Richard Corliss, Time
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For 893 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 7.2 points higher than other critics. (0-100 point scale)

Richard Corliss' Scores

  • Movies
Average review score: 66
Highest review score: 100 Beasts of the Southern Wild
Lowest review score: 0 Untraceable
Score distribution:
  1. Negative: 85 out of 893
893 movie reviews
    • 90 Metascore
    • 90 Richard Corliss
    The Incredibles has those characters, that heart.
    • 90 Metascore
    • 100 Richard Corliss
    So Almost Famous is almost fabulous. Oh, all right. The movie's so clever and endearing, you can forget the almost.
    • 90 Metascore
    • 100 Richard Corliss
    Hannah and Her Sisters is old-fashioned in another sense: its plot has the elegant geometry of a Philip Barry play. [Feb 3, 1986]
    • 90 Metascore
    • 100 Richard Corliss
    The controversial film that is unbearable--and unmissable.
    • 90 Metascore
    • 90 Richard Corliss
    Hollywood's smartest media satire in years--and a breakthrough for Jim Carrey.
    • 90 Metascore
    • 100 Richard Corliss
    Reveling in its ’70s milieu and in the eternal abrasion of sexy women and covetous men, American Hustle is an urban eruption of flat-out fun — the sharpest, most exhilarating comedy in years. Anyone who says otherwise must be conning you.
    • 89 Metascore
    • 90 Richard Corliss
    Watch Murray's eyes in the climactic scene in the hotel lobby: while hardly moving, they express the collapsing of all hopes, the return to a sleepwalking status quo. You won't find a subtler, funnier or more poignant performance this year than this quietly astonishing turn.
    • 89 Metascore
    • 100 Richard Corliss
    Smartly crafted, impeccably acted, The Lives of Others packs a subtle punch, from its creepy first images to its poignant finale.
    • 89 Metascore
    • 100 Richard Corliss
    The cast list is like a convocation of the Three Chinas: Taiwan's Kaneshiro, Hong Kong's Lau and the mainland's Zhang Ziyi. All are terrific, but the lady shines brightest.
    • 89 Metascore
    • 90 Richard Corliss
    It could as well be called Best Thing of Undetermined Species.
    • 89 Metascore
    • 100 Richard Corliss
    So it is Scorsese's triumph that GoodFellas offers the fastest, sharpest 2 1/2-hr. ride in recent film history. [Sept 24, 1990]
    • 89 Metascore
    • 90 Richard Corliss
    Kaufman may be counting on the audience's will, insistence and yearning to create a coherent love story from the shards and shrapnel he provides us.
    • 89 Metascore
    • 90 Richard Corliss
    Campion has spun a fable as potently romantic as a Bronte tale. But The Piano is also deeply cinematic. [22 Nov 1993]
    • 88 Metascore
    • 90 Richard Corliss
    In this arid landscape, the edifice of Ghost World, with all its acute insolence, stands out like the Taj Mahal.
    • 88 Metascore
    • 100 Richard Corliss
    There is not a more daft, more original or haunting vision to be seen on American movie screens this year... A terrific movie has escaped the asylum without a lobotomy. The good guys, the few directors itching to make films away from the assembly line, won one for a change. [30 Dec 1985, p.84]
    • 88 Metascore
    • 90 Richard Corliss
    Hoffman and the film are terrific. Supported by the eminent Catherine Keener (as author Harper Lee) and Chris Cooper (as detective Alvin Dewey), Hoffman begins with a dead-on impersonation of Capote that soon becomes a kind of channeling as the audience comes to see this American tragedy through his eyes.
    • 88 Metascore
    • 100 Richard Corliss
    This is a true-life heist movie, and the thieves not only got away with their billions, they're still doing business. Pay attention and blow a gasket.
    • 88 Metascore
    • 100 Richard Corliss
    Towers, while not quite so varied as Fellowship in its moods and settings, has a grave gusto that energizes every moment...a thrilling work of film craft.
    • 88 Metascore
    • 60 Richard Corliss
    Obvious, though, is the word for Hopper's direction. It amplifies to rock-concert level every pained plosive in Bertie's speech, forces certain characters dangerously close to caricature.
    • 88 Metascore
    • 100 Richard Corliss
    Up
    Extending the patented Pixar mix of humor and heart, Up is the studio's most deeply emotional and affecting work.
    • 88 Metascore
    • 80 Richard Corliss
    If this sounds like an old-fashioned sex comedy, it is -- sexy, for sure, and funny, in wild spurts.
    • 87 Metascore
    • 90 Richard Corliss
    Director Gillian Armstrong and writer Robin Swicord have fashioned an entrancing film from this distinctly unfashionable classic.
    • 87 Metascore
    • 100 Richard Corliss
    The true, rare glamour of the piece is its revival of two precious movie tropes: the flourishing of words for their majesty and fun, and--in the love play between Fiennes and his enchantress--the kindling of a playfully adult eroticism.
    • 87 Metascore
    • 90 Richard Corliss
    The whole rollicking adventure zips along a mile a minute.
    • 87 Metascore
    • 100 Richard Corliss
    This is spellbinding reality cinema about duplicity and, worse, ignorance at the highest level.
    • 87 Metascore
    • 90 Richard Corliss
    It is indeed impressive; and we mean not just this solid, satisfying final film - in which the Potter saga reaches its climax, if not quite its emotional apex - but the entirety of producer David Heyman's blockbuster franchise.
    • 87 Metascore
    • 70 Richard Corliss
    Ceases to be a cogent study of the disease of genius and devolves into two lesser creatures: an ordinary weepie and an Oscar contender.
    • 87 Metascore
    • 100 Richard Corliss
    To transport picturegoers to a unique place in the glare of the earth, in the darkness of the heart--this, you realize with a gasp of joy, is what movies can do.
    • 87 Metascore
    • 90 Richard Corliss
    The most mature and satisfying work in a glittering, consistently surprising career.
    • 87 Metascore
    • 90 Richard Corliss
    His performance is a canny portrait of leadership - part genius, part crazy guts, part dumb luck - and worthy of moving Pitt up to the playoff round of Oscar finalists for Best Actor. We'd put money on it.