- Studio: Universal Pictures
- Release Date: May 17, 2002
- Critic Score
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100The timing and cutting of the film are terrific, the build-up to an absurdly hilarious climax is just right, and the performances are near perfect.
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100That rare romantic comedy that dares to choose messiness over closure, prickly independence over fetishized coupledom, and honesty over typical Hollywood endings.
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90As close to mainstream perfection as I've seen all year. It gives us everything we want, need and deserve without batting an eye.
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90Sophisticated and nuanced, and every character is bursting with emotional contradictions.
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90Movie purists will tell you that a heavy reliance on voice-over is a sin (show, dont tell), but when the words are this funny, to hell with purity.
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90It's irresistible, damn it. Mainstream comedies should all be this funny and tender and deftly performed.
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90Better than a feelgood movie, it's a feelgreat movie -- genuinely clever, affecting when you least expect it to be and funny from start to finish.
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90Hilarious, touching and wonderfully dyspeptic.
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89About a Boy knows exactly what it wants to do: It wants to make you smile, and grin, and then laugh with recognition, and it manages all three, again and again.
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88We have all the action heroes and Method script-chewers we need right now, but the Cary Grant department is understaffed, and Hugh Grant shows here that he is more than a star, he is a resource.
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88It's funny, moving and true, and it respects the audience's intelligence as much as the characters'. That combination, no matter the movie's label, deserves to be treasured.
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88The summer movie season has barely begun, and already we have its first big surprise.
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88The film is a sharp, funny, touching tale.
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88About a Boy is a rarity in many ways. It's a well-written, witty film whose memorable characters grapple with the nature of family, love, friendship and despair. Even its soundtrack, by Badly Drawn Boy, is perfectly pitched.
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83Hugh Grant has grown up, holding on to his lightness and witty cynicism but losing the stuttering sherry-club mannerisms that were once his signature. In doing so, he has blossomed into the rare actor who can play a silver-tongued sleaze with a hidden inner decency.
User score distribution:
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Positive: 44 out of 50
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Mixed: 6 out of 50
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Negative: 0 out of 50
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6I have to admit that when any adaptation manages to stand side by side as an equal with the novel, it surprises me. â