Peter Debruge

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For 705 reviews, this critic has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Wreck-It Ralph
Lowest review score: 0 Another Gay Movie
Score distribution:
  1. Negative: 88 out of 705
705 movie reviews
    • 77 Metascore
    • 100 Peter Debruge
    At nearly two hours, the film might strike some as overlong, and yet the edit finds so many masterful connections en route to its exhilarating climax that it’s easy to fall under the pic’s hypnotic spell.
    • 68 Metascore
    • 100 Peter Debruge
    French actress-turned-helmer Maiwenn is concerned first and foremost with her characters, who rank among the most vividly realized of any to have graced the screen in recent memory.
    • 81 Metascore
    • 100 Peter Debruge
    Putting the "intelligence" in MI6, Skyfall reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre, one that places Judi Dench's M at the center of the action.
    • 88 Metascore
    • 100 Peter Debruge
    Anomalisa’s existence is a minor miracle on multiple levels, from the Kickstarter campaign that funded it (the credits give “special thanks” to 1,070 names) to the oh-so-delicate way the film creeps up on you, transitioning from a low-key dark night of the soul into something warm, human and surprisingly tender.
    • 85 Metascore
    • 100 Peter Debruge
    As in “Water Lilies” and “Tomboy” before this, Sciamma pushes past superficial anthropological study to deliver a vital, nonjudgmental character study.
    • 99 Metascore
    • 100 Peter Debruge
    A socially conscious work of art as essential as it is insightful.
    • 79 Metascore
    • 100 Peter Debruge
    It’s not every documentary that can so exhilaratingly make us feel a part of something so special.
    • 81 Metascore
    • 100 Peter Debruge
    An immensely satisfying taste of antebellum empowerment packaged as spaghetti-Western homage... A bloody hilarious (and hilariously bloody) Christmas counter-programmer.
    • 98 Metascore
    • 100 Peter Debruge
    Even as he beguiles us with mystery, Guadagnino recreates Elio’s life-changing summer with such intensity that we might as well be experiencing it first-hand. It’s a rare gift that earns him a place in the pantheon alongside such masters of sensuality as Pedro Amodóvar and François Ozon, while putting “Call Me by Your Name” on par with the best of their work.
    • 76 Metascore
    • 100 Peter Debruge
    Every so often, a movie blindsides you, leaving you feeling different, enlightened, possibly even improved. Me and You and Everyone We Know is such a movie.
    • 82 Metascore
    • 100 Peter Debruge
    Delivers a polished and well-researched look at America 's largest corporate bankruptcy with a laser-sharp focus on the personalities, practices, and fates of the top executives behind the Enron meltdown.
    • 84 Metascore
    • 100 Peter Debruge
    The film manages to educate without ever feeling didactic, and to entertain in the face of what would, to any other character, seem like a grim life sentence.
    • 92 Metascore
    • 100 Peter Debruge
    This is the director’s most accessible and naturalistic film, using everyday characters to test how well modern-day Russia is maintaining the social contract with its citizens.
    • 76 Metascore
    • 100 Peter Debruge
    Brothers takes a scenario as old as Genesis – two jealous siblings spar over the affections of the same woman – and renders it fresh and immediate, by virtue of the warm, almost maternal, generosity director Susanne Bier shows her characters.
    • 78 Metascore
    • 100 Peter Debruge
    With My Flesh and Blood, Karsh finds a worthy subject in the constant day-to-day challenges facing a truly extraordinary family.
    • 77 Metascore
    • 100 Peter Debruge
    Three Burials is beautiful, authentic and brutally observant of human nature. With real Tex-Mex backdrops instead of the usual Monument Valley vistas and characters too complex to withstand simple white-hat/black-hat reductionism, Three Burials is a visionary portrait of the New West. This is the terrain of Eastwood and Peckinpah, saddled with the concerns of 21st-century life.
    • 86 Metascore
    • 100 Peter Debruge
    Michael Dudok de Wit’s hypnotizing, entirely dialogue-free The Red Turtle is a fable so simple, so pure, it feels as if it has existed for hundreds of years, like a brilliant shard of sea glass rendered smooth and elegant through generations of retelling.
    • 66 Metascore
    • 100 Peter Debruge
    There’s no denying that Hooper and screenwriter Lucinda Coxon have delivered a cinematic landmark, one whose classical style all but disguises how controversial its subject matter still remains.
    • 96 Metascore
    • 100 Peter Debruge
    Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
    • tbd Metascore
    • 100 Peter Debruge
    When the participants convulse and cry, the film’s empathetic connection is so direct and so strong, audiences may be driven to weep as well.
    • 83 Metascore
    • 100 Peter Debruge
    This vibrant portrait feels like something of a revelation, which is remarkable, really, considering how many more films have tackled coming-of-age than the relatively niche experience of coming out.
    • 76 Metascore
    • 100 Peter Debruge
    Nichols’ impressively restrained yet limitlessly imaginative fourth feature takes its energy from an ensemble of characters who hold fast to their convictions, even though their beliefs remain shrouded in mystery for much of the journey.
    • 88 Metascore
    • 100 Peter Debruge
    A triumph on every creative level, from casting to execution.
    • 75 Metascore
    • 100 Peter Debruge
    Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
    • 94 Metascore
    • 100 Peter Debruge
    In execution, Pixar’s 15th feature proves to be the greatest idea the toon studio has ever had: a stunningly original concept that will not only delight and entertain the company’s massive worldwide audience, but also promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story.
    • 81 Metascore
    • 100 Peter Debruge
    The film is a master class in comic timing, employing pacing and repetition with the skill of a practiced concert pianist.
    • 67 Metascore
    • 100 Peter Debruge
    Garden State gets it. Not since "The Graduate" has a movie nailed the beautiful terror of standing on the brink of adulthood with such satisfying precision.
    • 85 Metascore
    • 100 Peter Debruge
    Here, within a thrilling tale that respects the intelligence of its audience, attentive parents will find the antidote to their fear that watching cartoons might rot your brain. If anything, April and the Extraordinary World seems bound to do the opposite, encouraging children to pursue their own passions and creativity.
    • 72 Metascore
    • 100 Peter Debruge
    With plenty to appeal to boys and girls, old and young, Walt Disney Animation Studios has a high-scoring hit on its hands in this brilliantly conceived, gorgeously executed toon, earning bonus points for backing nostalgia with genuine emotion.
    • 76 Metascore
    • 90 Peter Debruge
    The result is just about the most fun you can have while learning, partly because it strips away any tangents beyond the task at hand, offering a lean, 80-minute account of how this crazy guy erected his own Everest and then proceeded to climb it.

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