Steve Persall

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For 742 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 7.1 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Gravity
Lowest review score: 0 The Last Airbender
Score distribution:
  1. Negative: 73 out of 742
742 movie reviews
    • 71 Metascore
    • 100 Steve Persall
    I've watched Sleepwalk With Me twice now, each time impressed with Birbiglia's confidence in revealing so much about his craft and himself, and the freely associated style with which he does it.
    • 71 Metascore
    • 75 Steve Persall
    Taylor's movie is overly episodic, but a number of those episodes are marvelous.
    • 70 Metascore
    • 75 Steve Persall
    A marvelous technical achievement when the director finally gets around to it.
    • 70 Metascore
    • 67 Steve Persall
    For a good portion of Black's film, all this mayhem is great fun, since Russell Crowe is obviously funnier than he has ever allowed himself to appear, and Ryan Gosling is funnier than he has already proven. Together they form a deliciously dumb action duo; one brawn, the other sort of has a brain.
    • 70 Metascore
    • 58 Steve Persall
    Almodóvar dives into perversity, practically daring the audience not to follow. The Skin I Live In is a mediocre addition to his resume, yet for fans, even bad Almodóvar is better than none at all.
    • 70 Metascore
    • 75 Steve Persall
    It's a heady blend, at times requiring more speechifying than throwaway pop deserves. But it keeps one guessing between ill-staged and frenetically edited fight scenes. Directors Anthony and Joe Russo handle vehicular mayhem better.
    • 70 Metascore
    • 83 Steve Persall
    This movie embraces its inner yokel.
    • 70 Metascore
    • 83 Steve Persall
    Lin siphons elements of his previous gig into this one. More precisely, he accentuates the existing "family" dynamic of Star Trek, leading to genuinely earned lumps in Trekker throats.
    • 69 Metascore
    • 50 Steve Persall
    Imagine a stuffy Merchant Ivory production blended with muted Michael Crichton sci-fi and you have Never Let Me Go, at least as it plays on screen.
    • 69 Metascore
    • 50 Steve Persall
    Unstoppable isn't unwatchable, but it is a letdown after "Speed" and some of the Speed-on-a-(fill in the blank with a vehicle) flicks that followed. Forget missing Hopper; even Keanu Reeves might make this movie more entertaining.
    • 69 Metascore
    • 75 Steve Persall
    The stories might work better separately as uninterrupted short films. Combined, they lack cohesion but suggest that Coppola has a fine framing eye and ability to guide actors to good work.
    • 69 Metascore
    • 83 Steve Persall
    The Avengers is as brawny and lamebrainy as any comic book movie deserves to be, capped by a 40-minute assault pummeling senses as few action sequences ever have.
    • 69 Metascore
    • 83 Steve Persall
    Chronicle is so clever about the absurd, and so much fun to watch, that I'm almost disappointed the ending doesn't leave room for a sequel.
    • 69 Metascore
    • 58 Steve Persall
    I expected, even wanted to cry at The Fault in Our Stars, or at least choke up a little. Yet the transparent eagerness of this movie to break hearts, through means not entirely justifying that end, always pulled me back.
    • 69 Metascore
    • 83 Steve Persall
    This movie embraces everything that should make it lousy, calling out itself for aping the source's bad ideas then flipping the script with meta precision.
    • 69 Metascore
    • 75 Steve Persall
    Liman handles the spy stuff with Bourne-again flair, especially the opener when Valerie proves her mettle during an assignment to secure a snitch.
    • 69 Metascore
    • 50 Steve Persall
    The problem isn't entirely Lehane's script... It's the way Belgian director Michael R. Roskam, making his English language debut, is so visually uninspired by all this meanness.
    • 69 Metascore
    • 50 Steve Persall
    Wright is an insanely funny filmmaker (Shaun of the Dead, Hot Fuzz) yet only the front half of that description carries over to Scott Pilgrim vs. the World.
    • 68 Metascore
    • 83 Steve Persall
    Leaner than "Harry Potter's" adventures, meaner than the "Twilight" saga, The Hunger Games lives up to its source if not entirely the hype.
    • 68 Metascore
    • 75 Steve Persall
    Graphically thinking outside the box, the Lonely Island comedy team makes a decent splash with Popstar: Never Stop Never Stopping, an SNL spinoff that generally works.
    • 68 Metascore
    • 67 Steve Persall
    There are laughs that stick in your throat, when they aren't broad strokes shattering a forlorn mood that occasionally makes the movie feel like a companion piece to "Magnolia," or any film depicting downbeat people realizing they have more sorrow in common than expected.
    • 68 Metascore
    • 0 Steve Persall
    End of Watch is a repellent movie, first for its shaky-cam conceit rendering much of the action incomprehensible, and finally for seeking to entertain viewers through the thuggish execution of a police officer.
    • 68 Metascore
    • 91 Steve Persall
    The plot is a piffle but Ozon's presentation is gloriously romantic.
    • 68 Metascore
    • 100 Steve Persall
    In a movie year of more than two dozen animated films, this and "Rango" tower over all others. Welcome to America, Tintin. It's great getting to know you.
    • 68 Metascore
    • 75 Steve Persall
    The Conjuring is a throwback to old-school spine tingling, although this movie is less Halloween theme ride and more 1970s post-"Exorcist" terror.
    • 68 Metascore
    • 58 Steve Persall
    The Homesman isn't as confident with balancing madness and dark humor as Jones' only previous directing job, 2005's border odyssey The Three Burials of Melquiades Estrada. This movie's switchback plotting ambles from crisis to comical, threatening to maintain a tone but not for long.
    • 68 Metascore
    • 67 Steve Persall
    Next to Swinton's excellent portrayal of a woman on the edge of a nervous breakdown, the movie belongs to the two Kevins, young actors with matching arched eyebrows and sullen expressions.
    • 68 Metascore
    • 91 Steve Persall
    The East is a crackling thriller and a political statement tough to peg.
    • 68 Metascore
    • 50 Steve Persall
    By all accounts, Boston mobster James "Whitey" Bulger was a monster. That's exactly how Johnny Depp plays him in Black Mass, a dark blob of underworld cliches and bad contact lenses.
    • 68 Metascore
    • 25 Steve Persall
    Quentin Tarantino's The Hateful Eight is vile art, bludgeoning viewers for three hours with indefensibly gratuitous race baiting and blood.

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