For 728 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Alias: Season 1
Lowest review score: 0 Til Death: Season 1
Score distribution:
728 tv reviews
    • 86 Metascore
    • 100 Tim Goodman
    It's a gloriously visual fairy tale full of saturated colors and whimsical stories, the kind of romantic comedy/whodunit that should, by rights, captivate a nation starved for quirkiness and delight.
    • 83 Metascore
    • 100 Tim Goodman
    Again, it's back to the writing and the look. Both are superb.
    • 68 Metascore
    • 100 Tim Goodman
    "Flight of the Conchords" may well be the funniest thing you've seen in ages and -- at least for a half hour -- answers the question of whether HBO has any good shows left.
    • 80 Metascore
    • 100 Tim Goodman
    The level of cleverness of Flight of the Conchords is off the charts.
    • 81 Metascore
    • 100 Tim Goodman
    The writing and acting are hit out of the ballpark on this one, and that's not a vibe you pick up out of nowhere.
    • 70 Metascore
    • 100 Tim Goodman
    There's a lot to love in Californication, from the blowtorch-keen dialogue of creator and writer Tom Kapinos to the way that Duchovny's ever-so-slightly-fading good looks perfectly encapsulate the character's downturn in Hollywood, to a multitude of standout performances in the ensemble cast.
    • 68 Metascore
    • 100 Tim Goodman
    Hirst, Rhys Meyers and the rest of the cast (and Bergin's costumes) make it all somehow meatier but no less entertaining in Season 2.
    • 77 Metascore
    • 100 Tim Goodman
    The acting (from a mostly unknown cast), cinematography (you can just stare at this series) and especially Weiner's writing carry the series to exceptional heights.
    • 88 Metascore
    • 100 Tim Goodman
    The writing is a real thing of beauty - from the aforementioned nuance to searing workplace witticisms and pitch-perfect tone from a multitude of characters.
    • 87 Metascore
    • 100 Tim Goodman
    All the elements Mad Men does well - the humor, the note-perfect clothing and sets, the creeping cultural change - are still there to be savored.
    • 84 Metascore
    • 100 Tim Goodman
    The first three episodes of Season 2 that AMC sent out continue that level of achievement with no evident missteps.
    • 89 Metascore
    • 100 Tim Goodman
    Soak in the visuals, listen to the mesmerizing use of sound. The writing and acting will lure you in, but have appreciation for all the details that go into making this series so great.
    • 80 Metascore
    • 100 Tim Goodman
    Generation Kill is rewarding in its complexity. It feels real - and that realness is bracing, sad and funny in equal measures.
    • 68 Metascore
    • 100 Tim Goodman
    Few series have exploded onto the scene with such a rich array of potential stories and inherently interesting characters.
    • 86 Metascore
    • 100 Tim Goodman
    As Sutter proved in the intriguing and original first season, there's plenty more riveting storytelling to tap into as Sons of Anarchy boldly comes of age.
    • 86 Metascore
    • 100 Tim Goodman
    The Pacific is a superb, viscerally moving and harrowing depiction of World War II and a worthy complement to "Band of Brothers" (2001).
    • 81 Metascore
    • 100 Tim Goodman
    Little Dorrit is anchored by an extraordinary performance by one of England's best actors. And like "Twist," that central performance is only one of many elements that make Dorrit not only terrific entertainment, but, in some ways, perhaps even better than its source material.
    • 92 Metascore
    • 100 Tim Goodman
    What is not surprising at all about the fourth season of one of television's elite series is that Weiner continues to explore what it means to be human.
    • 84 Metascore
    • 100 Tim Goodman
    Sons of Anarchy remains as bare-knuckled and, almost inconceivably, as funny and crass as ever. And it doesn't take Season 3 very long to ratchet up the twists
    • 78 Metascore
    • 100 Tim Goodman
    Glee, one of the season's best and most anticipated new series, delivers on both counts - and more. It's a quirky, sweet, humorous, nonpartisan funfest.
    • 71 Metascore
    • 100 Tim Goodman
    If you like big-screen-level thrills and complicated plot structures, you'll opt-in to FlashForward. And you'll be rewarded. Here's hoping it stays strong and compelling as it heads to April 29.
    • 57 Metascore
    • 100 Tim Goodman
    The Life & Times of Tim--is flat-out brilliant and easily one of the funniest newcomers to television.
    • 84 Metascore
    • 100 Tim Goodman
    It means there's finally something good (and funny) on Tuesday nights.
    • 88 Metascore
    • 100 Tim Goodman
    Just like "The Wire," Simon has again delivered a series unlike anything you've seen on television before.
    • 86 Metascore
    • 100 Tim Goodman
    In a fall season surprisingly flush with good sitcoms, the best new comedy by far--and it's not that close of a race - is Modern Family on ABC.
    • 80 Metascore
    • 100 Tim Goodman
    The best news of all is that Olyphant backs it up with an incredibly riveting performance. Better yet, Justified as a whole really delivers, from the explosive pilot to a couple of other, less adrenaline-filled but no less superb episodes that add humor and nuanced storytelling to the mix.
    • 88 Metascore
    • 100 Tim Goodman
    There's a vibrancy to the stories in each Boardwalk Empire episode. With echoes of the gangland mentality of "The Sopranos" and the frontier recklessness of "Deadwood," HBO seems to have found in Boardwalk Empire a fertile, sprawling new franchise series.
    • 84 Metascore
    • 100 Tim Goodman
    In the case of Sunny, it comes out of the gate as brilliantly twisted as ever.
    • 66 Metascore
    • 100 Tim Goodman
    Shameless is excellent, compelling television from the first moment. As long as it stays true to the roots of the original, it's going to be essential viewing.
    • 96 Metascore
    • 100 Tim Goodman
    Breaking Bad is unquestionably one of the greatest dramas in TV history. What it should be rewarded and applauded for is the wanton willingness to throw the concomitant success of all that away in the service of the story.

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