For 500 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.2 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 63
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 24 out of 500
500 tv reviews
    • 89 Metascore
    • 80 Robert Lloyd
    It's not quite perfection. Nearly everything to do with the character of Piper's fiancé, Larry (Jason Biggs), somewhat based on Kerman's now-husband Larry Bloom, seems problematic to me. Similarly, in emphasizing the humanity of the inmates, their warders have been made to look, for the most part, pathetic, foolish or monstrous. That is remedied in part this season by a deeper look at the staff, even as some of the more difficult prisoners, like Uzo Aduba's Crazy Eyes, are brought into better focus.
    • 73 Metascore
    • 80 Robert Lloyd
    The series, which is confident from the start, its world fully formed and well-performed, isn't a retelling.
    • 73 Metascore
    • 80 Robert Lloyd
    It's delightful, all in all.
    • 88 Metascore
    • 80 Robert Lloyd
    If Burns' customary elegiac pace doesn't always work for his subjects--it is the opposite of everything we're told about Theodore Roosevelt, at least--he gives you time to really look at what he's brought to show you.
    • 45 Metascore
    • 70 Robert Lloyd
    The 2003 edition has the edge on the 1942 in terms of raw excitement.
    • 71 Metascore
    • 70 Robert Lloyd
    Once you get past the relatively stiff opening episode and everyone relaxes and starts having fun, "Hustle" is an undemanding good time that manages to rack your nerves even when you know better.
    • 49 Metascore
    • 70 Robert Lloyd
    "Blade: The Series" is pretty good, really, as these things go.
    • 78 Metascore
    • 70 Robert Lloyd
    You can either let this annoy you, or you can try to work out the meaning, or you can just enjoy the flow in a noncommittal way that does not preclude your being stimulated, shocked or held in suspense--like a fun-house ride. I am of the third disposition, and have also been of the first.
    • 69 Metascore
    • 70 Robert Lloyd
    The comedy offsets (and benefits from) both Spader's innate creepiness and Shatner's innate hamminess, and it is where producer David E. Kelley's own talents lie.
    • 71 Metascore
    • 70 Robert Lloyd
    It benefits immensely from the presence of Braugher, at long last in a role that, like that of Det. Frank Pembleton on "Homicide: Life on the Street," suits his particular intensity.
    • 78 Metascore
    • 70 Robert Lloyd
    It's perhaps appropriate to the subject matter that the show's main appeal is sensual rather than cerebral, grounded in a host of superb performances.
    • 64 Metascore
    • 70 Robert Lloyd
    It is so well-assembled and well-played that its contrivances and clichés play like something reasonably close to life.
    • 64 Metascore
    • 70 Robert Lloyd
    Without bringing anything radically new to the annals of sitcomedy, Louis-Dreyfus makes Christine feel fresh and real.
    • 50 Metascore
    • 70 Robert Lloyd
    There is something satisfying about watching difficult things performed well, especially when the point is to make it look easy, and especially when the performer is a person who might reasonably be expected to fail.
    • 80 Metascore
    • 70 Robert Lloyd
    The show is exceptionally well made from top to bottom and pulls you in and pulls you along, owing not least to a host of terrific performances.
    • 29 Metascore
    • 70 Robert Lloyd
    I was often moved by the dedication and heart on display.
    • 79 Metascore
    • 70 Robert Lloyd
    The personal circus, while given much play, remains secondary to the cooking contest. And as usual, the crop of contestants is claimed to be the most talented yet, and they do seem well-credentialed (James Beard nominees, Michelin-star-winner), competitive and more than usually tattooed.
    • 60 Metascore
    • 70 Robert Lloyd
    If anything is liable to make "Smith" above the well-made caper show it already is, it's what might be done with the relationship between Liotta and Madsen.
    • 73 Metascore
    • 70 Robert Lloyd
    It's funny, but it doesn't go for big laughs so much as a mood of whimsical parody.
    • 81 Metascore
    • 70 Robert Lloyd
    Without making any great claims for the show's depth, I do sense a desire behind the sensation and soap to investigate something significant, if deceptively simple: how life changes in a moment.
    • 70 Metascore
    • 70 Robert Lloyd
    "Robin Hood" boasts most of the usual problems with low-budget epics.... But the show has wit and energy.
    • 63 Metascore
    • 70 Robert Lloyd
    Whether all, or indeed any, of the subjects here are actually "iconoclasts" is debatable -- "independent" is more like it -- but the title is meant to signal that this is something hipper and smarter and less conventionally angled than a Barbara Walters special and, at least on the basis of the two episodes available for review, it is.
    • 65 Metascore
    • 70 Robert Lloyd
    With a little tweaking, the series just as easily could be set in some large corporation, or on a college campus, and engage most of the same interpersonal issues — what women do for men and for one another.
    • 66 Metascore
    • 70 Robert Lloyd
    You could resist it, really, as you should be able to resist all television, unless you have been completely assimilated into the matrix. But you'd be missing some sparky fun. Submit.
    • 56 Metascore
    • 70 Robert Lloyd
    The plots are a little obvious--you can usually stay a jump or two ahead of the revelations--but the actors keep you well distracted.
    • 72 Metascore
    • 70 Robert Lloyd
    The new series, to judge by the two opening hours, is better balanced and plays more to the players' strengths.
    • 66 Metascore
    • 70 Robert Lloyd
    It's all elevated by looking really beautiful (though not -- and this is the crucial difference -- stylish). The pictures fill in the blanks, and even as Skins strains credibility, it achieves moments of poetry.
    • 62 Metascore
    • 70 Robert Lloyd
    What makes the show worth watching are some old-fashioned character relationships; no single performance tears up the place, but together they make something interesting.
    • 66 Metascore
    • 70 Robert Lloyd
    It is loud and manipulative and ugly to behold, but it isn't dull.
    • 63 Metascore
    • 70 Robert Lloyd
    Gunn is best when showing us what he knows, reacting critically to the thing in front of him rather than speaking lines meant to jog the narrative or jack up the drama.