Robert Horton
Select another critic »
For 189 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Robert Horton's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 A Hard Day's Night (re-release)
Lowest review score: 0 Tomcats
Score distribution:
  1. Positive: 63 out of 189
  2. Negative: 39 out of 189
189 movie reviews
    • 75 Metascore
    • 60 Robert Horton
    Bulworth shoots along with great vigor, and its non-politically correct jabs are occasionally exhilarating.
    • 74 Metascore
    • 60 Robert Horton
    If it weren't so pushy about selling itself, The Dish might have been a very special movie.
    • 73 Metascore
    • 50 Robert Horton
    There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable.
    • 73 Metascore
    • 60 Robert Horton
    Julia Roberts owns this sweet-natured film.
    • 72 Metascore
    • 50 Robert Horton
    Go
    When the writing is good, Go is good, and when the writing is flat, things fall apart.
    • Film.com
    • 69 Metascore
    • 40 Robert Horton
    This fantasy-tinged romance leaves a distinctly bitter aftertaste.
    • 68 Metascore
    • 60 Robert Horton
    When it counts, this film is absolutely successful.
    • 68 Metascore
    • 50 Robert Horton
    A Mexican film that reaches for a very weird and risky tone, and, I think, fails.
    • 67 Metascore
    • 60 Robert Horton
    When the film is sexy, it's truly sexy, assuming that you believe sexiness has something to do with the exploration of a connection between people.
    • 66 Metascore
    • 60 Robert Horton
    The movie gives us episodes from her life, and although some of them are charming and all of them well-played, I occasionally found myself wondering why I should want to be interested in this person.
    • 63 Metascore
    • 60 Robert Horton
    Gibson's performance is robbed of his customary humor, and he flounders around in search of the character's core.
    • 63 Metascore
    • 40 Robert Horton
    Mostly this film skims by on the surface, its conflict and climax visible from the opening five minutes.
    • 62 Metascore
    • 50 Robert Horton
    This director's (Winterbottom) reach is impressive, but this time it doesn't quite grasp.
    • 61 Metascore
    • 60 Robert Horton
    I still feel pushed around by Darabont's mysticism, and his overbearing sense of grandness; a little bit of the Mile goes a long way.
    • 61 Metascore
    • 60 Robert Horton
    Worth a look, even if it doesn't quite find the internal logic it seems to be searching for.
    • 60 Metascore
    • 60 Robert Horton
    The problem is that the motion picture around these individual stunts is patently a committee-made artifact.
    • 60 Metascore
    • 40 Robert Horton
    I'll be damned if I can figure out how its various ingredients are supposed to blend together.
    • 59 Metascore
    • 60 Robert Horton
    The storm is the reason to see the movie.
    • 59 Metascore
    • 60 Robert Horton
    Little of this is plausible, but it is beguiling.
    • 59 Metascore
    • 60 Robert Horton
    This relationship might be strong enough to carry an observational novel, but the movie feels like it's missing something.
    • 59 Metascore
    • 60 Robert Horton
    (Tyler's) voice is still mall American, and Onegin's rejection of her is nowhere near as puzzling or as tragic as it's supposed to be.
    • 58 Metascore
    • 50 Robert Horton
    A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan.
    • 56 Metascore
    • 60 Robert Horton
    Enough well-conceived jokes that the whole thing works very nicely.
    • 56 Metascore
    • 50 Robert Horton
    This mild but amusing comedy wasn't written by Levinson, and the accents may be different, but the feel is similar.
    • 56 Metascore
    • 40 Robert Horton
    It's like one of the baker's cakes, handsomely rendered on the outside but lacking flavor.
    • 56 Metascore
    • 50 Robert Horton
    Feels more like a backyard relaxation than a movie.
    • 56 Metascore
    • 50 Robert Horton
    A truly stunning technical experiment.
    • 54 Metascore
    • 40 Robert Horton
    Edward Norton, who created a buzz of excitement in his first year in movies, stubs his toe with Worm... It's the same guy we've seen in countless mean streets pictures, but Norton doesn't find anything new to do with him. He's Ratso Rizzo defanged.
    • Film.com
    • 54 Metascore
    • 50 Robert Horton
    The story of Groove... provides an ingratiating road map to a cultural phenomenon. Just make sure you drink lots of water while you're there.
    • 54 Metascore
    • 50 Robert Horton
    A difficult time rising above the level of a reasonably nice TV-movie.

Top Trailers