Todd McCarthy
Select another critic »
For 1,367 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Shrek
Lowest review score: 0 Being Human
Score distribution:
1,367 movie reviews
    • 89 Metascore
    • 100 Todd McCarthy
    Ida
    Frame by frame, Ida looks resplendently bleak, its stunning monochromes combining with the inevitable gloomy Polish weather and communist-era deprivations to create a harsh, unforgiving environment.
    • 89 Metascore
    • 90 Todd McCarthy
    Artist evinces unlimited love for the look and ethos of the 1920s as well for the style of the movies. The filmmakers clearly did their homework and took great pleasure in doing so, an enjoyment that is passed along in ample doses to any viewer game for their nifty little conceit.
    • 89 Metascore
    • 90 Todd McCarthy
    If films about coping with memory loss and/or reverse-order storytelling now constitute a mini-genre, then Eternal Sunshine of the Spotless Mind is arguably the best of the lot.
    • 89 Metascore
    • 90 Todd McCarthy
    Taken together, "Flags" and "Letters" represent a genuinely imposing achievement, one that looks at war unflinchingly -- that does not deny its necessity but above all laments the human loss it entails.
    • 88 Metascore
    • 90 Todd McCarthy
    It stands as a unique film-within-a-film, of significance for the historical value of the raw images, the memories they spur and internal evidence of how the Nazis staged scenes long assumed to be real.
    • 88 Metascore
    • 90 Todd McCarthy
    Has a sharper narrative focus and a livelier sense of forward movement than did the more episodic "Fellowship."
    • 88 Metascore
    • 90 Todd McCarthy
    Technically superb and witty in an old-fashioned, veddy British way that will delight many adults but will sail over the heads of young audiences.
    • 88 Metascore
    • 80 Todd McCarthy
    No matter one's personal stance about what Snowden did, this revelatory work is fascinating and thought-provoking, if, at the same time, oddly lacking in tension; unlike the provocations of Michael Moore or Oliver Stone, the temperature of this film is very cool.
    • 88 Metascore
    • 100 Todd McCarthy
    Up
    A captivating odd-couple adventure that becomes funnier and more exciting as it flies along.
    • 88 Metascore
    • 90 Todd McCarthy
    Robert Redford's handsome, smartly constructed new film stands likely to capture the imagination of the educated, culturally inclined public.
    • 88 Metascore
    • 80 Todd McCarthy
    Constant lateral tracks, push-ins, whip-pans, camera moves timed to dialogue, title cards, chapter headings, miniatures, use of stop-action, fetishization of clothing and props, absurdist predicaments — all the techniques Anderson has honed over the years — are used to pinpoint effect here.
    • 88 Metascore
    • 90 Todd McCarthy
    Toy Story 2 is to "Toy Story" what "The Empire Strikes Back" was to its predecessor, a richer, more satisfying film in every respect.
    • 87 Metascore
    • 90 Todd McCarthy
    This handsomely produced period piece is easily the most emotionally effective bigscreen melodrama since "The Joy Luck Club," as well as the most intelligent.
    • 87 Metascore
    • 90 Todd McCarthy
    James has done a wonderful job of telling a colorful life story.
    • 87 Metascore
    • 70 Todd McCarthy
    Redford, who can’t avoid exuding charisma, plays this role with utter naturalism and lack of histrionics or self-regard.
    • 87 Metascore
    • 80 Todd McCarthy
    The antithesis of “let’s-put-on-a-show” fluff, Whiplash...is about the wages of all-out sacrifice and commitment.
    • 87 Metascore
    • 90 Todd McCarthy
    Errol Morris delivers a compelling, thoughtful and entirely involving documentary in The Fog of War.
    • 87 Metascore
    • 100 Todd McCarthy
    Remarkably funny and entirely convincing, film pulls off the rare accomplishment of being an in-drag comedy which also emerges with three-dimensional characters.
    • 87 Metascore
    • 80 Todd McCarthy
    This ostensible gay Western is marked by a heightened degree of sensitivity and tact, as well as an outstanding performance from Heath Ledger.
    • 87 Metascore
    • 100 Todd McCarthy
    Fully justifying the decision, once thought purely mercenary, of splitting J.K. Rowling's final book into two parts, this is an exciting and, to put it mildly, massively eventful finale that will grip and greatly please anyone who has been at all a fan of the series up to now.
    • 87 Metascore
    • 100 Todd McCarthy
    Particle Fever succeeds on every level, but none more important than in making the normally intimidating and arcane world of genius-level physics at least conceptually comprehensible and even friendly to the lay viewer.
    • 86 Metascore
    • 80 Todd McCarthy
    Tony Kushner's densely packed script has been directed by Spielberg in an efficient, unpretentious way that suggests Michael Curtiz at Warner Bros. in the 1940s, right down to the rogue's gallery of great character actors in a multitude of bewhiskered supporting roles backing up a first-rate leading performance by Daniel Day-Lewis.
    • 86 Metascore
    • 80 Todd McCarthy
    [A] wryly poignant and potent comic drama about the bereft state of things in America’s oft-vaunted heartland.
    • 86 Metascore
    • 90 Todd McCarthy
    Driven by fantastic energy and a torrent of vivid images of India old and new, Slumdog Millionaire is a blast.
    • 86 Metascore
    • 90 Todd McCarthy
    Wickedly funny.
    • 86 Metascore
    • 100 Todd McCarthy
    Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
    • 86 Metascore
    • 100 Todd McCarthy
    King of the Hill has all the rich satisfactions of a fine novel.
    • 86 Metascore
    • 100 Todd McCarthy
    The film's exhilarating originality, black comedy and tone that is at once empathetic and acidic will surely strike a strong chord with audiences looking for something fresh that will take them somewhere they haven't been before.
    • 86 Metascore
    • 80 Todd McCarthy
    Beautifully acted by a diverse ensemble, this Good Machine production is carefully crafted and deliberately paced.
    • 86 Metascore
    • 90 Todd McCarthy
    Argo is a crackerjack political thriller told with intelligence, great period detail and a surprising amount of nutty humor for a serious look at the Iran hostage crisis of 1979-81.