Owen Gleiberman

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For 2,425 reviews, this critic has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Finding Dory
Lowest review score: 0 Freddy Got Fingered
Score distribution:
2425 movie reviews
    • 56 Metascore
    • 100 Owen Gleiberman
    Lords of Dogtown is a docudrama, rare in its grit and authenticity, that also strives for the mythical youth-rebel excitement of something like "8 Mile."
    • 89 Metascore
    • 100 Owen Gleiberman
    By the end, Campion views all her characters with a compassion bordering on grace, a humanity-like her heroine's-as dark, quiet, and enveloping as the ocean.
    • 76 Metascore
    • 100 Owen Gleiberman
    An exquisitely fun documentary.
    • 86 Metascore
    • 100 Owen Gleiberman
    Argo is never less than wildly entertaining, but a major part of its power is that it so ominously captures the kickoff to the world we're in now.
    • 85 Metascore
    • 100 Owen Gleiberman
    The Past, is hugely ambitious — it's Farhadi seizing his moment — yet it's also a wrenchingly intimate tale of lives torn asunder by forces within and without them.
    • 82 Metascore
    • 100 Owen Gleiberman
    A great, searching, incendiary chronicle of the Sex Pistols, the razor-hearted visionaries of punk anarchy.
    • 88 Metascore
    • 100 Owen Gleiberman
    Hell or High Water is a thrillingly good movie — a crackerjack drama of crime, fear, and brotherly love set in a sun-roasted, deceptively sleepy West Texas that feels completely exotic for being so authentic.
    • 77 Metascore
    • 100 Owen Gleiberman
    David Simon, creator of "The Wire," who argues that the targeting of minorities, fused with mandatory sentencing, has turned the war on drugs into ''a holocaust in slow motion.''
    • 66 Metascore
    • 100 Owen Gleiberman
    The beauty of Two Girls and a Guy is that it presents us with a hero so craven, so indefensible in his duplicity, that his twin victims leapfrog past vengeance into an almost physical state of curiosity.
    • 85 Metascore
    • 100 Owen Gleiberman
    A work of intimate and wrenching humanity.
    • 86 Metascore
    • 100 Owen Gleiberman
    "Andy Warhol" makes you see that beneath the gargoyle hipster mask, he filled that emptiness with an art of transcendent sincerity.
    • 80 Metascore
    • 100 Owen Gleiberman
    The movie version, directed with unobtrusive precision by James Foley, stays amazingly true to the play's feisty spirit.
    • 83 Metascore
    • 100 Owen Gleiberman
    It would be hard to imagine a movie about drugs, depravity, and all-around bad behavior more electrifying than Trainspotting.
    • 85 Metascore
    • 100 Owen Gleiberman
    Fruitvale Station is great political filmmaking because it's great filmmaking, period.
    • 80 Metascore
    • 100 Owen Gleiberman
    Food, Inc. is hard to shake, because days after you've seen it, you may find yourself eating something -- a cookie, a piece of poultry, cereal out of the box, a perfectly round waxen tomato -- and you'll realize that you have virtually no idea what it actually is.
    • 78 Metascore
    • 100 Owen Gleiberman
    It's a fluid cinematic essay, rooted in painstakingly assembled evidence, that heightens and cleanses your perceptions.
    • 70 Metascore
    • 100 Owen Gleiberman
    A comedy of the ridiculous in which the ridiculous turns unexpectedly sublime.
    • 84 Metascore
    • 100 Owen Gleiberman
    The enthralling spirit of Dave Chappelle's Block Party, its mood of exuberant democracy, extends to every rap and soul performance in the film.
    • 88 Metascore
    • 100 Owen Gleiberman
    Working from a superb script by Paul Attanasio, Redford has caught the way a show like Twenty-One offered a carny-barker version of the American Dream.
    • 54 Metascore
    • 100 Owen Gleiberman
    Sensational and accomplished.
    • 71 Metascore
    • 100 Owen Gleiberman
    A madcap gem.
    • 74 Metascore
    • 100 Owen Gleiberman
    Munich, Steven Spielberg's spectacularly gripping and unsettling new movie, is a grave and haunted film, yet its power lies in its willingness to be a work of brutal excitement.
    • 71 Metascore
    • 100 Owen Gleiberman
    Fincher has made The Girl With the Dragon Tattoo into an electrifying movie by turning the audience into addicts of the forbidden, looking for the sick and twisted things we can't see.
    • 76 Metascore
    • 100 Owen Gleiberman
    A spooky, heartbreaking documentary.
    • 73 Metascore
    • 100 Owen Gleiberman
    Fast, convulsive, and densely exciting new British gangster thriller.
    • 79 Metascore
    • 100 Owen Gleiberman
    The film catches us by surprise in its moving portrayal of the love between Larry and Althea, played by Courtney Love in a performance that glides from kinky abandon to stark tragedy.
    • 80 Metascore
    • 100 Owen Gleiberman
    A bold, searching, wrenching experience. It may be the most complexly impassioned message movie Hollywood has ever made.
    • Entertainment Weekly
    • 67 Metascore
    • 100 Owen Gleiberman
    David Gordon Green's captivating winter-chill tragedy, is a tale that encompasses murder, divorce, adultery, alcohol abuse, mental breakdown, and the disappearance of a small child. In other words, it's downbeat enough to make the recent Oscar-nominated films look like party games.
    • 82 Metascore
    • 100 Owen Gleiberman
    A true-life adventure that turns into a one-man disaster movie - and the darker it gets, the more enthralling it becomes.
    • 90 Metascore
    • 100 Owen Gleiberman
    A movie of staggering virtuosity and raw lyric power, a masterpiece of terror, chaos, blood, and courage.

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