For 1,309 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 1 point lower than other critics. (0-100 point scale)

Rick Groen's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Batman
Lowest review score: 0 Boxing Helena
Score distribution:
1309 movie reviews
    • 57 Metascore
    • 50 Rick Groen
    If you feel you might already have seen City of Ghosts, but can't quite place it, you'd be forgiven. Hollywood, never afraid of working a cliché to death, has turned out dozens of "City of . . ." films over the years.
    • 71 Metascore
    • 50 Rick Groen
    Bronson is one of those “based on a true story” dramatizations where the theatrically staged drama only gets in the way of the more interesting truth.
    • 45 Metascore
    • 50 Rick Groen
    In short, it's much fatter with less matter and a distressing shrinkage in thought.
    • 45 Metascore
    • 50 Rick Groen
    The verdict is easy: Pfeiffer terrific, movie not.
    • 51 Metascore
    • 50 Rick Groen
    Judged esthetically -- the only yardstick worth applying -- it can be safely placed in that long line of indistinguishable Hollywood mediocrities, all of them trying in vain to resurrect an awfully weary genre.
    • 52 Metascore
    • 50 Rick Groen
    In most every frame, Hartley takes pains to tilt his camera at odd angles – in other words, he's gone literally off-kilter, and it's just off-putting. What's worse, a further hallmark of the Hartley canon, his self-reflexivity, has begun to smack of self-promotion.
    • 75 Metascore
    • 50 Rick Groen
    The Muppet charm, always more at home within the intimate frame of a TV set, is gone here.
    • 37 Metascore
    • 50 Rick Groen
    In the future, as recorded in the bible of British cinema, it will be written that "Four Weddings and a Funeral" begat "The Full Monty" which begat "Billy Elliot" which begat way too many pale imitations struggling to peddle the same brand of sloppy sentimentality. Amen.
    • 62 Metascore
    • 50 Rick Groen
    This is the brand of sentimentality that comes with a high concentration of saccharine and every taste of bitterness safely removed.
    • 34 Metascore
    • 50 Rick Groen
    In your typical subpar Hollywood romcom, there’s only one tedious love story to put up with. Well, Valentine’s Day (such a clever title) does a whole lot better than that: It offers 10 tedious love stories to put up with.
    • 58 Metascore
    • 50 Rick Groen
    En route, the plot gimmick degenerates from clever to dumb, then gets forgotten entirely, and the last act simply poops out - the climax is a Bigger Bang that plays like the saddest of whimpers.
    • 49 Metascore
    • 50 Rick Groen
    With a plot that thickens like congealed stew, this movie about a harmless nutbar, an attorney and a cabal can leave you lost in banality.
    • 56 Metascore
    • 50 Rick Groen
    More rant than rollick, it's just ain't funny enough.
    • 38 Metascore
    • 50 Rick Groen
    But wouldn't it be heavenly if a like proportion of Tinseltown producers believed in an existing need for a good script. Because this one ain't good; in fact, it's hellishly mediocre, the kind that aims for holiday charm and settles for workaday torpor.
    • 45 Metascore
    • 50 Rick Groen
    And veteran director Costa-Gavras, whose early work ("Z", "State Of Siege", "Missing") proves that he's no stranger to sociopolitical complexities, might well have been the man to make it. But not from this script -- it starts off as puerile and then regresses.
    • 60 Metascore
    • 50 Rick Groen
    No longer content with simple conservatism, this horror is downright totalitarian.
    • 58 Metascore
    • 50 Rick Groen
    No, the trouble isn't with them but with a screenplay (by Angus MacLachlan) that loads their characters with too much symbolic baggage and then points them off in obscure directions.
    • 45 Metascore
    • 50 Rick Groen
    Apparently, the idea of their passion is enough to save them from a life of boredom - if only it had the same happy effect on us.
    • 61 Metascore
    • 50 Rick Groen
    A story based on exceptional facts gets converted into an unexceptional movie.
    • 62 Metascore
    • 50 Rick Groen
    The wee mousie is fun, all right, yet like the occasionally ragged editing, the fun just gets haphazardly wedged in.
    • 62 Metascore
    • 50 Rick Groen
    In a kind of perverse alchemy, this film manages to turn that narrative gold into dross, and reduce the daunting perils of a 4,300-mile voyage to a ho-hum checklist. Welcome to the reverse magic of the movies.
    • 58 Metascore
    • 50 Rick Groen
    A sequel that immediately picks up the plot of its predecessor, and then proceeds to drive the redeemed franchise right off the deep, dark end.
    • 47 Metascore
    • 50 Rick Groen
    Maybe this stuff works on the page, in Chuck Palahniuk's darkly comic novel, but Choke is awfully tough to digest on the screen.
    • 28 Metascore
    • 50 Rick Groen
    It’s just such a shining example of a dull studio comedy.
    • 54 Metascore
    • 50 Rick Groen
    Like an over-ambitious freshman with a term paper, Singleton raises every issue and illuminates none. And, again, this film is better when the combative heat rises, particularly when the long-telegraphed confrontation between Malik and the neo-Nazi finally comes to a (skin)head. [13 Jan 1995, p.C3]
    • The Globe and Mail (Toronto)
    • 58 Metascore
    • 50 Rick Groen
    I wouldn't say this is laugh-out-loud risible, but there are definitely moments. Still, you might want to consider sitting through the uneven thing just to get to the ending, because that's quite something. You may love it, you may hate it, but forget it you won't.
    • 46 Metascore
    • 50 Rick Groen
    Yes Man puts him back in the same old quandary and, once again, Carrey lacks an identity. Alas, this time, he also lacks a script.

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