For 1,853 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 56 Up
Lowest review score: 12 Creature
Score distribution:
1853 movie reviews
    • tbd Metascore
    • 50 Roger Moore
    It’s just callow, the way we all are/were in our 20s.Which is why the best generational “take stock” reunion movies wait until everybody hits 30, or close to it, before even trying to make sense of it all.
    • 81 Metascore
    • 50 Roger Moore
    The Force Awakens boils down to a couple of genuine lump-in-the-throat moments, and those are due to nostalgia. The rest? Seen it, done it, been there, and remember it — even though it was “a long time ago.”
    • 45 Metascore
    • 50 Roger Moore
    This could have been a lighter picture, sort of a semi-dark Nick Hornby spin on music. That might have been less accurate, but more watchable.
    • 63 Metascore
    • 50 Roger Moore
    It’s not much of a movie, frankly. But our good will goes a long way where Pee Wee’s concerned. Herman appreciation is like love for Tinker Belle. If you want to like it enough, you will.
    • 56 Metascore
    • 50 Roger Moore
    His comedy, whatever it was at an earlier age, is comfort food now.
    • 51 Metascore
    • 50 Roger Moore
    Refn’s skewering of this empire of awfulness is undercut by his plodding, portentous pacing.
    • 50 Metascore
    • 50 Roger Moore
    Lolo is entirely too familiar, too predictable, a character study in romantic mishaps that’s far less interesting than the name Delpy cooked up for her “little alpine bunny,” a passive, pretty creature worthy of our contempt, at least as Wells envisioned him.
    • 53 Metascore
    • 50 Roger Moore
    If you want another lesson about why we should be going to Mars and what we’ll encounter and maybe find out about ourselves, “Unknown” will do until we have an actual liftoff.
    • 35 Metascore
    • 50 Roger Moore
    Just stumbles on and on, introducing new theories and facts and then explaining, explaining explaining them, right up to the closing credits.
    • 49 Metascore
    • 50 Roger Moore
    The tempered violence, the nature of the villains, the easy bonhomie of our leads and a cast peppered with great supporting players make Escape Plan go down easier than the other “Rambo/Last Man Standing/Expendables” pictures that brought these two aged action stars back from the dead.
    • 36 Metascore
    • 50 Roger Moore
    This thing is one rewrite away from being something we’d remember.
    • 57 Metascore
    • 50 Roger Moore
    Though it is funnier and out-charms “Tio Papi,” it lacks the whimsy, magical realism and kid-friendly sentiment of the sleeper hit, “Instructions Not Included.”
    • 30 Metascore
    • 50 Roger Moore
    As "Hangovers" go, Part III isn't challenging or unpleasant, just instantly forgettable. It won't take much to sleep this one off.
    • 65 Metascore
    • 50 Roger Moore
    Before the Fall has the germ of a great idea, one that will get the film noticed and some festival play. But the promise of “Pride” is, in this case, not fully kept. It lacks the wit and the light touch to come off.
    • 61 Metascore
    • 50 Roger Moore
    Bad movies are rarely as much fun as these “Fast and the Furious” pictures. And make no mistake about it — they’re bad.
    • 88 Metascore
    • 50 Roger Moore
    Alternately daring and dull, inventively animated, intimate and yet impersonal, it’s challenging enough to turn off most.
    • 30 Metascore
    • 50 Roger Moore
    Greenwood and Richardson make a fine, discordant couple and the young leads have a certain chemistry. If only Feste had realized she’d stripped almost all the conflict out of the story.
    • 31 Metascore
    • 50 Roger Moore
    Winter’s Tale has no narrative drive and too little heart to come off.
    • 69 Metascore
    • 50 Roger Moore
    It’s just not that funny, not that sad and not on target, satirically. This “Welcome” isn’t nearly welcoming enough.
    • 47 Metascore
    • 50 Roger Moore
    When it works, it works. But if this character and this franchise are to survive, “Never Go Back” needs to be a promise Reacher makes — about ever playing a parent again.
    • 62 Metascore
    • 50 Roger Moore
    Shyamalan gets his chutzpah, if not exactly his mojo back with this solid and modestly thrilling thriller.
    • 63 Metascore
    • 50 Roger Moore
    The new creature feature Monsters is an intriguing mash-up of "District 9," "The Host" and assorted recent post-apocalypse road pictures.
    • 30 Metascore
    • 50 Roger Moore
    James takes his comic lumps like a man. His Griffin suffers injuries and indignities and lets us laugh at him as he does. No matter where the script wanders and where the direction founders, at some point, James' comic instincts take over. And this time, they don't let him down.
    • 64 Metascore
    • 50 Roger Moore
    It’s not a bad film, this first-half of the concluding chapter of “The Hunger Games.” But it is, from first scene to last, just a tedious good-looking set-up for what one might hope would be a more lively, and perhaps better lit and ventilated finale.
    • 74 Metascore
    • 50 Roger Moore
    There’s no drama, no conflict, and apparently no one told director Jody Lee Lipes that even documentaries require some of that to be rendered watchable.
    • 44 Metascore
    • 50 Roger Moore
    Collins (“Mirror Mirror”) and Claflin, of the last “Pirates of the Caribbean” movie, do well by the mooning over each other across a crowded dance floor stuff. But they have to keep us believing in “the dream” and hoping for their romance. They don’t.
    • 31 Metascore
    • 50 Roger Moore
    While it is laudable that Oscar winner Kim Basinger, Mickey Rourke, Vivica A. Fox and Anne Heche lent their support to writer-director Jeta Amata’s film, the help he really needed was from screenwriters. Clunky lines, broadly drawn characters, arch situations, from start to finish, Black November is an uphill battle against the urge to roll your eyes.
    • 42 Metascore
    • 50 Roger Moore
    As exhausted as this series and the genre it comes from is, it still manages a few decent jolts thanks to that new approach and a pretty good cast’s reactions to what they, and we, see through the video camera’s viewfinder.
    • 48 Metascore
    • 50 Roger Moore
    If it’s not convincing as either a find-one’s-faith parable or clever spoof of pop Christianity, at least it’s relevant.
    • 43 Metascore
    • 50 Roger Moore
    It sometimes moves us, where the admittedly more arduous ordeal of Louis “Unbroken” Zamperini failed to move, at least on the big screen.

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