For 662 reviews, this critic has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

  • TV
Average review score: 62
Highest review score: 100 Studio 60 on the Sunset Strip: Season 1
Lowest review score: 0 Women's Murder Club: Season 1
Score distribution:
662 tv reviews
    • 74 Metascore
    • 25 Tim Goodman
    A charming but underwhelming pilot.... The second episode is dismal, sucking all the air out of whatever hopes you might have had for that one.
    • tbd Metascore
    • 70 Tim Goodman
    "The West Wing" needs changes, and it needs them now. Without a revamping of the show in some significant fashion, it runs the risk of losing its importance, dropping its political cachet and looking for all the world like a fine, if not sterling, bit of Hollywood fictional fluffery.
    • 74 Metascore
    • 38 Tim Goodman
    By the time the second hour comes on Monday and tries to give these characters some dimension, you already know that the talent on both sides of the camera simply isn't there to make this a worthwhile trip.
    • 74 Metascore
    • 75 Tim Goodman
    It’s clear, then, that the allure and the annoyance of the series rest in the same area. FX gets “Nip/Tuck” to stand out in a crowded field by being provocative both under the knife and under the sheets. Sex and surgery are the draw, but the acting, the emotional battlegrounds and even the issues raised are ultimately the reasons the series excels.
    • 74 Metascore
    • 80 Tim Goodman
    Over the course of six hours it delivers bold, cinematic on-location action, announces itself with sweeping, dramatic dialogue (admittedly, not for everyone) and scatters excellent acting across the small screen.
    • 74 Metascore
    • 80 Tim Goodman
    The film isn't trying to break ground with revelations, so what it comes down to is whether Game Change is a good movie, as opposed to a balanced documentary. For the most part, it is.
    • 46 Metascore
    • 50 Tim Goodman
    It's painfully derivative on so many fronts that it sometimes seems you're watching five reality shows at once.
    • 74 Metascore
    • 100 Tim Goodman
    In Cinema Verite, 90 minutes might not do justice to the historical impact of An American Family. But it makes you wish there were 90 more minutes to the story, which is saying something.
    • 74 Metascore
    • 75 Tim Goodman
    Breaking Bad promises seven compelling and unique hours of drama.
    • 73 Metascore
    • 90 Tim Goodman
    Episodes, which got uproarious laughter in cut-down form at the Television Critics Assn. press tour in July, does not disappoint an ounce as it rolls through a seven-episode season. It also signals a savvy return to television for LeBlanc, who manages to be the butt of the joke one moment then hilariously likable the next.
    • 73 Metascore
    • 70 Tim Goodman
    Stoppard's storytelling structure has an odd rhythm to it, and White's direction can be both majestically beautiful and transitionally jarring. But combined, their choices allow Parade's End to achieve an exquisiteness, a sense of high art.
    • 73 Metascore
    • 80 Tim Goodman
    There's a nice balance of humor (Groff in particular gets to milk the comedy) and emotional drama coursing through it (like Girls, which makes a fine pair for it on Sundays).
    • 73 Metascore
    • 75 Tim Goodman
    "Andy Barker, P.I." is a joyous, ridiculous, warm, affecting and silly comedy that is tone specific (read: Not everybody is going to get the vibe, and thus the jokes).
    • 68 Metascore
    • 100 Tim Goodman
    Few series have exploded onto the scene with such a rich array of potential stories and inherently interesting characters.
    • 73 Metascore
    • 80 Tim Goodman
    Along the way, Elementary should prove rather conclusively that it's a solid cousin to Sherlock and will give fans of the character more chances to see him solve crimes.
    • 49 Metascore
    • 50 Tim Goodman
    CBS can turn a lot of tired fluff into sitcom hits, so who knows about Accidentally on Purpose? There are laughs here and there, but mostly it's all so very familiar and not remotely as funny as "Modern Family" or "Cougar Town."
    • 58 Metascore
    • 50 Tim Goodman
    Intriguing--but not especially enjoyable.
    • 58 Metascore
    • 50 Tim Goodman
    Three sitcom veterans can elevate comfortable mediocrity only so high. There's probably not one setup, premise or joke that you haven't seen before (or will see coming) in the entirety of your sitcom-watching life.
    • 73 Metascore
    • 90 Tim Goodman
    It is, flat out, one of the most intriguingly entertaining new series of the year, and it’s so much more than pure entertainment. For a sci-fi series, there’s some real heft to it.
    • 73 Metascore
    • 70 Tim Goodman
    Arrow, proves to be both on-brand and entertaining--if you turn off the snark detector and downplay the need for plausibility or logic.
    • tbd Metascore
    • 80 Tim Goodman
    If you're thinking that "TV Funhouse" makes "South Park" look like "Masterpiece Theatre," well, you're pretty close. The laughs here often are scatological, sexual or just plain childish and silly. Which, of course, is the whole reason for watching.
    • 73 Metascore
    • 75 Tim Goodman
    Lone Star has enormous potential to be a complicated, tightrope-walking tale of two lives. Or it could just implode. Like "The Event," it's worth your investment, but you'll have to record one or the other.
    • 70 Metascore
    • 50 Tim Goodman
    The pilot is so packed with nauseating moments meant for shock value that only the most desperate of viewers will get to the second episode in search of something, well, a little less wince-inducing.
    • 72 Metascore
    • 50 Tim Goodman
    After watching the first four episodes, it's clear that despite the familiar adrenaline rush and a (temporarily) tighter rein on the ridiculous, 24 hasn't changed much at all.
    • 72 Metascore
    • 80 Tim Goodman
    So, during the course of three episodes, there's not much sucking up, enough dissing to keep the whole thing honest, tons of magnificent cars, fast driving and enough goofiness to make this Top Gear get off the line without any mishaps.
    • 72 Metascore
    • 70 Tim Goodman
    It's that very attraction--familiar characters acting with familiarity and only the slipperiest of soap schemes to throw them off course--that fuels this series. It's not particularly elite anymore, but it's incredibly efficient.
    • 72 Metascore
    • 50 Tim Goodman
    The decline of '24' is almost as harrowing as one of its patented pulse-pounding dramatic moments. ... Maybe '24' won't be so head-slappingly ludicrous this time around, but the first two episodes do little to give cynics reason for hope. [27 Oct 2003]
    • 64 Metascore
    • 75 Tim Goodman
    Both Paquin and Moyer do well here. And True Blood is fleshed out with other interesting characters getting to spout well-written lines. But at times the whole thing seems silly.
    • 72 Metascore
    • 30 Tim Goodman
    Getting On is mostly a depressing and unfunny (which is more depressing) look at an eldercare facility, the people winding down their days ignominiously in said facility and a handful of people who work there.
    • 72 Metascore
    • 100 Tim Goodman
    If you like big-screen-level thrills and complicated plot structures, you'll opt-in to FlashForward. And you'll be rewarded. Here's hoping it stays strong and compelling as it heads to April 29.