Tasha Robinson
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For 484 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Tasha Robinson's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Wreck-It Ralph
Lowest review score: 0 Sydney White
Score distribution:
  1. Negative: 49 out of 484
484 movie reviews
    • 44 Metascore
    • 50 Tasha Robinson
    As clumsy as Quale is with the sequences of people shouting exposition back and forth, or delivering teary Blair Witch-style goodbyes into a camera that would have died long before its operators, he handles the CGI action with breathless intensity.
    • 36 Metascore
    • 42 Tasha Robinson
    There's a ton of backstory behind Underworld: Evolution, which gets slightly denser and rowdier than its predecessor, but it's ultimately all in the service of a nigh-endless series of numbing, mechanical battles in which snarling protagonists and CGI monsters shoot, claw, and bloodily eviscerate each other. In other words, it's "Underworld," but more of it.
    • 48 Metascore
    • 42 Tasha Robinson
    As it is, the film perpetually teeters on the edge between a functional vehicle and a train wreck, and whenever Allen opens his mouth, he pushes it violently in the latter direction.
    • 77 Metascore
    • 42 Tasha Robinson
    The joys of watching a man carry out his own therapy onscreen are fairly limited.
    • 44 Metascore
    • 42 Tasha Robinson
    Unknown manages a hat trick by making its march toward the climax so tedious and unlikely that it unravels even as it gets off the ground.
    • 28 Metascore
    • 42 Tasha Robinson
    Even Eddie Murphy's endless hyper "Shrek" vamping is more entertaining.
    • 44 Metascore
    • 42 Tasha Robinson
    Unfortunately, it misses the one cliché that might have been welcome: the predictably plotted flashy dance movie where the actual dance makes it all worthwhile.
    • 35 Metascore
    • 42 Tasha Robinson
    Director Peter Webber can't do much about what's missing from the story: a soul or a sense of purpose.
    • 29 Metascore
    • 42 Tasha Robinson
    If this uninspired fight-fest had been delayed out of existence, it's unlikely anyone would have missed it.
    • 31 Metascore
    • 42 Tasha Robinson
    When the left-field ending finally arrives, it explains a lot, including why she's so off-putting and histrionic, but it never really explains why audiences should bother sitting through such a tangled mess.
    • 39 Metascore
    • 42 Tasha Robinson
    There's a noble cause buried under all the clumsy speeches, blatant manipulations, and foreordained conflicts, but the thudding lack of subtlety proves exhausting.
    • 59 Metascore
    • 42 Tasha Robinson
    Like the dream it so closely resembles, it's fairly distracting while it's going on, but it fades into forgettable nonsense by the light of day.
    • 61 Metascore
    • 42 Tasha Robinson
    Turns the franchise into a terrible '80s comedy.
    • 52 Metascore
    • 42 Tasha Robinson
    If Forman is trying to communicate that art isn't an effective way to change American society, he's proved his point neatly with this muddled, wandering dud.
    • 44 Metascore
    • 42 Tasha Robinson
    It's a squeaky clean pre-John Hughes, pre-Farrelly brothers throwback to an era where the words "Disney film" meant something: a movie free of crotch slams, gross-out gags, and tittery innuendo.
    • 53 Metascore
    • 42 Tasha Robinson
    Sheen is often the saving grace of Music Within, thanks to an aggressively profane wit that gives an otherwise tapioca-bland story a little edge.
    • 49 Metascore
    • 42 Tasha Robinson
    It's all good-natured enough. It just isn't actually good.
    • 36 Metascore
    • 42 Tasha Robinson
    The major problem is the death of a horror film: It's startling, but not particularly scary.
    • 35 Metascore
    • 42 Tasha Robinson
    No exciting action can cover the film's profound shallowness and repulsive attitude toward everyone but Christensen.
    • 45 Metascore
    • 42 Tasha Robinson
    While the film's gags don't always jibe with its sincere interviews of Middle Eastern citizens, or its worrisome encounters with the soldiers serving in dangerous territory--the constantly shifting tone provides as many hit bits as misses.
    • 36 Metascore
    • 42 Tasha Robinson
    Story remains Vanguard's weak point.
    • 64 Metascore
    • 42 Tasha Robinson
    Most of the film isn't as willing to reach out to viewers, and most won't be willing to do all the work in order to connect with it.
    • 47 Metascore
    • 42 Tasha Robinson
    Cluttered, flavorless Choke, which crams the novel's nervy narration into an irritating voiceover, and leaps around in time and space with all the attention span of an ADD-addled child.
    • 53 Metascore
    • 42 Tasha Robinson
    Older viewers are more likely to see a muddled film full of one-dimensional characters and insultingly strident politics.
    • 45 Metascore
    • 42 Tasha Robinson
    The film is crammed with treats for old-school "Dragonball" fans, from the inclusion of all these characters (who don't actually do much) to the moment when spiky-haired Goku dons his orange gi. For everyone else, this amounts to another seen-it-before, probably-willing-to-see-it-again distraction.
    • 41 Metascore
    • 42 Tasha Robinson
    Pointing out G-Force’s plot holes would be redundant; it’s more hole than plot, and more videogame commercial and exhausted-old-trope clearinghouse than film.
    • 35 Metascore
    • 42 Tasha Robinson
    At least in the last half-hour, Bay's incredibly sloppy continuity and overeager rush to action pays off.
    • 42 Metascore
    • 42 Tasha Robinson
    Like those mild old Disney comedies of the ’60s and ’70s, it seems perfectly content with being a harmless distraction.
    • 47 Metascore
    • 42 Tasha Robinson
    The story is still mostly fabulous, and its novelty helps carry the film, but this still comes across like a poor high-school stage version: sincere and kind of sweet, but endlessly clumsy.
    • 26 Metascore
    • 42 Tasha Robinson
    Tucker Max’s only real strengths are his outrageousness and his uncompromising self-confidence, but neither comes into play in this punch-pulling, frankly boring film.