For 682 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.2 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 Mad Men: Season 4
Lowest review score: 25 Star-Crossed: Season 1
Score distribution:
  1. Negative: 93 out of 682
682 tv reviews
    • 87 Metascore
    • 100 Tom Gliatto
    This haunting New Zealand miniseries boasts a strong, tense performance from Mad Men's Elisabeth Moss as a detective, but it's very much the work of director Jane Campion. [25 Mar 2013, p.44]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    In season 2 of PBS's richly clever Sherlock, the Victorian tales have been refitted to our century. [14 May 2012, p.44]
    • People Weekly
    • 87 Metascore
    • 100 Tom Gliatto
    Very little happens in the first three hours of this anthology crime series, yet it's absolutely riveting. [20 Jan 2014]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    It's educational, kid-oriented and fun, and Tyson us confidently smooth popularizer of science. [17 Mar 2014]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    The show is infernally good. [17 Mar 2014]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    This remains far and away the best prime-time sitcom: crisp and farcical, but very kind. [25 Oct 2010, p.37]
    • People Weekly
    • 99 Metascore
    • 100 Tom Gliatto
    Bad has taken the complexity of modern television storytelling to new levels. [23 Jul 2012, p.37]
    • People Weekly
    • 76 Metascore
    • 100 Tom Gliatto
    Put his [Bobby Cannavale's] floridness up against Buscemi's poker-faced acidity and you get fireworks. [24 Sep 2012, p.57]
    • People Weekly
    • 75 Metascore
    • 100 Tom Gliatto
    As police superintendent Teresa Colvin, Jennifer Beals gives a revelatory, no-nonsense performance that should make Tom Selleck's mustache bristle with envy....This should be lots of fun. [7 Feb 2011, p.39]
    • People Weekly
    • 69 Metascore
    • 100 Tom Gliatto
    This is an epic portrait of a woman who's monumentally single-minded yet uncomprehending, and watching her rise and fall inspires a sick awe. [4 Apr 2011, p.50]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    It's mesmerizing. [26 Mar 2012, p.44]
    • People Weekly
    • 80 Metascore
    • 100 Tom Gliatto
    Regina King heads the solid ensemble. these folks are dutiful, proud and bonetired. [10 Jan 2011, p.40]
    • People Weekly
    • 76 Metascore
    • 100 Tom Gliatto
    The two hours available for review are cinematically rich, full of sleek, oily pools of darkness. [11 Feb 2013]
    • People Weekly
    • 93 Metascore
    • 100 Tom Gliatto
    Louie remains a small miracle--a shaggy-dog story, hopping with fleas, maybe rescued froma pound, that outdazzles Lassie, Air Bud and the rest. [12 May 2014,]
    • People Weekly
    • 74 Metascore
    • 100 Tom Gliatto
    Beautifully filmed, George Harrison: Living in the Material World is especially good on the singer-guitarist's post-Beatles life as he sought enlightenment in Eastern religions. [10 Oct 2011, p.40]
    • People Weekly
    • 67 Metascore
    • 100 Tom Gliatto
    The show's fun, and a little freaky. [2 Oct 2006, p.45]
    • People Weekly
    • 75 Metascore
    • 100 Tom Gliatto
    Here's one of the most offbeat new shows of the new season. Also one of the best. [13 Sep 2010, p.48]
    • People Weekly
    • 67 Metascore
    • 100 Tom Gliatto
    The show promises to be sexy fun. [6 Sep 2010, p.47]
    • People Weekly
    • 96 Metascore
    • 100 Tom Gliatto
    The Show has evolved into a modern underworld Western--there's nothing else like it. [18 Jul 2011, p.41]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    It's the jungle version of Saving Private Ryan's opening battle, over and over across 10 hours. Why, then, is this so excitingly powerful instead of just numbing? Because the stakes are huge: The historical momentum pulls you in and drags you along.
    • People Weekly
    • 79 Metascore
    • 100 Tom Gliatto
    The photography is sweepingly gorgeous--this must be the best of all possible planets. [18 Apr 2011, p.46]
    • People Weekly
    • 65 Metascore
    • 100 Tom Gliatto
    The scares are not as over-the-top as American Horror Story but more chilling because they're applied glancingly. [13 Feb 2012, p.44]
    • People Weekly
    • 85 Metascore
    • 100 Tom Gliatto
    [A] cool yet intensely emotional British crime series. [24 Jun 2013, p.40]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    The show is gorgeously produced and spectacularly violent but its success depends chiefly on Buscemi....A brilliant, brutally funny performance. [20 Sep 2010, p.51]
    • People Weekly
    • 82 Metascore
    • 100 Tom Gliatto
    A zombie-apocalypse fantasy set in Atlanta, this is the scariest series U've ever seen. [8 Nov 2010, p.39]
    • People Weekly
    • 59 Metascore
    • 100 Tom Gliatto
    Gellar commands every scene. Hers is a true, potent star turn. [12 Sep 2011, p.43]
    • People Weekly
    • 75 Metascore
    • 100 Tom Gliatto
    [A] delicious over-the-top comedy. [2 Oct 2006, p.45]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    If the Granthams are low on dough, emotionally they're richer than ever. [14 Jan 2013, p.51]
    • People Weekly
    • 78 Metascore
    • 100 Tom Gliatto
    When The Close comes to a close, we'll lose one of the best TV detectives of the past decade. [11 Jul 2011, p.33]
    • People Weekly
    • 67 Metascore
    • 100 Tom Gliatto
    The show is cluttered with cutesy sidekicks, including Gabourey Sidibe as a student and John Benjamin Hickey as Cathy's homeless brother. But Linney's a big deal. [30 Aug 2010, p.37]
    • People Weekly

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