For 802 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.6 points higher than other critics. (0-100 point scale)

Verne Gay's Scores

Average review score: 69
Highest review score: 100 Game of Thrones: Season 5
Lowest review score: 0 Zombie Apocalypse
Score distribution:
  1. Negative: 69 out of 802
802 tv reviews
    • 67 Metascore
    • 67 Verne Gay
    It's an exhaustive and exhausting film, but Garbus finds nothing that will change minds or reverse conclusions. The tragic void remains.
    • 54 Metascore
    • 67 Verne Gay
    Bonnie & Clyde really is just another biopic with superior production values, a few good performances and a pair of protagonists who deserve no sympathy, and receive none here.
    • 54 Metascore
    • 67 Verne Gay
    Not great, not terrible--just your standard-issue TV movie about a well-known historic event.
    • 72 Metascore
    • 67 Verne Gay
    Interesting detours, and a worthy show--but at times just a smidgen too self-righteous and melodramatic.
    • 71 Metascore
    • 67 Verne Gay
    There's so much to like here. Now, all P&R has to do is become consistently likable.
    • 36 Metascore
    • 67 Verne Gay
    Pauly is still Pauly--but he's a more grown-up version who cares about his friends, ailing dad and career.
    • 47 Metascore
    • 67 Verne Gay
    At least Emily proves she's got the chops to cast a shadow of her own.
    • 54 Metascore
    • 67 Verne Gay
    Stellar production, famous leads. What's missing? Heart.
    • 55 Metascore
    • 67 Verne Gay
    I laughed. Not often, or perhaps not often enough, but there was also enough McFarlane-esque gross-out sophomoric tomfoolery to keep even me reasonably entertained for a half-hour. Plus, good ol' likable Cleveland works well as a leading man.
    • 52 Metascore
    • 67 Verne Gay
    It's summer, expectations are low, and you could do a lot worse than this genial, softhearted import.
    • 58 Metascore
    • 67 Verne Gay
    Mostly boilerplate teen soap that lacks the (umm) zest of "Sex and the City"--a good thing, in case you're wondering.
    • 61 Metascore
    • 67 Verne Gay
    This is a thoughtful, dutiful historic drama filled with all the requisite period details and British accents, too. But what's missing here, glaringly so, are passion and sweep .
    • 69 Metascore
    • 67 Verne Gay
    The performance tends to be monochromatic, and in the end, so is Mildred Pierce. What's especially enjoyable here are the minor performances--especially Pearce as the louche Monty--and the many almost imperceptibly small details, right down to the crockery in a restaurant.
    • 58 Metascore
    • 67 Verne Gay
    Garcia is a major-league cutie and sunny on-screen presence without being cloying. But enough with the filthy-rich-kid dramedies!
    • 42 Metascore
    • 67 Verne Gay
    Competent spinoff, but the formula tends to wear like a straitjacket on Whitaker.
    • 64 Metascore
    • 67 Verne Gay
    Falco is very good, always is, but her show has gotten tired.
    • 56 Metascore
    • 67 Verne Gay
    A not-bad formula gothic that'll rise or fall on the Dekker/Robertson chemistry; I'm betting on the former.
    • 58 Metascore
    • 67 Verne Gay
    At first, the pace is slow--make that glacial--but [the] pilot episode (and especially Sunjata) are good-natured enough to make you want to stick around to see if this gels into anything approaching an FX drama (it does not).
    • 63 Metascore
    • 67 Verne Gay
    A not-unpleasing comedy that takes time and commitment to grow on you. How long? I started to like it three or four episodes in. Seems like an awfully long time, no?
    • 64 Metascore
    • 67 Verne Gay
    Respectable, incomplete survey (on TV) Thursday night, but future installments look better.
    • 49 Metascore
    • 67 Verne Gay
    Amusing, dumb, silly--exactly what you'd expect.
    • tbd Metascore
    • 67 Verne Gay
    Will a cheerfully biased newcomer with a few amusing, well-crafted one-liners be enough to get FX on the boards in late night? To paraphrase Yoda, difficult to say--always in motion is the future--but Rock may want to light a fire under this act sooner than later.
    • 70 Metascore
    • 67 Verne Gay
    Hilarious implausibility, overheated dialogue and enough soap to do several loads of laundry are part of its appeal.
    • 58 Metascore
    • 67 Verne Gay
    While True Blood remains wildly and bloodily inventive--and will certainly remain a huge HBO hit--there's still an overwhelming sense that deja-vu-all-over-again has set in.
    • 60 Metascore
    • 67 Verne Gay
    Passable summer thriller with some decent (for TV) action sequences. The plot? You've been there, done that.
    • 66 Metascore
    • 67 Verne Gay
    The acting is solid all around--just not entirely convincing.
    • 58 Metascore
    • 67 Verne Gay
    I do know something about TV shows, and this one works best when Anne Slowey is on camera (which is not nearly enough) and the program focuses on clothing - that great, exasperating, endlessly complicated art form known as "fashion."
    • 78 Metascore
    • 67 Verne Gay
    Michael is a clinically interesting personality type who is profoundly unempathetic, until such times as he is very empathetic. The wonderful creative trick of The Office is knowing exactly the right moment to humanize Michael.
    • 54 Metascore
    • 67 Verne Gay
    Placid and often incomprehensibly bland, Combat Hospital still has flashes of intelligence. Definitely worth a second look.
    • 39 Metascore
    • 67 Verne Gay
    Ambitious and intermittently entertaining, Zero Hour--and its celebrated lead--don't quite hit all their marks. But at least the mystery's a hoot.

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