For 1,392 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Rick Groen's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Desperado
Lowest review score: 0 The Hangover Part III
Score distribution:
1392 movie reviews
    • 50 Metascore
    • 50 Rick Groen
    Pakula's screenplay looks to bulldoze a clear path through the narrative thickets, but this stuff is impenetrable - meant to be complicated, it's just confusing.
    • 63 Metascore
    • 50 Rick Groen
    Understandably, a script so obsessed with the dark doings of plot has little time left over for the study of character, and, thus, we never really get to know these people.
    • 45 Metascore
    • 50 Rick Groen
    In short, it's much fatter with less matter and a distressing shrinkage in thought.
    • 63 Metascore
    • 50 Rick Groen
    No one can dismiss 16 Blocks as a mere formula flick -- it's a mere two or three formula flicks all fighting for top billing.
    • 53 Metascore
    • 50 Rick Groen
    The proverbial seems awfully pale here. Fans of Q.T. will find it patently derivative. Fans of Elmore will find it, well, El-less.
    • 49 Metascore
    • 50 Rick Groen
    A contrived and tepid thriller that insists on wanting to interest us in its main plot -- the usual nefarious plan to assassinate the leader of the free world.
    • 54 Metascore
    • 50 Rick Groen
    Like a smart-ass student clever enough to see through everyone but himself, Art School Confidential falls victim to the very clichés it wants to puncture.
    • 61 Metascore
    • 50 Rick Groen
    About as gripping as its title.
    • 45 Metascore
    • 50 Rick Groen
    Although possessed of a laudable desire not to be yet another run-of-the-mill, wacky-impediment, I'm-nobody-and-you're-the-Prez's-daughter romance comedy, damned if the picture can figure out how to be an anti-romance comedy.
    • 73 Metascore
    • 50 Rick Groen
    It's a slacker flick, it's a relationship pic, it's a road movie all under the same hood.
    • 52 Metascore
    • 50 Rick Groen
    We also know the last time Keanu and Sandra shared the screen together. That was yesterday and Speed. This is today and Snail. I'm not betting on a tomorrow.
    • 45 Metascore
    • 50 Rick Groen
    The only effect is to produce that most commonplace of Hollywood paradoxes -- a mood simultaneously frantic and listless.
    • 68 Metascore
    • 50 Rick Groen
    For a film meant to float on a gossamer veil of mystery, The Illusionist falls -- make that flops -- with quite the heavy thud. It's an intended piece of magic that plays like a ponderous slab of melodrama, sleight of hand gone ham-handed.
    • 71 Metascore
    • 50 Rick Groen
    Embracing such depths, Bukowski somehow made his art. Simulating them, Factotum just makes us queasy.
    • 49 Metascore
    • 50 Rick Groen
    Film noir is a style, but self-conscious film noir is just a stylistic tic, less a genre than an ailment. And The Black Dahlia has got a really bad case -- this thing is so mannered it convulses.
    • 52 Metascore
    • 50 Rick Groen
    If you like your sports movies, especially your football movies, larded with more clichés than a politician's stump speech, Gridiron Gang begs to be seen.
    • 65 Metascore
    • 50 Rick Groen
    Here's one thing about Marie Antoinette: It sure is easy to watch. And here's another: It's even easier to forget.
    • 71 Metascore
    • 50 Rick Groen
    This is an adaptation that must have been hard to screw up, yet screwed up it has been. If the movie is far from dreadful, it's even further from the searing experience it could have been.
    • 62 Metascore
    • 50 Rick Groen
    Although director Taylor Hackford ("An Officer and a Gentleman") handles the usually cumbersome flashbacks with impressive delicacy, he can't stop the narrative from sinking under its own melodramatic weight.
    • 60 Metascore
    • 50 Rick Groen
    The process of remembering that drives the book is gone from the film, boiled away until all that's left is the mundane residue of memory - mere incidents strung together as plot.
    • 50 Metascore
    • 50 Rick Groen
    Fur does what an Arbus photograph never would -- it leaves no room to imagine and removes any reason for doubt.
    • 68 Metascore
    • 50 Rick Groen
    The target is way too easy and the tone far too smug. This time, they're shooting fish in a barrel with a bazooka and congratulating themselves on their marksmanship.
    • 52 Metascore
    • 50 Rick Groen
    For some (okay, me), The Holiday, like the holidays, will require some girding up, and is best met halfway with a self-immunizing smile. Otherwise, the good cheer may ring false; worse, it might even seem to sell love cheap, and lovers short.
    • 61 Metascore
    • 50 Rick Groen
    Where's 007 when you need him? Neither shaken nor stirred, The Good Shepherd is a flat draft of history that looks at the Central Intelligence Agency's early years through the horn-rimmed gaze of a fictional spook.
    • 38 Metascore
    • 50 Rick Groen
    An exercise in competence guaranteed neither to offend the initiated nor to charm anyone else.
    • 39 Metascore
    • 50 Rick Groen
    Arthur and the Invisibles may be a tale for children, but it's got the bad habits of a profligate adult -- the thing borrows shamelessly from its betters and then pretends to be self-sustaining.
    • 64 Metascore
    • 50 Rick Groen
    In the recent "Half Nelson," a similarly themed classroom pic, liberalism struggled to balance its lingering hopes with its systemic despair. That film was pure fiction, yet felt absolutely true. This one is apparent fact, yet seems abjectly false.
    • 74 Metascore
    • 50 Rick Groen
    Under better circumstances, Cooper might be said to have stolen the picture outright. But as it is, and compelling as he is, there's just nothing here to steal.
    • 69 Metascore
    • 50 Rick Groen
    Your basic and basically predictable by-the-numbers picture.
    • 49 Metascore
    • 50 Rick Groen
    Washington's take on the seductress is so saucy, so unapologetic, such a brash blend of insouciant charm and raw sex appeal, that she swipes the picture from right under its nominal star. The only problem is that her theft inadvertently tips the balance of the moral dilemma, shifting it seismically all the way from "He'd be a fool to succumb" to "He'd be a coward not to."

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