For 2,246 reviews, this critic has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Winter's Bone
Lowest review score: 0 Mike Boy
Score distribution:
2246 movie reviews
    • 64 Metascore
    • 100 Roger Moore
    Beautifully cast, touchingly played and handsomely mounted, Belle is as close to perfect as any costumed romance has a right to be.
    • 88 Metascore
    • 100 Roger Moore
    The script and Simmons, known for TV’s “The Closer” and as tantrum-tossing editor J. Jonah Jameson in “Spider-Man,” make Fletcher a monster, and then look for ways of explaining him.
    • 78 Metascore
    • 100 Roger Moore
    The Guard soars along on a script, like those by the other McDonagh (Martin wrote and directed "In Bruges" and the Oscar winning short "Six Shooter," both starring Gleeson) built out of verbal flourishes and Irish curses.
    • 92 Metascore
    • 100 Roger Moore
    The Rider is a docudrama as elegy, a slice of rodeo realism that both romanticizes and demythologizes the Cowboy Way in a corner of America where that still means something.
    • 95 Metascore
    • 100 Roger Moore
    The performances, direction and writing of one of the best pictures of 2010 make this Social Network every bit as addictive, and a little chilling as well.
    • 90 Metascore
    • 100 Roger Moore
    This unblinking look at America's Red State Crystal Meth Belt is an instant Southern Gothic classic.
    • 77 Metascore
    • 100 Roger Moore
    Duvall, an American Lear not going gently into that good night, reminds us that it will be a sad day indeed for movie fans when it's about time for him to Get Low.
    • 83 Metascore
    • 100 Roger Moore
    It’s a powerful, disturbing crisis of faith drama that takes on the raiments of a thriller, and a tour de force for the understated acting of Ethan Hawke.
    • 94 Metascore
    • 100 Roger Moore
    Great directors make great movies. And with Dunkirk, Christopher Nolan has made his second masterpiece, thrilling history retold, remembered and relished.
    • 76 Metascore
    • 100 Roger Moore
    A riveting saga of pain, grit and the brute moral relativism of revenge, the first law of all, and the only one that mattered back then. The Revenant is one of the best pictures of the year.
    • 79 Metascore
    • 100 Roger Moore
    That rare film in which every performer in it leaves the viewer in awe.
    • 79 Metascore
    • 100 Roger Moore
    Artful, epic, operatic even, this thriller set in the world of ballet challenges the viewer with its intelligence and depth and wit.
    • 81 Metascore
    • 100 Roger Moore
    A moving, hilarious and stunningly-animated adventure epic.
    • 72 Metascore
    • 100 Roger Moore
    J.J. Abrams, with Steven Spielberg producing, has made one of those jaw-dropping out-of-body summer entertainments that kids old enough to swear and see PG-13 films will remember on into adulthood.
    • 88 Metascore
    • 100 Roger Moore
    Engrossing and moving story of a alternately warm and combative relationship.
    • 93 Metascore
    • 100 Roger Moore
    If history’s tide runs against the Globe, at least those who worked there have the satisfaction of exposing a global wrong, and helping to end it. And they have McCarthy’s film, one of the best pictures of 2015, as a permanent record, a tribute in cinematic form, to their art and craft in its finest hour.
    • 92 Metascore
    • 100 Roger Moore
    Longer, more thorough and tweaked to play to modern audiences better, Apocalypse Now Redux packs every bit the wallop it did when it was new. After Gallipoli and Full Metal Jacket, after even Platoon, it remains the definitive anti-war war movie.
    • 67 Metascore
    • 100 Roger Moore
    The dazzling thing in Magician is how Workman breezily covers the various periods in Welles’ career, periods worthy of entire books, from his childhood as “The Boy Wonder,” to his post-“Kane” “Gypsy” years, when Hollywood was sure it had plenty of reasons not to hire him as a director, on up to today, as Richard “Boyhood” Linklater dubs him “the patron saint of indie filmmakers.”
    • 84 Metascore
    • 100 Roger Moore
    Dallas Buyers Club is one of the best pictures of the year.
    • 82 Metascore
    • 100 Roger Moore
    A masterpiece. A work of grand visual wit, clever songs, funny gags and genuine pathos, it is perhaps the greatest stop-motion animated film ever, a painstaking style of model animation that computers have all but completely done away with.
    • 85 Metascore
    • 100 Roger Moore
    It's a story about storytelling, with differing versions of events in which people die by the sword. Filled with Yimou's characteristic symbolism and zest for striking colors, it's a fictional account of the unification of China.
    • 88 Metascore
    • 100 Roger Moore
    Serious and silly, self-aware and ironic, it’s the movie that questions stardom, fame and celebrity, built around a role Michael Keaton had to become a has-been to play.
    • 83 Metascore
    • 100 Roger Moore
    56 Up feels like the most hopeful film of them all - amusing, entertaining, and touching.
    • 88 Metascore
    • 100 Roger Moore
    It’s one of the best pictures of the year.
    • 96 Metascore
    • 100 Roger Moore
    McQueen and his stellar cast take us on a difficult journey, an odyssey that will make you want to avert your eyes. It is to their great credit that we don’t.
    • 92 Metascore
    • 100 Roger Moore
    Rarely has a movie gone as deep into the magical resiliency and adaptability of childhood.
    • 86 Metascore
    • 100 Roger Moore
    And Dern, a great character actor who made his mark opposite everyone from Redford and John Wayne to Jane Fonda, embraces the roll of a lifetime.
    • 100 Metascore
    • 100 Roger Moore
    Richard Linklater’s Boyhood is an amazing achievement in telling an unremarkably remarkable life story.
    • 76 Metascore
    • 88 Roger Moore
    A stop any literary-minded movie-goer will want to make.
    • 79 Metascore
    • 88 Roger Moore
    There’s never been much more than a fringe audience for anime in the U.S., which suggests that Hollywood might not be long in taking a live-action shot at this story. But whatever the budget, whoever the stars, they’ll have to go some ways to top the magic managed by artists and their brushes spelling out Your name.

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