For 703 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Weeds: Season 4
Lowest review score: 0 The Loop: Season 1
Score distribution:
703 tv reviews
    • 74 Metascore
    • 70 Tim Goodman
    The pilot is one of those good-not-great propositions that many pilots are, particularly those trying to establish a complex world.
    • 74 Metascore
    • 90 Tim Goodman
    It’s certainly an intriguing pilot--you can’t take your eyes off of Spader and the writers have thrown in a couple of other interesting twists.
    • 48 Metascore
    • 50 Tim Goodman
    Although the cases in Raising the Bar are apparently influenced by real-life cases, they tend to be either predictable or predictably unpredictable, however you want to look at it. In combination with the characters, this makes Raising the Bar about an average law series. That's pretty good for TNT, but less than expected from Bochco - fair or not.
    • 74 Metascore
    • 75 Tim Goodman
    Fans can read into it whatever they want, but the series' greatest strength is the vampire quality of accepting fate and reveling in it.
    • 74 Metascore
    • 80 Tim Goodman
    There is a slightly claustrophobic feel to some of the pilot--reminiscent of the feeling the revamped Battlestar Galactica gave--but you can't help but feel that on a submarine. Despite that, Last Resort manages to move at a feverish pace, with pulse-pounding twists and turns.
    • 74 Metascore
    • 100 Tim Goodman
    Welcome back, 30 Rock. Even in a season of wonderful sitcoms--trend story alert!--you get it done.
    • 51 Metascore
    • 0 Tim Goodman
    45 minutes of bad writing, bad acting and bad storytelling.
    • 72 Metascore
    • 75 Tim Goodman
    Screenwriter Amanda Coe is to be credited not only for developing such rich characterizations, but also for the delicacy of the show's satiric point of view.
    • 74 Metascore
    • 80 Tim Goodman
    Beers and his crew are old hands at this, and they wring the drama out of Coal very quickly and compellingly. They get beyond the danger into the emotional territory, and that's where the gold is.
    • 74 Metascore
    • 75 Tim Goodman
    If the ambition of the pilot continues, American television may get another remake right. We'll have our first hint this next week. In the meantime, enjoy the pilot.
    • 74 Metascore
    • 25 Tim Goodman
    A charming but underwhelming pilot.... The second episode is dismal, sucking all the air out of whatever hopes you might have had for that one.
    • tbd Metascore
    • 70 Tim Goodman
    "The West Wing" needs changes, and it needs them now. Without a revamping of the show in some significant fashion, it runs the risk of losing its importance, dropping its political cachet and looking for all the world like a fine, if not sterling, bit of Hollywood fictional fluffery.
    • 74 Metascore
    • 38 Tim Goodman
    By the time the second hour comes on Monday and tries to give these characters some dimension, you already know that the talent on both sides of the camera simply isn't there to make this a worthwhile trip.
    • 74 Metascore
    • 75 Tim Goodman
    It’s clear, then, that the allure and the annoyance of the series rest in the same area. FX gets “Nip/Tuck” to stand out in a crowded field by being provocative both under the knife and under the sheets. Sex and surgery are the draw, but the acting, the emotional battlegrounds and even the issues raised are ultimately the reasons the series excels.
    • 74 Metascore
    • 80 Tim Goodman
    Over the course of six hours it delivers bold, cinematic on-location action, announces itself with sweeping, dramatic dialogue (admittedly, not for everyone) and scatters excellent acting across the small screen.
    • 74 Metascore
    • 80 Tim Goodman
    The film isn't trying to break ground with revelations, so what it comes down to is whether Game Change is a good movie, as opposed to a balanced documentary. For the most part, it is.
    • 46 Metascore
    • 50 Tim Goodman
    It's painfully derivative on so many fronts that it sometimes seems you're watching five reality shows at once.
    • 74 Metascore
    • 100 Tim Goodman
    In Cinema Verite, 90 minutes might not do justice to the historical impact of An American Family. But it makes you wish there were 90 more minutes to the story, which is saying something.
    • 74 Metascore
    • 75 Tim Goodman
    Breaking Bad promises seven compelling and unique hours of drama.
    • 73 Metascore
    • 90 Tim Goodman
    Episodes, which got uproarious laughter in cut-down form at the Television Critics Assn. press tour in July, does not disappoint an ounce as it rolls through a seven-episode season. It also signals a savvy return to television for LeBlanc, who manages to be the butt of the joke one moment then hilariously likable the next.
    • 73 Metascore
    • 70 Tim Goodman
    Stoppard's storytelling structure has an odd rhythm to it, and White's direction can be both majestically beautiful and transitionally jarring. But combined, their choices allow Parade's End to achieve an exquisiteness, a sense of high art.
    • 73 Metascore
    • 80 Tim Goodman
    There's a nice balance of humor (Groff in particular gets to milk the comedy) and emotional drama coursing through it (like Girls, which makes a fine pair for it on Sundays).
    • 73 Metascore
    • 75 Tim Goodman
    "Andy Barker, P.I." is a joyous, ridiculous, warm, affecting and silly comedy that is tone specific (read: Not everybody is going to get the vibe, and thus the jokes).
    • 68 Metascore
    • 100 Tim Goodman
    Few series have exploded onto the scene with such a rich array of potential stories and inherently interesting characters.
    • 73 Metascore
    • 80 Tim Goodman
    Along the way, Elementary should prove rather conclusively that it's a solid cousin to Sherlock and will give fans of the character more chances to see him solve crimes.
    • 49 Metascore
    • 50 Tim Goodman
    CBS can turn a lot of tired fluff into sitcom hits, so who knows about Accidentally on Purpose? There are laughs here and there, but mostly it's all so very familiar and not remotely as funny as "Modern Family" or "Cougar Town."
    • 58 Metascore
    • 50 Tim Goodman
    Intriguing--but not especially enjoyable.
    • 58 Metascore
    • 50 Tim Goodman
    Three sitcom veterans can elevate comfortable mediocrity only so high. There's probably not one setup, premise or joke that you haven't seen before (or will see coming) in the entirety of your sitcom-watching life.
    • 73 Metascore
    • 90 Tim Goodman
    It is, flat out, one of the most intriguingly entertaining new series of the year, and it’s so much more than pure entertainment. For a sci-fi series, there’s some real heft to it.
    • 73 Metascore
    • 70 Tim Goodman
    Arrow, proves to be both on-brand and entertaining--if you turn off the snark detector and downplay the need for plausibility or logic.