For 1,277 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

V.A. Musetto's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Oldboy
Lowest review score: 0 Controlled Chaos
Score distribution:
1,277 movie reviews
    • 37 Metascore
    • 25 V.A. Musetto
    Dom DeLuise, as a fruitcake director, and John Waters fave Mink Stole, as Robin's Jewish mother, spice things up, but not enough to make Girl Play worthwhile.
    • 35 Metascore
    • 25 V.A. Musetto
    So bland that it fails to make an impression.
    • 35 Metascore
    • 25 V.A. Musetto
    Huppert is wonderful, as usual, and she's to be congratulated for taking this daring role. But, alas, even she can't save Ma Mere.
    • 43 Metascore
    • 25 V.A. Musetto
    The writing, acting and direction are so amateurish that the only thing you'll care about is escaping the theater.
    • 29 Metascore
    • 25 V.A. Musetto
    The one highlight is Julia Nickson, who breathes life into the role of Ethan's evil stepmom.
    • 36 Metascore
    • 25 V.A. Musetto
    The street action is a grabber, but the story itself isn't.
    • 46 Metascore
    • 25 V.A. Musetto
    If the sight of naked, sweaty French hunks gets you going, well, then, Three Dancing Slaves is a must-see.
    • 47 Metascore
    • 25 V.A. Musetto
    It's hard to make a dull movie with copious nudity and all kinds of sex (straight, bi and gay), although French filmmakers Olivier Ducastel and Jacques Martineau manage to do so in Cote d'Azur.
    • 56 Metascore
    • 25 V.A. Musetto
    Garcon Stupide features the best gay seduction scene ever filmed on a Ferris wheel. Unfortunately, you have to sit through the entire movie to get to it. Whether you want to will depend on your interest in explicit gay sex.
    • 51 Metascore
    • 25 V.A. Musetto
    An uninspired gay coming-of-age import from Germany.
    • 31 Metascore
    • 25 V.A. Musetto
    The Greeks have a word for Blackmail Boy: boring.
    • 44 Metascore
    • 25 V.A. Musetto
    The story is so contrived and the dialogue so stilted that no amount of talent could save Exist.
    • 60 Metascore
    • 25 V.A. Musetto
    Almereyda's muddled Happy Here and Now should have stayed on the shelf - where it's been gathering dust for several years.
    • 48 Metascore
    • 25 V.A. Musetto
    Andy Lau and Siu Fai Mak, the men behind the successful Hong Kong police thriller trio "Infernal Affairs," should be arrested for directing Initial D.
    • 8 Metascore
    • 25 V.A. Musetto
    Schwartz throws in so many characters and implausible subplots - none worth mentioning - that Perception sinks under its own weight.
    • 57 Metascore
    • 25 V.A. Musetto
    Ohayon doesn't judge Thompson or his customers, but you don't need to be a Harvard-educated psychiatrist to realize that the bunch of them are dirty old men who treat women as commodities.
    • 48 Metascore
    • 25 V.A. Musetto
    Politics aside, Trudell plays like an infomercial for its subject rather than a serious examination of the man and his beliefs.
    • 43 Metascore
    • 25 V.A. Musetto
    Not even Sandra Oh, as Phoebe's boss, and Elodie Bouchez ("The Dreamlife of Angels"), as Ashade's sister-in-law, can keep Sorry, Haters from becoming a sorry mess.
    • 32 Metascore
    • 25 V.A. Musetto
    Melodramatic and heavy-handed.
    • 33 Metascore
    • 25 V.A. Musetto
    A cheesy and unpleasant splatterfest.
    • 62 Metascore
    • 25 V.A. Musetto
    Now that even Woody Allen has stopped making "Woody Allen movies," you would think that wannabes would move on, too.
    • 54 Metascore
    • 25 V.A. Musetto
    The film plays like one long commercial. The music's cool, but you're better off buying the CD.
    • 61 Metascore
    • 25 V.A. Musetto
    The story lacks focus. The senses blur as wives and ex-wives come and go, and Harry regularly falls off the wagon, only to reform the next day.
    • 33 Metascore
    • 25 V.A. Musetto
    As a narrative, Shem, directed by Caroline Roboh, is a pointless hodgepodge, with a finale that will leave viewers scratching their heads.
    • 46 Metascore
    • 25 V.A. Musetto
    Mainstream moviegoers will be put off by the subtitles, and art-house fans will be insulted by the story's shallowness.
    • 40 Metascore
    • 25 V.A. Musetto
    Sex can be fun and exciting and wonderful. It also can be deadly boring, as in Psychopathia Sexu alis.
    • 30 Metascore
    • 25 V.A. Musetto
    The autobiographical script meanders and the acting never solidifies. Besides, the leads look too old to be in high school - maybe even college.
    • 36 Metascore
    • 25 V.A. Musetto
    Tucker's message is sometimes on target, even if his film isn't.
    • 49 Metascore
    • 25 V.A. Musetto
    There's potential here, but the script is entirely too, shall we say, Hollywood. There's even a dog-poop joke.
    • 44 Metascore
    • 25 V.A. Musetto
    The movie's one-star rating is solely for Mary Elizabeth Winstead, who provides eye candy as Morris' film-student granddaughter, Lisa.

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