For 733 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Battlestar Galactica (2003): Season 3
Lowest review score: 0 Freddie: Season 1
Score distribution:
733 tv reviews
    • 33 Metascore
    • 0 Tim Goodman
    "The Bedford Diaries" is just woeful -- the most trite, forced and stage-managed piece of empty titillation you're likely to see.
    • 40 Metascore
    • 25 Tim Goodman
    Let's present some evidence for you to analyze: A tired premise. Overly familiar characters. Dull writing. An unclear tone. A series that pales in comparison to any of the "CSI" shows and pretty much every new crime and punishment procedural in the last five years.
    • 40 Metascore
    • 38 Tim Goodman
    The whole series just misses its mark -- despite that mark being one of the fattest, ripest targets imaginable.
    • tbd Metascore
    • 25 Tim Goodman
    There's a tart edge to some of the jokes, which helps the series, but the too- obvious nature of most of the humor and the pat good-parents-versus-bad- parents setup is trite.
    • 63 Metascore
    • 25 Tim Goodman
    To call Firefly a vast disappointment is an understatement. Whedon has proven he's capable of brilliance, but this is mere folly.
    • 39 Metascore
    • 25 Tim Goodman
    "Courting Alex" is sadly predictable and unfunny at pretty much every turn.
    • 37 Metascore
    • 0 Tim Goodman
    This is probably the worst sitcom of the fall.
    • 37 Metascore
    • 25 Tim Goodman
    Mainly Carpoolers uses the cheap conceit of four guys sharing time in the car (confiding in each other, getting away from their troubles at home) to distract you from the fact this is merely another unfunny comedy of forced antics, cliched jokes and unbelievable characters.
    • 37 Metascore
    • 25 Tim Goodman
    "Pepper Dennis" is so poorly written that the hokey dialogue not only besmirches journalism, but television journalism, which really takes some serious hackery to accomplish.
    • 51 Metascore
    • 0 Tim Goodman
    45 minutes of bad writing, bad acting and bad storytelling.
    • 74 Metascore
    • 25 Tim Goodman
    A charming but underwhelming pilot.... The second episode is dismal, sucking all the air out of whatever hopes you might have had for that one.
    • 74 Metascore
    • 38 Tim Goodman
    By the time the second hour comes on Monday and tries to give these characters some dimension, you already know that the talent on both sides of the camera simply isn't there to make this a worthwhile trip.
    • 73 Metascore
    • 30 Tim Goodman
    Getting On is mostly a depressing and unfunny (which is more depressing) look at an eldercare facility, the people winding down their days ignominiously in said facility and a handful of people who work there.
    • 57 Metascore
    • 25 Tim Goodman
    Luckily, the writing here is so moronic and the situations so forced and mundane, it's easier to dismiss what is, all told, pretty fantastic work on behalf of Galecki and Parsons.
    • 70 Metascore
    • 25 Tim Goodman
    The writing is forced and thin, some of the acting stagey, most of the characters unlikable and - the show-killer quality that HBO execs apparently failed to see--profoundly boring.
    • 45 Metascore
    • 25 Tim Goodman
    This is a series that shimmers with potential -- until Dove shows up. Someone at the network must have thought "Free Ride" was too irreverently weird and creatively nuanced, so they made Dove as annoyingly cartoonish as possible.
    • 71 Metascore
    • 30 Tim Goodman
    Nine years later, The Comeback is back, as unwatchable and unfunny as the first time around.
    • tbd Metascore
    • 0 Tim Goodman
    The cheesiest reality show yet. ... It's hysterically bad. Honestly.
    • 54 Metascore
    • 25 Tim Goodman
    The trouble with Castle is that it's just so completely fluffy - which is annoying.
    • 40 Metascore
    • 25 Tim Goodman
    Please say this is entertainment--and nothing more. That might not make it all right, but it would restore a whole lot of faith.
    • 58 Metascore
    • 25 Tim Goodman
    Seems a gigantic miss for HBO. Although King has tried to write a B-story for Cherish -- her home life -- it doesn't ring true.
    • 44 Metascore
    • 25 Tim Goodman
    Unfortunately, most of the rest of the casting (and thus, acting) is a disaster. The writing is weak. And the fish-out-of-water story grows old within minutes. Not even a cute cub can save it.
    • 28 Metascore
    • 12 Tim Goodman
    If "The War at Home" spent more time on good jokes instead of recycling every gimmick ever seen on TV, it might merely be mediocre, but it's worse.
    • 68 Metascore
    • 30 Tim Goodman
    It has neither the exactitude of the times nor the talent of the writers to get at the issues, ala Mad Men, that illuminate the issues of the day.
    • 44 Metascore
    • 25 Tim Goodman
    Bland and rote.
    • 67 Metascore
    • 38 Tim Goodman
    To its credit, next week's second episode is better than tonight's revamped pilot: tighter, funnier and more expansive to other cast members.
    • 46 Metascore
    • 25 Tim Goodman
    One Tree Hill is more like "One Ill-Conceived Idea" or "One Note Hill." It just sits there, like desperate mush, a recipe for success that is bland and unsatisfying. It's like they came up with the concoction -- teen angst and pouting and brooding and raw emotions and shirtlessness -- then mixed it all together with lumpen writing and overarching themes.
    • 66 Metascore
    • 20 Tim Goodman
    A to Z quickly puts you to sleep with its far-fetched Hallmark-style romance.
    • 65 Metascore
    • 20 Tim Goodman
    Dumb and obvious and formulaic.
    • 65 Metascore
    • 25 Tim Goodman
    Belushi and O'Connell are two jokers who love the law and practice in Las Vegas and ... oh, forget it. The show is lousy.

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