For 479 reviews, this critic has graded:
  • 57% higher than the average critic
  • 7% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Sheri Linden's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Aatsinki: The Story of Arctic Cowboys
Lowest review score: 0 Awakened
Score distribution:
  1. Negative: 32 out of 479
479 movie reviews
    • 75 Metascore
    • 80 Sheri Linden
    A well-made and entertaining descent into a black-comic hell.
    • 76 Metascore
    • 80 Sheri Linden
    These are people at the frontline of idealism in action, working to alleviate suffering, one patient at a time, in some of the most devastated places on Earth.
    • 74 Metascore
    • 80 Sheri Linden
    As frank, discerning and eloquent as its subjects, The Woodmans is one of the most affecting art-themed documentaries.
    • 90 Metascore
    • 80 Sheri Linden
    A terrifically engaging picture of life beyond the headlines, My Perestroika lifts the veil of Cold War mystery.
    • 77 Metascore
    • 80 Sheri Linden
    A well-told tale, and though its compact running time makes it a fine TV fit, its visual poetry is worth a big-screen look.
    • 71 Metascore
    • 80 Sheri Linden
    The film is an impressive and affecting entry in the growing body of work addressing the effects of keeping wild animals in captivity.
    • tbd Metascore
    • 80 Sheri Linden
    At once impressionistic and precise,The Tiniest Place (El Lugar más pequeño) is a beautifully rendered memory piece that insists on the necessity of memory.
    • 74 Metascore
    • 80 Sheri Linden
    But above all it's a portrait of stunned grief, of the devastation families endure, whether through violence, accidents, illness or incarceration.
    • 90 Metascore
    • 80 Sheri Linden
    The film is an important step toward repairing the broken links and resurrecting almost a century of music and the women who made it.
    • 68 Metascore
    • 80 Sheri Linden
    The handsomely shot, expertly button-pushing scare-fest has the polish and the cast to draw older audiences who grew up on shockers built from performances rather than CGI.
    • 82 Metascore
    • 80 Sheri Linden
    La Camioneta: The Journey of One American School Bus is just what the title indicates — and that turns out be an intimate and vivid report on a surprising connection between North and Central America.
    • 66 Metascore
    • 80 Sheri Linden
    A dazzling introduction, both immersive and sweeping, to one of the planet’s oldest primates (who knew?).
    • 56 Metascore
    • 80 Sheri Linden
    A few bumpy patches notwithstanding, the new feature is an exquisitely designed, emotionally absorbing work of dark enchantment.
    • 72 Metascore
    • 80 Sheri Linden
    A clear-eyed, compelling look at getting out the vote, grassroots-style.
    • 73 Metascore
    • 70 Sheri Linden
    Lynch's film is a work of steady chronological progression. Without straining for big-picture significance, it provides a composed look into the revolutionary spirit.
    • 60 Metascore
    • 70 Sheri Linden
    Bahrani sometimes pushes too hard as he reaches for big drama. But when the story works, it has a dark power that draws shrewdly upon his two leads' screen charisma.
    • 69 Metascore
    • 70 Sheri Linden
    Barbara Sukowa's performance in the title role is the kind that reverberates long after the screen goes black.
    • 80 Metascore
    • 70 Sheri Linden
    Writer-director Peter Strickland...uses atmosphere as others would use plot, and knows how to provoke comic shudders. But he tends to repeat himself, and he doesn't quite find a satisfying denouement for the inventive premise.
    • 61 Metascore
    • 70 Sheri Linden
    Its restraint is its strength. The focus on a woman's passionate hard work without need of marital-status back story is refreshing.
    • 65 Metascore
    • 70 Sheri Linden
    Megumi Sasaki's follow-up to her first documentary, 2008's Herb & Dorothy, is as engaging and unpretentious as its subjects.
    • tbd Metascore
    • 70 Sheri Linden
    Director Kim Hyun-seok, who until now has worked chiefly in romantic comedy, deploys visual effects and low-key performances in an efficiently told, character-driven exploration of immortality, hubris and human folly.
    • 70 Metascore
    • 70 Sheri Linden
    A compellingly unconventional, elliptical sports documentary that explores the mysterious realm of might-have-been.
    • 47 Metascore
    • 70 Sheri Linden
    Unfocused lapses aside, though, the film is intriguing and discomforting in equal measure, using its brief running time to frame thoughtful, boundary-pushing questions.
    • 72 Metascore
    • 70 Sheri Linden
    Australian writer-director Kim Mordaunt doesn't always succeed at balancing the sentimental, the political and the ethnographic, but at its strongest the story is a seamless melding of history's dark undertow and a child's indefatigable optimism.
    • 60 Metascore
    • 70 Sheri Linden
    It's the loosely connected encounters of the early sequences that are remarkable in their poignancy and humor.
    • 71 Metascore
    • 70 Sheri Linden
    With its grasp of suspense and character, it hits the mark as a portrait of openhearted determination that's devoid of desperation.
    • 59 Metascore
    • 70 Sheri Linden
    Audiences will find themselves face to face with their own prejudices, assumptions and, perhaps, squeamishness.
    • 50 Metascore
    • 70 Sheri Linden
    Keener's performance riveting.
    • 64 Metascore
    • 70 Sheri Linden
    Written by Amy Lowe Starbin and directed by Jen McGowan, both first-timers, the feature is alive with interactions that feel spontaneous.
    • 77 Metascore
    • 70 Sheri Linden
    Hicks' unabashed love letter is, above all, a stirring picture of communion between artists.

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