Peter Travers
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For 2,310 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 O Brother, Where Art Thou?
Lowest review score: 0 Hansel and Gretel: Witch Hunters
Score distribution:
2,310 movie reviews
    • 84 Metascore
    • 100 Peter Travers
    Volver is Almodovar's passionate tribute to the community of women -- living and dead -- who nurtured him. Through the transformative power of his art -- carried on the wings of Alberto Iglesias' exhilarating score -- we feel their presence. You do not want to miss this one.
    • 89 Metascore
    • 100 Peter Travers
    Eastwood's direction here is a thing of beauty, blending the ferocity of the classic films of Akira Kurosawa (Seven Samurai) with the delicacy and unblinking gaze of Yasujiro Ozu (Tokyo Story).
    • 98 Metascore
    • 100 Peter Travers
    Del Toro never coddles the audience. He means us to leave Pan's Labyrinth shaken to our souls. He succeeds.
    • 72 Metascore
    • 100 Peter Travers
    Writer and first-time director Anthony Minghella lays on the whimsy a bit thick at times, but his wryly funny and heartfelt observations on sorrow go down much easier than the Hollywood brand of lump-in-the-throat histrionics.
    • 61 Metascore
    • 100 Peter Travers
    Broken Arrow delivers the hippest action fun around. Travolta's "Dr. Strangelove" exit will blow you away. Ditto the movie.
    • 75 Metascore
    • 100 Peter Travers
    But Stone has found in Cruise the ideal actor to anchor the movie with simplicity and strength. Together they do more than show what happened to Kovic. Their fervent, consistently gripping film shows why it still urgently matters.
    • 91 Metascore
    • 100 Peter Travers
    Joel and Ethan Coen's adaptation of Cormac McCarthy's 2005 novel is an indisputably great movie, at this point the year's very best.
    • 85 Metascore
    • 100 Peter Travers
    Nothing in Joe Wright's screen version of Ian McEwan's dense, internalized 2001 novel of secrets and lies should really work, but damn near everything does. It's some kind of miracle. Written, directed and acted to perfection, Atonement sweeps you up on waves of humor, heartbreak and ravishing romance.
    • 92 Metascore
    • 100 Peter Travers
    In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
    • 97 Metascore
    • 100 Peter Travers
    You just don't expect Hollywood to produce a masterwork so early in the new year. And it hasn't. This slice of celluloid dynamite comes from Romania, and what you see will floor you.
    • 94 Metascore
    • 100 Peter Travers
    You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
    • 84 Metascore
    • 100 Peter Travers
    It's a total triumph, brimming with humor, heart, sexual heat, political provocation and a crying need to stir things up, just like Harvey did. If there's a better movie around this year, with more bristling purpose, I sure as hell haven't seen it.
    • 88 Metascore
    • 100 Peter Travers
    Up
    Up is a breathtaking ride into the realm of pure imagination.
    • 71 Metascore
    • 100 Peter Travers
    Jonze has filmed a fantasy as if it were absolutely real, allowing us to see the world as Max sees it, full of beauty and terror. The brilliant songs, by Karen O (of the Yeah Yeah Yeahs) and the Kids, enhance the film's power.
    • 90 Metascore
    • 100 Peter Travers
    A new crime classic.
    • 95 Metascore
    • 100 Peter Travers
    Keep your eyes on Garfield - he's shatteringly good, the soul of a film that might otherwise be without one. The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade.
    • 78 Metascore
    • 100 Peter Travers
    A brilliant piece of nasty business that races on a B-movie track until it switches to the dizzying fuel of undiluted creativity. Damn, it's good. You can get buzzed just from the fumes coming off this wild thing.
    • 84 Metascore
    • 100 Peter Travers
    Payne's low-key approach only deepens the film's intimate power. Want a movie you can really connect with? The Descendants is damn near perfect.
    • 86 Metascore
    • 100 Peter Travers
    There's no way you won't be captivated by Wallis, chosen ahead of 3,500 candidates to play the tiny folk hero who narrates the story. Her performance in this deceptively small film is a towering achievement.
    • 86 Metascore
    • 100 Peter Travers
    Written, directed, acted, shot, edited and scored with a bracing vibrancy that restores your faith in film as an art form, The Master is nirvana for movie lovers. Anderson mixes sounds and images into a dark, dazzling music that is all his own.
    • 95 Metascore
    • 100 Peter Travers
    Hang on tight. The knockout punch of the movie season is being delivered by Zero Dark Thirty.
    • 94 Metascore
    • 100 Peter Travers
    Whatever a modern love story is, Before Midnight takes it to the next level. It's damn near perfect.
    • 96 Metascore
    • 100 Peter Travers
    Sandra Bullock, in the performance of a lifetime, spends most of this wondrous wallop of a movie lost in space, alone where no one can hear her scream.
    • 97 Metascore
    • 100 Peter Travers
    Proving himself a world-class director, McQueen basically makes slaves of us all. It hurts to watch it. You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.
    • 75 Metascore
    • 100 Peter Travers
    DiCaprio's swaggering, swinging-dick performance is the wildest damn thing he's ever put onscreen.
    • 100 Metascore
    • 100 Peter Travers
    Want to know what it's like to be in on the discovery of a new American classic. Check out Boyhood. Richard Linklater's coming-of-age tale is the best movie of the year, a four-star game-changer that earns its place in the cultural time capsule.
    • 61 Metascore
    • 90 Peter Travers
    Watching De Niro take Paul through his first panic attack ("I'm crying like a woman") is an unalloyed joy.
    • 77 Metascore
    • 90 Peter Travers
    Before this trippy, mesmerizing movie swerves out of control, it delivers an exhilarating and challenging ride.
    • 82 Metascore
    • 90 Peter Travers
    One of the best movies of the year and by far the most entertaining.
    • 64 Metascore
    • 90 Peter Travers
    A riveting and surprisingly romantic ride.