For 519 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 63
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 25 out of 519
519 tv reviews
    • 89 Metascore
    • 80 Robert Lloyd
    It's not quite perfection. Nearly everything to do with the character of Piper's fiancé, Larry (Jason Biggs), somewhat based on Kerman's now-husband Larry Bloom, seems problematic to me. Similarly, in emphasizing the humanity of the inmates, their warders have been made to look, for the most part, pathetic, foolish or monstrous. That is remedied in part this season by a deeper look at the staff, even as some of the more difficult prisoners, like Uzo Aduba's Crazy Eyes, are brought into better focus.
    • 73 Metascore
    • 80 Robert Lloyd
    The series, which is confident from the start, its world fully formed and well-performed, isn't a retelling.
    • 73 Metascore
    • 80 Robert Lloyd
    It's delightful, all in all.
    • 66 Metascore
    • 80 Robert Lloyd
    It's a highly satisfying riff on the original work, as well as a credit to the modern British costume drama.
    • 80 Metascore
    • 80 Robert Lloyd
    It's one of the best things to come out of the fall season, but as a recreational television watcher, I like it too.
    • 89 Metascore
    • 80 Robert Lloyd
    There is a current of delight that runs through the show different from other reality contestants, where the grown-ups may feel they have their lives on the line; there is disappointment here, but little bitterness.
    • 88 Metascore
    • 80 Robert Lloyd
    If Burns' customary elegiac pace doesn't always work for his subjects--it is the opposite of everything we're told about Theodore Roosevelt, at least--he gives you time to really look at what he's brought to show you.
    • 78 Metascore
    • 80 Robert Lloyd
    Though firmly in the Lucas tradition, this is also a Disney cartoon, for a Disney crowd and a Disney corporation--watching, you can almost feel the plastic and the plush--and whatever the characters are up to, however cute or sentimental the business, it is smartly designed and cinematically staged, and not hard to enjoy.
    • 71 Metascore
    • 80 Robert Lloyd
    The current episodes have more weight and intensity; they come off a shade darker and yet more sympathetic to its cast of co-dependent lost souls.
    • 82 Metascore
    • 80 Robert Lloyd
    If Johnson sometimes stretches a point to make a point — the link between public hygiene and competitive skateboarding, say — he is always intriguing and entertaining, his show thought-provoking and compulsively fun to watch.
    • 79 Metascore
    • 80 Robert Lloyd
    Though neither naive nor mum about its subject's destructive complications and contradictions, his brutal youth and abuse of women, Alex Gibney's film concentrates on Brown the performer--both as a musician and as a public political personage, the voice of black pride (say it loud!) and economic self-sufficiency.
    • 75 Metascore
    • 80 Robert Lloyd
    It is amiably absurd and mildly profane, entertaining in a dry, droll way.
    • 45 Metascore
    • 70 Robert Lloyd
    The 2003 edition has the edge on the 1942 in terms of raw excitement.
    • 71 Metascore
    • 70 Robert Lloyd
    Once you get past the relatively stiff opening episode and everyone relaxes and starts having fun, "Hustle" is an undemanding good time that manages to rack your nerves even when you know better.
    • 49 Metascore
    • 70 Robert Lloyd
    "Blade: The Series" is pretty good, really, as these things go.
    • 78 Metascore
    • 70 Robert Lloyd
    You can either let this annoy you, or you can try to work out the meaning, or you can just enjoy the flow in a noncommittal way that does not preclude your being stimulated, shocked or held in suspense--like a fun-house ride. I am of the third disposition, and have also been of the first.
    • 69 Metascore
    • 70 Robert Lloyd
    The comedy offsets (and benefits from) both Spader's innate creepiness and Shatner's innate hamminess, and it is where producer David E. Kelley's own talents lie.
    • 71 Metascore
    • 70 Robert Lloyd
    It benefits immensely from the presence of Braugher, at long last in a role that, like that of Det. Frank Pembleton on "Homicide: Life on the Street," suits his particular intensity.
    • 78 Metascore
    • 70 Robert Lloyd
    It's perhaps appropriate to the subject matter that the show's main appeal is sensual rather than cerebral, grounded in a host of superb performances.
    • 64 Metascore
    • 70 Robert Lloyd
    It is so well-assembled and well-played that its contrivances and clichés play like something reasonably close to life.
    • 64 Metascore
    • 70 Robert Lloyd
    Without bringing anything radically new to the annals of sitcomedy, Louis-Dreyfus makes Christine feel fresh and real.
    • 49 Metascore
    • 70 Robert Lloyd
    There is something satisfying about watching difficult things performed well, especially when the point is to make it look easy, and especially when the performer is a person who might reasonably be expected to fail.
    • 79 Metascore
    • 70 Robert Lloyd
    The show is exceptionally well made from top to bottom and pulls you in and pulls you along, owing not least to a host of terrific performances.
    • 29 Metascore
    • 70 Robert Lloyd
    I was often moved by the dedication and heart on display.
    • 78 Metascore
    • 70 Robert Lloyd
    The personal circus, while given much play, remains secondary to the cooking contest. And as usual, the crop of contestants is claimed to be the most talented yet, and they do seem well-credentialed (James Beard nominees, Michelin-star-winner), competitive and more than usually tattooed.
    • 59 Metascore
    • 70 Robert Lloyd
    If anything is liable to make "Smith" above the well-made caper show it already is, it's what might be done with the relationship between Liotta and Madsen.
    • 73 Metascore
    • 70 Robert Lloyd
    It's funny, but it doesn't go for big laughs so much as a mood of whimsical parody.
    • 81 Metascore
    • 70 Robert Lloyd
    Without making any great claims for the show's depth, I do sense a desire behind the sensation and soap to investigate something significant, if deceptively simple: how life changes in a moment.
    • 70 Metascore
    • 70 Robert Lloyd
    "Robin Hood" boasts most of the usual problems with low-budget epics.... But the show has wit and energy.
    • 63 Metascore
    • 70 Robert Lloyd
    Whether all, or indeed any, of the subjects here are actually "iconoclasts" is debatable -- "independent" is more like it -- but the title is meant to signal that this is something hipper and smarter and less conventionally angled than a Barbara Walters special and, at least on the basis of the two episodes available for review, it is.

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