For 884 reviews, this critic has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Sean Axmaker's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Grizzly Man
Lowest review score: 0 See Spot Run
Score distribution:
  1. Negative: 53 out of 884
884 movie reviews
    • 43 Metascore
    • 50 Sean Axmaker
    This larger-than-life cartoon of a trained dog has more character than the two-legged co-stars.
    • 55 Metascore
    • 50 Sean Axmaker
    Peter Riegert's is a labor of love film where you feel love much stronger than you feel the film.
    • 82 Metascore
    • 50 Sean Axmaker
    The script is as sloppy as Song's unkempt cop, sprinkled with intriguing ideas and imaginative details that, like the investigation, simply get lost in blind alleys.
    • 53 Metascore
    • 50 Sean Axmaker
    A bubbly, high-spirited paean to the joys of pharmaceutical phun that grooves to a throbbing beat but constantly trips over flat, prosaic dialogue and literal, lifeless sight gags.
    • 51 Metascore
    • 50 Sean Axmaker
    Even a one-two punch from Australian stars Guy Pearce and Rachel Griffiths, who are wryly good in this crime caper, can't keep it from sinking into a cavern of cliches.
    • 49 Metascore
    • 50 Sean Axmaker
    The stylistic cleverness of the opening minutes settles into a self-satisfied flair.
    • 46 Metascore
    • 42 Sean Axmaker
    Resembles nothing more than an overstuffed, undernourished "Brady Bunch" episode, only not as funny.
    • 45 Metascore
    • 42 Sean Axmaker
    Willis and Breslin are stuck in a charmless, predictable picture they can't escape.
    • 40 Metascore
    • 42 Sean Axmaker
    There are some surprises to be had amid the cruelty (inflicted by both Jigsaw and his test subjects), but this time around the ordeal is less grueling than simply distasteful.
    • 30 Metascore
    • 42 Sean Axmaker
    Ashton Kutcher wants to be taken seriously so badly it hurts. So does this metaphysical mess of a movie, a pseudo time-travel drama so complicated it takes more than half an hour just to establish the gimmick. And a gimmick it is.
    • 12 Metascore
    • 42 Sean Axmaker
    Feels like nothing less than Dana Carvey's desperate bid for his own "Austin Powers"-like franchise, but with a harmless humor far less crude. Carvey favors whoopee cushion punch lines to toilet gags and references to big butts over sexual double-entendres.
    • 31 Metascore
    • 42 Sean Axmaker
    Whether or not Garden Party is an accurate portrait of the shadow L.A. culture where the young, pretty and desperate can find quick rent money, this low-budget production never engages with its characters or stories enough to make you care either way.
    • 48 Metascore
    • 42 Sean Axmaker
    By the film's interminable, unforgivably embarrassing third act it sinks in a sticky swamp of sentimentality.
    • 45 Metascore
    • 42 Sean Axmaker
    Drowns promising ideas in a sea of missed details and unconvincing motivations.
    • 33 Metascore
    • 42 Sean Axmaker
    See "Freaky Friday" for convincing cross-generational female bonding. Despite it's elegant style and uptown milieu, this film is a cheap imitation.
    • 45 Metascore
    • 42 Sean Axmaker
    The new parody from the comedy troupe Broken Lizard, takes another swipe at the corpse armed with the same old weapons. This time, rigor mortis has set in.
    • 47 Metascore
    • 42 Sean Axmaker
    Has neither the raucous energy and impudence of "Animal House," the defiance of "If ...," nor the grace and wit of "Harold and Kumar Go to White Castle."
    • 37 Metascore
    • 42 Sean Axmaker
    It simply isn't that funny or clever. For a comedy, that's about the worst that could happen
    • 61 Metascore
    • 42 Sean Axmaker
    In this brand of comedy, nothing succeeds like excess, and this film is seriously deficient.
    • 55 Metascore
    • 42 Sean Axmaker
    It becomes simply another banal gang film so familiar and predictable you have to wonder why so much potential is wasted on such a confused dramatic mess.
    • 48 Metascore
    • 42 Sean Axmaker
    For a film so intent on the rules of engagement, this is hardly engaging drama.
    • 42 Metascore
    • 42 Sean Axmaker
    This film is satisfied merely to wallow in women in peril, cinematic sadism and the spectacle of violent death and dismemberment.
    • 29 Metascore
    • 42 Sean Axmaker
    Between Stallone's soap opera of a script and Renny Harlin's speed-obsessed visuals, we're never really shown much more than fast cars and obsessed drivers.
    • 29 Metascore
    • 42 Sean Axmaker
    Prinze and Forlani coast on charisma alone, but even their charms can't coax magic from the prosaic dialogue and romantic clichés that clog this listless comedy.
    • 39 Metascore
    • 42 Sean Axmaker
    There are cute flourishes, but much of the cleverness is smothered by tired dialogue and doughy animation, which gives the animated characters the personality of mannequins and the look of cheap merchandising knockoffs come to life.
    • 49 Metascore
    • 42 Sean Axmaker
    Burns' trite talk and familiar romantic conflicts doesn't do any of the characters any favors. Everyone comes off flat and forced, with one notable and lovely exception: Dawson.
    • 22 Metascore
    • 42 Sean Axmaker
    The film is a shapeless mess and about as convincing as a cartoon, the usual mix of slapstick, doofus humor and raunchy sex jokes lacking even the bite or attitude to make it adventurous.
    • 52 Metascore
    • 42 Sean Axmaker
    This vampire story is as soulless as they get.
    • 36 Metascore
    • 42 Sean Axmaker
    The result of this blender mash of exotic horror isn't much of anything at all, neither suspenseful, terrifying or inventively gory: Turistas is dead on arrival.
    • 34 Metascore
    • 42 Sean Axmaker
    All processed sugar and artificial flavor, right down to the sticky but tasteless happy ending.

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