    • 85 Metascore
    • 91 Owen Gleiberman
    Hopping from Germany to Turkey and back again, Akin is out to capture the ways that a globalized world can tear up our hearts, and repair them, too.
    • 57 Metascore
    • 83 Owen Gleiberman
    You never forget you're watching a derivative, machine-tooled entertainment; the fun is in how the machine keeps spinning off course.
    • 64 Metascore
    • 83 Owen Gleiberman
    The movie has a mystery, and moral unease, that lingers.
    • 68 Metascore
    • 83 Owen Gleiberman
    Spells out the problem in clear, urgent, prosaic terms.
    • 59 Metascore
    • 83 Owen Gleiberman
    Supple and engrossing, a liquid-smooth street-rap testimonial.
    • 64 Metascore
    • 83 Owen Gleiberman
    The movie, in a sense, is just like Bettie's photos: all glorious surface. The Notorious Bettie Page captures, with seductive finesse, how Bettie Page happened, yet what it leaves us with is the tantalizing enigma of a girl who couldn't truly be ''bad'' because she made sex divinely delicious.
    • 75 Metascore
    • 83 Owen Gleiberman
    When we finally see the time-lapse images his cameras took, they're awesome and terrifying - a meltdown out of a poetic horror film.
    • 62 Metascore
    • 83 Owen Gleiberman
    His pluck and chutzpah shine through.

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