Stephanie Zacharek

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For 1,712 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1 point higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Hamlet
Lowest review score: 0 Speed Racer
Score distribution:
1712 movie reviews
    • 82 Metascore
    • 85 Stephanie Zacharek
    In the early moments of The Trip, you wonder if either actor will survive the enterprise.
    • 81 Metascore
    • 85 Stephanie Zacharek
    Beginners is all about beginnings that begin with endings - the point, Mills seems to be saying, is that sometimes you need to say good-bye to make room for hello.
    • 69 Metascore
    • 85 Stephanie Zacharek
    Breillat manages to give us a lush, quiet spectacle with The Sleeping Beauty.
    • 47 Metascore
    • 85 Stephanie Zacharek
    Bad Teacher is hardly a perfect picture, but in the context of every other comedy on the summer movie landscape - from the faux empowerment of "Bridesmaids" to the neurotic frat-guy heteromania of "The Hangover Part II" - it feels revolutionary.
    • 67 Metascore
    • 85 Stephanie Zacharek
    That she makes it all look so effortless is part of the fun – as long as you're not unlucky enough to be the guy with his nut in the nutcracker.
    • 52 Metascore
    • 85 Stephanie Zacharek
    One of those big, extravagant-looking romances that you might automatically deem "conventional" - except for the fact that almost nobody makes big, extravagant-looking romances anymore.
    • 68 Metascore
    • 85 Stephanie Zacharek
    There's action here, too, and a great deal of vitality that feels true both to the spirit of Collins' book and to the idea of movie entertainment as it exists.
    • 71 Metascore
    • 85 Stephanie Zacharek
    Craig has one clear advantage over Michael Nyqvist, the actor who played the same character in the Swedish Girl movies: He has erotic charisma to spare, as opposed to Nyqvist's perfunctory, doughy sexuality.
    • 90 Metascore
    • 85 Stephanie Zacharek
    A small but extremely significant message in a bottle. That metaphor is almost literal: The picture made its way to Cannes via a USB drive -- which was smuggled in a cake.
    • 50 Metascore
    • 85 Stephanie Zacharek
    The picture is rambunctiously affectionate; Guiterrez may go for the broad joke, but never the cheap one.
    • 75 Metascore
    • 85 Stephanie Zacharek
    I've seen Detective Dee twice now, and I still don't think I've taken the full measure of the visual nuttiness, and lushness, Tsui has packed in there.
    • 72 Metascore
    • 85 Stephanie Zacharek
    Mulligan is terrific here, and restrained in a way that suggests an actorly generosity unusual for someone so young: Her scenes with Fassbender don't so much say "Look at me" as "Look at him."
    • 68 Metascore
    • 85 Stephanie Zacharek
    While the media desk isn't the whole of the New York Times, it does give Rossi a solid perch from which to survey the paper's recent and ongoing struggle for both relevancy and revenues.
    • 77 Metascore
    • 85 Stephanie Zacharek
    At its simplest level, Jiro Dreams of Sushi is a portrait of a master. In its deeper layers, it explores what drives us to make things: Beautiful, jewel-like things, or things that delight our palate – or, in this case, both.
    • 46 Metascore
    • 85 Stephanie Zacharek
    Mirror Mirror has a great deal of energy and wit and color, so much that it sometimes threatens to go right over the top. Somehow, though, it always stops short of being just too much.
    • 72 Metascore
    • 85 Stephanie Zacharek
    For all its borrowing from old Hollywood, I don't think War Horse is particularly nostalgic. The word I'd use is wistful. It's the largest, most lavish handful of wistfulness money can buy, and sometimes it's too much. Yet it's nice to know that even Steven Spielberg can still wish for something.
    • 76 Metascore
    • 85 Stephanie Zacharek
    This is a picture whose dance steps are determined by any number of mishaps and misfortunes; like the dance floor of a great club on a good night, it's gorgeous, unruly and exhilarating all at once.
    • 69 Metascore
    • 85 Stephanie Zacharek
    My heart belongs to Bear Elinor, whose movements and mannerisms are a tender echo of Human Elinor's – her character is designed and drawn just that carefully.
    • 85 Metascore
    • 85 Stephanie Zacharek
    The low-key quality of the filmmaking in Restrepo only intensifies the reality of how much these kids are risking.
    • 50 Metascore
    • 85 Stephanie Zacharek
    Redgrave puts all she’s got into something other actors might just toss off or throw away. She’s present every moment; this is an actress who doesn’t have a second to waste.
    • 82 Metascore
    • 85 Stephanie Zacharek
    By the end you feel you've learned something about the man, yet his mystique emerges intact.
    • 58 Metascore
    • 85 Stephanie Zacharek
    The Dictator, for all its liberal leanings, doesn't let anyone off the hook, not even well-intentioned liberals. Cohen comes right out and says things that most of us, in polite conversation, wouldn't dare. He knows it's the impolite conversation that really gets things moving.
    • 79 Metascore
    • 85 Stephanie Zacharek
    Let Me In is a chilly little story set in a very cold place. But Reeves still knows when to go for the burn.
    • 81 Metascore
    • 85 Stephanie Zacharek
    The faces of these performers - particularly Williams' - are the key to Blue Valentine.
    • 95 Metascore
    • 85 Stephanie Zacharek
    A Separation doesn't try to make easy sense of that world, or of this family's suffering. It's simply a quiet cry of anguish.
    • 49 Metascore
    • 85 Stephanie Zacharek
    This is a straightforward family comedy-drama, a movie made for adults, and one that actually gives its actors – among them Chris Pine, Elizabeth Banks, Michelle Pfeiffer and Philip Baker Hall – something to do. That's more of a rarity on today's landscape than it should be.
    • 86 Metascore
    • 85 Stephanie Zacharek
    The Tillman Story isn't designed to be a shockeroo exposé; it's more a slow, steady rumble of anger and dismay at what the U.S. military, and the government, can get away with in the name of public relations, as if PR - and not human lives - were the most important consideration during wartime.
    • 75 Metascore
    • 85 Stephanie Zacharek
    Olsen's performance is restrained but not tentative; you could say the same for the movie around it.
    • 56 Metascore
    • 85 Stephanie Zacharek
    The Extra Man is something of a love letter to the marvelous weirdos of New York.
    • 62 Metascore
    • 85 Stephanie Zacharek
    The "black maid" may be a cliché. But when was the last time we saw a story told from her point of view?

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