For 766 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Rescue Me: Season 3
Lowest review score: 0 Dominion: Season 1
Score distribution:
766 tv reviews
    • 72 Metascore
    • 100 Tim Goodman
    Watching Fox’s wonderfully creative and ridiculously entertaining new series, The Last Man On Earth, you can’t help but laugh (it’s a comedy--duh), but also be truly and utterly impressed.
    • 43 Metascore
    • 75 Tim Goodman
    What works so well in the series is that the four friends are so distinctly different, and the writers are able to adjust the level of humor to each.
    • 57 Metascore
    • 25 Tim Goodman
    Luckily, the writing here is so moronic and the situations so forced and mundane, it's easier to dismiss what is, all told, pretty fantastic work on behalf of Galecki and Parsons.
    • 81 Metascore
    • 88 Tim Goodman
    What helps separate "The Nine" from others in this season's crowded field are stellar performances throughout and a steady, sure hand in the pilot.
    • 70 Metascore
    • 25 Tim Goodman
    The writing is forced and thin, some of the acting stagey, most of the characters unlikable and - the show-killer quality that HBO execs apparently failed to see--profoundly boring.
    • 78 Metascore
    • 100 Tim Goodman
    "Weeds" is colossally great... a series far better than its premise and utterly essential for devotees of smart, entertaining television.
    • 72 Metascore
    • 50 Tim Goodman
    After watching the first four episodes, it's clear that despite the familiar adrenaline rush and a (temporarily) tighter rein on the ridiculous, 24 hasn't changed much at all.
    • 59 Metascore
    • 75 Tim Goodman
    It has a zest, from the voice-over to the sharp writing and sexy cast, that was completely unexpected. Duhamel has star appeal, and Caan is can't-miss.
    • 45 Metascore
    • 50 Tim Goodman
    [It] ultimately succumbs to being an inferior story on a broadcast network that can't even remotely match two far better cable series ["The Sopranos" and "Brotherhood"].
    • 72 Metascore
    • 90 Tim Goodman
    The Rashomon-style storytelling takes a bit to get used to, and the sometimes feverish flow of the jokes (which fans may remember from the hall-of-fame first three seasons) struggle to unleash themselves in the first couple of episodes, but then it snowballs into seven-and-a-half hours of hilarity just waiting for a movie to follow it up.
    • 72 Metascore
    • 80 Tim Goodman
    This kind of limited series is a step in the right direction. And it sure helps that the first hour is intriguing as hell and filled with a lot of storytelling promise. If viewers catch the pilot, they’ll be back for the next episode. Some critics, too.
    • 72 Metascore
    • 60 Tim Goodman
    Outside of Stoll, The Strain struggles to develop its characters in the first few episodes.
    • 72 Metascore
    • 88 Tim Goodman
    A very original, extremely well-acted and complexly written drama.
    • 72 Metascore
    • 100 Tim Goodman
    Right out of the gate, "The Boondocks" is a water-cooler series that lives up to the hype. It is funny, fearless and continues the vibe of the strip.
    • 72 Metascore
    • 50 Tim Goodman
    There is something too pat, too telegraphed in "Invasion" to rile up the blood.
    • 72 Metascore
    • 75 Tim Goodman
    Screenwriter Amanda Coe is to be credited not only for developing such rich characterizations, but also for the delicacy of the show's satiric point of view.
    • 71 Metascore
    • 100 Tim Goodman
    As good as Rome is -- and it's an epic, multilayered thing of beauty -- it's still not on the level of "The Sopranos" or "The Wire" or "Deadwood." That's almost an unfair comparison, but it's also true. On the other hand, "Rome" unfolds like a marvelously shot big-screen movie, each scene (filmed on location in Italy) dripping with money well spent and a meticulous grandeur that rewards you for paying extra for HBO.
    • 71 Metascore
    • 75 Tim Goodman
    NBC did renew Parks and Recreation and, like a small miracle of second-act redemption, it comes back on Thursday as a fully realized and very funny sitcom.
    • 69 Metascore
    • 75 Tim Goodman
    What's partly holding "CSI: Miami" back from being great is that, as in the original "CSI," the whole premise is too pat.
    • 71 Metascore
    • 100 Tim Goodman
    If you like big-screen-level thrills and complicated plot structures, you'll opt-in to FlashForward. And you'll be rewarded. Here's hoping it stays strong and compelling as it heads to April 29.
    • 61 Metascore
    • 75 Tim Goodman
    More emotional, equally gripping, "CSI: N.Y." proves that with care you can successfully copy yourself across the TV schedule. [21 Sep 2004]
    • San Francisco Chronicle
    • 71 Metascore
    • 75 Tim Goodman
    "Thief" doesn't levitate with genre-busting genius, but it is very FX, which means it's very real and well executed, a series that doesn't pander.
    • 71 Metascore
    • 50 Tim Goodman
    Ultimately, everybody's affable in this series. There are no sharp right angles, no emotional elbows.
    • 71 Metascore
    • 70 Tim Goodman
    Agents of SHIELD always felt like a series that was missing a center (those superheroes), and it took a lot of episodes for the series to even find its own way and establish its own characters as at least semi-interesting substitutes to what you got at the movies. Gotham, on the other hand, arrives as its own entity, a wholly realized universe, in a separate time and place, with enough intriguing characters and a stylized visual presence that is immediately intriguing.
    • 71 Metascore
    • 80 Tim Goodman
    The escapism is sky high. Valley remains as charismatic as ever, with McBride's disdainful asides and Haley's chilly creepiness intact. It would be unfortunate if Human Target somehow got soapy or dumber, because good popcorn is rare.
    • 53 Metascore
    • 50 Tim Goodman
    There are bits of "8 Simple Rules..." that are genuinely funny and hint at better things to come. But the full 22 minutes doesn't stick together well and ends up feeling like a comedy that's been overdone.
    • 71 Metascore
    • 100 Tim Goodman
    The new offering, from executive producers Ronald D. Moore and David Eick (the team behind "BSG"), stands on its own and in many ways might be more inviting to viewers who are not hard-core sci-fi fans.
    • 45 Metascore
    • 25 Tim Goodman
    This is a series that shimmers with potential -- until Dove shows up. Someone at the network must have thought "Free Ride" was too irreverently weird and creatively nuanced, so they made Dove as annoyingly cartoonish as possible.
    • 71 Metascore
    • 30 Tim Goodman
    Nine years later, The Comeback is back, as unwatchable and unfunny as the first time around.
    • 71 Metascore
    • 80 Tim Goodman
    The show from creator Nahnatchka Khan is fresh and funny, with fast-paced jokes and witty cynicism in abundance.

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