Richard Corliss
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For 929 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 6.6 points higher than other critics. (0-100 point scale)

Richard Corliss' Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Hidden
Lowest review score: 0 Cocktail
Score distribution:
  1. Negative: 91 out of 929
929 movie reviews
    • 100 Metascore
    • 100 Richard Corliss
    A home movie of a fictional home life, an epic assembled from vignettes, Boyhood shimmers with unforced reality. It shows how an ordinary life can be reflected in an extraordinary movie.
    • 97 Metascore
    • 100 Richard Corliss
    One of the strongest movies in recent years.
    • 97 Metascore
    • 100 Richard Corliss
    A document that is raw, eloquent, horrifying and essential.
    • 96 Metascore
    • 100 Richard Corliss
    The subtle colors and textures of the food alone make Ratatouille a three-star Michelin evening.
    • 96 Metascore
    • 100 Richard Corliss
    Gravity shows us the glory of cinema’s future. It thrills on so many levels. And because Cuar‪ón is a movie visionary of the highest order, you truly can’t beat the view.
    • 95 Metascore
    • 100 Richard Corliss
    The rewards for paying attention are mammoth and exhilarating. This is a high-IQ movie that gives viewers an IQ high.
    • 95 Metascore
    • 100 Richard Corliss
    The word docudrama doesn't hint at Boal's achievement. This is movie journalism that snaps and stings, that purifies a decade's clamor and clutter into narrative clarity, with a salutary kick.
    • 95 Metascore
    • 100 Richard Corliss
    However ripe A Separation might seem for being adapted into a smart American film, Hollywood shouldn't bother. Farhadi's movie is just about perfect as it is.
    • 94 Metascore
    • 90 Richard Corliss
    The performances are daring and assured, especially Lansbury's holy terror of Momism and Harvey's snide, pathetic pawn, brainwashed by both KGB AND CIA. [21 March 1988, p.84]
    • Time
    • 94 Metascore
    • 100 Richard Corliss
    Artful but not arty, Spirited Away is a handcrafted cartoon, as personal as an Utamaro painting, yet its breadth and heart give it an appeal that should touch American viewers of all ages.
    • 94 Metascore
    • 100 Richard Corliss
    It towers over the year's other movies as majestically and menacingly as a gang lord at a preschool. [10 Oct 1994]
    • Time
    • 94 Metascore
    • 100 Richard Corliss
    A near-perfect movie about men in war, men at work. Through sturdy imagery and violent action, it says that even Hell needs heroes.
    • 94 Metascore
    • 100 Richard Corliss
    It works; this is Pixar's most enthralling entertainment since "Nemo."
    • 94 Metascore
    • 100 Richard Corliss
    Sideways is by far the year's best American movie.
    • 94 Metascore
    • 100 Richard Corliss
    The second half of the film elevates all the story elements to Beethovenian crescendo. Here is an epic with literature's depth and opera's splendor -- and one that could be achieved only in movies. What could be more terrific?
    • 93 Metascore
    • 100 Richard Corliss
    A marvelously sad and funny docucomedy. [22 Oct 1990]
    • Time
    • 93 Metascore
    • 100 Richard Corliss
    Crouching Tiger is contemplative, and it kicks ass. Or put it this way: it's a powerful film and a terrific movie.
    • Time
    • 93 Metascore
    • 100 Richard Corliss
    "How perfectly goddamned delightful it all is, to be sure." Irony aside, that's how to respond to this magnificent study in ink and blood.
    • 92 Metascore
    • 70 Richard Corliss
    Inside Llewyn Davis is more deserving of a Grammy than an Oscar. Problematic movie, great album.
    • 92 Metascore
    • 100 Richard Corliss
    Though faithful in every detail to Tolkien, it has a vigorous life of its own -- grandeur, moral heft and emotional depth.
    • Time
    • 92 Metascore
    • 100 Richard Corliss
    An instant classic.
    • 91 Metascore
    • 100 Richard Corliss
    It is a ripping yarn and a spectacularly new and odd vision.
    • 91 Metascore
    • 100 Richard Corliss
    Triplettes is terrific…there's no competition for the fall's most imaginative delight. In that race, Triplettes can already take its victory lap.
    • 91 Metascore
    • 80 Richard Corliss
    Mirren, who won an Emmy playing Elizabeth I for HBO, may deserve an Oscar for this ripe appraisal of Elizabeth II.
    • 91 Metascore
    • 60 Richard Corliss
    To accept the film, though, one must first understand its point of view, and that is maddeningly difficult. All we know for certain is that Do the Right Thing is not naturalistic. [July 3, 1989]
    • Time
    • 91 Metascore
    • 90 Richard Corliss
    Rich in humor, pained or frolicking.
    • 90 Metascore
    • 100 Richard Corliss
    In a style of agitated naturalism, Jordan examines poignant matters of life and death, sex and friendship, duty and loyalty, freedom and bondage, manhood and womanhood and all the ambiguous areas in between. [30 Nov 1992]
    • Time
    • 90 Metascore
    • 90 Richard Corliss
    Redux is both a reminder of American cinema's last glory days and a rebuke to the timid present. Maybe Apocalypse Now wasn't the best movie of 1979, but Redux is surely the film to beat for 2001.
    • Time
    • 90 Metascore
    • 100 Richard Corliss
    Her
    Jonze creates the splendid anachronism of a movie romance that is laugh-and-cry and warm all over, totally sweet and utterly serious.
    • 90 Metascore
    • 90 Richard Corliss
    Nemo, with its ravishing underwater fantasia, manages to trump the design glamour of earlier Pixar films.

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