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67

Generally favorable reviews - based on 31 Critics What's this?

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7.8

Generally favorable reviews- based on 27 Ratings

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Score distribution:
  1. Positive: 20 out of 31
  2. Negative: 0 out of 31
  1. Reviewed by: Lou Lumenick
    Nov 1, 2012
    88
    Walken was largely typecast in quirky roles as a result of playing the title character's brother in "Annie Hall," so it's something of a delightful irony that 35 years later, Walken finds his most rewarding role leading a terrific ensemble in what amounts to one of the best Woody Allen movies that Allen wasn't involved in making.
  2. Reviewed by: Steve Persall
    Nov 14, 2012
    83
    How many surprises and peaks can Walken possibly have left, after so many movies and memorable roles? Well, there's this one.
  3. Reviewed by: Neil Smith
    Mar 25, 2013
    80
    The leads make sweet music in an affecting four-piece that, if not note perfect, plays well to their individual strengths. A marked improvement overall on this year’s other Quartet.
  4. Reviewed by: Mary Pols
    Nov 1, 2012
    70
    A Late Quartet serves as an acting showcase, particularly for Walken and Hoffman, and makes for an interesting study in artistic ego.
  5. Reviewed by: Ty Burr
    Nov 1, 2012
    63
    The performances are worth a look, especially since Christopher Walken so rarely gets to play a sane person.
  6. Reviewed by: Mike Scott
    Dec 14, 2012
    60
    The sort of movie you should go see with someone you love. You should also hold their hand during the movie. And be thankful that that hand is there.
  7. Reviewed by: Kevin Jagernauth
    Sep 11, 2012
    50
    The trio (Hoffman/Keener/Walken) give top shelf performances as we've always come to expect from them in A Late Quartet. But it's just too bad that they're in service of Yaron Zilberman's film, which takes the unique focus of a string quartet in Manhattan, and puts it in the middle of a standard and unsatisfying soap opera, that spins off into one subplot too many.

See all 31 Critic Reviews

Score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. Nov 11, 2012
    10
    This is a terrific film. It is well-written and directed by one of the screenwriters (Zilberman). The acting is superb, especially by Seymour and Walken. It is a story of relationships, starting with individual needs and desires and strengths and weaknesses, but all held together when they are one in a string quartet. It demonstrates the individuality of four people who are then welded together to produce a great unit producing lovely music. The whole cannot function without the individuals, a microcosm of society in general. The story begins with the deterioration of Walken who is the glue that holds them all together, and then the unit falls further apart only to come together at the end in a great final scene. This film will not receive thenumber of viewers it should, which will be a great loss for those who do not see it, and a great film for those who do. Expand
  2. Nov 13, 2012
    10
    One of the best of the year, with possible Oscar nods for Walken Hoffman, Keener and Poots. The story was varied and fascinating and it nicely gave time to each character's struggle. Exciting shots of NYC, great music, and nice work by the cast to make us believe they were really playing. Expand
  3. Nov 14, 2012
    9
    A rare film, an ensemble cast (nearly every performance stood out in sharp relief) brings the life of a quartet fading into age, ill health, and the convoluted relationships that are the fabric, ruin, and making of people and the intense musical conversations that evolve over decades of making music together. There were standout performances by Philip Seymour Hoffman, Christopher Walken and Catherine Keener. This is a small film, yet with a richness that belies it's lack of an adequate advertising budget, and which stands out singularly against the tide of popcorn sequels and violent mush. This film ought to see several oscar nominations, but will likely be overlooked.. See it while you can, it is a dying breed of film, that focuses on quality of portrayal, character development, and an keen honesty that leaves you entertained, and like good poetry... with a razor sharp grasp of the intimate relationships that are the musical world of quartets. Expand
  4. Jan 8, 2013
    9
    As the film opens and the four members of the renown, Manhattan based Fugue string-quartet grace their humble audience and stage, they slowly bow
  5. Mar 31, 2013
    8
    What a wonderful surprise. The performances in this film are so good it beggars belief that no member of the cast garnered any recognition, anywhere. Indeed the film has somehow gone right under the radar. It may be Christopher Walken's best performance in an age; it's so refreshing to see him break at last from lunatic typecasting and bring to life a sensitive musician blanketed in grief and confronting darkness. Hoffman is amazing, along with the whole cast. There are so many richly written scenes in this film, played out by such superb actors, that you can't help be swept up in the turmoil of their relationships. A real achievement. Expand
  6. Nov 12, 2012
    7
    Last week it was loud rock and roll music on stage for an hour and 45 minutes in
  7. Mar 22, 2013
    7
    The casts is universally solid, with Walker and Hoffman giving two great, empathetic performances. Enjoyable if a tad melodramatic and with plot that is too predictably resolved. Collapse

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